Nonureva Really Surprised!

Dartherer I really don't get the hype.

Iseerphia All that we are seeing on the screen is happening with real people, real action sequences in the background, forcing the eye to watch as if we were there.

Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

ShaolinMime Unsatisfied after finishing a horror movie that we thought would scare us straight, a few friends and I looked for a movie On Demand. We were intent on ending the night terrified, but as the a.m. crept up on us, we decided to just settle for a laugh. And, upon reading the title of this movie, "The Baby's Room", as well as the comical synopsis On Demand provided, we thought that was exactly what we would get.We started the movie and chatted through the first ten minutes or so. One friend refused to watch a movie with subtitles, but quickly noticed what they were saying and got interested. Five minutes later, everyone in the room was screaming. That's one of my favorite things about this film. Typically, good horror movies start slow, build suspense, and end with a terrifying finale. "La habitación del niño", or "The Baby's Room", starts with a bang, leaving you on the edge of your seat for the rest of the movie. There are slow parts here and there, but the mystery of the plot and the knowledge that anything could jump out and scare you at any moment helps you through those patches and smoothly escorts you to the explosive climax. In short, a man and his wife have moved into a new home with their newborn baby. Just as they begin to settle in, they start to hear noises on the baby monitor. Surprisingly, rather than passing it off as house sounds or coincidence, the protagonist believes that something fishy is going on. He buys a baby monitor with a video display, so he can see into his son's room at all times. The video monitor uncovers even more paranormal activity and therein lies the beauty of this film. The way they centralize all the horror around something as simple as a baby monitor is brilliant.I understand that the title of the film, or the short description you may read for it On Demand, can easily warrant hesitation. But, I can assure you that this movie will suck you in early on, and keep raising your interest, slowly but surely, as the plot spirals into a complex, thrilling mystery, until you arrive at the ultimately satisfying and chilling ending.

Scarecrow-88 Imagine there's a paradox containing you in another world, a more frightening you that should remain locked in a box never to be opened or unleashed.The Baby's Room, as part of the 6 Films to Keep You Awake series, a normal family will never recover after moving into a peculiar house which seems to house a dark history, ala The Grudge, where a man murders his wife and baby and this traumatic series of events can be seen on television baby monitors. Juan(Javier Gutiérrez), a soccer reporter for a newspaper, sees a man next to his baby's crib through a television monitor and, from this moment on, becomes obsessed with discovering not only who he is but how this pertains to the new house they are living in. As he searches for the truth, soon learning of the possible paradox, a scientific theory brought to his attention by a cynical recluse who knows a little about everything, Juan's wife Sonia(Leonor Watling)becomes increasingly worried of his worsening condition. Even when she moves out with the child when Juan nearly kills them with a kitchen knife, we ourselves witness his deterioration, although it's relayed to us what it is that is driving him mad. Despite warnings not to "enter the box once opened", Juan might've just allowed something evil to escape.Álex de la Iglesia's The Baby's Room seems an awful lot like a "cursed house" movie at first, similar to The Amityville Horror or Ju-on:The Grudge, where a violent act relives over and over soon inflicting harm to those who inhabit an unfriendly abode. Juan, as portrayed by Gutiérrez, is incredibly concerned for his family and seemingly yearns to understand what the hell is going on in his house. In doing so, he learns of a disturbing truth which might've been better left a mystery. It's one of those tales where you just wish the family would leave the premises and never look back, knowing that this would not be the case and perhaps only terror lies in the future for them. To Iglesia's credit, he could've easily ended this on a positive note, but as often is the case, if one pokes his nose too far it's liable to be bitten off. We also see how Juan's paranoia and fear affects his marriage with Sonia..how she wants to make the marriage work, yet always finds, in her eyes, that Juan can not remain civilized and sane. We can see from both points-of-view, which I think is a great thing for a terror tale such as this one, where we sympathize with both parties, and see that as long as Juan persists about some evil out to get them, Sonia will do whatever it takes to protect herself and the child from what might possibly be a hostile threat, her own husband. The twist is a shock to the system because Sonia realizes her error, and yet is in no position to correct it.

Claudio Carvalho In Spain, the journalist of sports Juan (Javier Gutiérrez) has a perfect life with his wife Sonia (Leonor Watling): they have just had a baby and moved to an old house that needs to be repaired in a fancy neighborhood. When Juan's sister and her husband visit the couple, they give an electronic nanny to monitor the baby's room. During the night, Juan and Sonia hear voices in the room but they do not find anybody. On the next day, Juan hires an alarm system for the house and a monitor to observe the baby's room. When Juan sees a man in the room, he gets a knife to protect his son; however, Sonia believes her husband is insane and moves to the house of her mother. Juan investigates the happening with the former journalist Domingo (Sancho Gracia), who explains him the paradoxical experiment Schrodinger's Cat and the existence of parallel worlds. Further, he advises the obsessed Juan to leave the house otherwise could be trapped in another world."La Habitación del Niño" is a great supernatural movie, with an original ghost story explained through the complex Schrödinger's thought experiment. The first half of the story is magnificent, with Juan and Sonia showing a deep love for each other; however, Sonia not believing on her husband contradicts their love and friendship and the madness and obsession of Juan recalls Jack Nicholson in "The Shining". Anyway it is a totally different tale of haunted house, with great acting, frightening atmosphere and beautiful cinematography. My vote is eight.Title (Brazil): "Presença do Mal" ("Presence of the Evil")

johnmec2003 The movie is based in an episode popular old horror TV-series made by Narciso Ibañez Serrador for the Spanish national TV of the time. Considering that I would say that this is an enjoyable movie. There are some surprises as the story develops and it managed to keep me wondering about the end result. Acting is not too good but it is not horrible either, and the pace is just fine.In case you are wondering, the horror you would be dealing with here is more of the psychological type. I think it can be interesting also for an American audience, because of the way it is shot. It contains elements that make it similar to the "The Shining".