Stometer Save your money for something good and enjoyable

Sexyloutak Absolutely the worst movie.

TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

Brooklynn There's a more than satisfactory amount of boom-boom in the movie's trim running time.

classicsoncall The gong-ing sound played over the opening credits was exactly the same as the one produced by an old clock in the attic of my house when I was just a kid, going back almost sixty years now. I discovered it on one of my forays upstairs and nearly jumped out of my shorts when I accidentally got it to chime. The room had pretty much the same old dark house atmosphere of the mansion in this movie, and with very little lighting, the thing just scared the bejeezus out of me. But eventually I got over it and managed to play it over and over again as the weeks went by. I had to quit though when I found out a gorilla lived up there, that was about the same time I saw "King Kong" for the first time.So this picture must have had it's fans back in the very early days of talking movies, and for that one can give it some credit. It doesn't take too long to realize that there might have been some inspiration here for the character of Batman in the comic book world, who made his debut in Detective Comics #27 in May of 1939. So that was almost a full decade later. Not only the character, but there was also that cool smokescreen effect produced by the getaway car right after the 'Bat' pulled off the bank heist. Add to that the various pulleys and ropes the Bat used in the story and you had a lot of early material being tested out here for the Caped Crusader to put into his repertoire.Story wise though, unless you're a patient sort and willing to watch just about anything (which I am), the picture can be a chore. The best thing going for it in my estimation was the great atmospherics - the dark corridors, the revolving fireplace and that makeshift laundry chute that got used a couple of times. It appears the film makers were going for comedy along with the horror/mystery element, and I couldn't help thinking that it would have passed muster if Laurel and Hardy might have shown up. But gee, most of the players wound up screeching or going into exaggerated hysterics whenever something ominous was about to happen, and for me that was something of a turn-off.And Chester Morris - man, his facial expressions were just hilarious. I guess I should have seen it coming but I didn't - when he revealed himself to be The Bat I thought it was just the dumbest thing. Here he's proclaiming "I've got the greatest brain that ever existed" while his foot's caught in a bear trap and he's wrapped in a chain by the unwitting action of some other characters. It occurred to me that all of this could have been avoided if Detective Anderson (Morris) simply didn't show up. As the Bat he pulled off the jewel heist and bank robbery, so why was he even at the Van Gorder mansion to investigate a jewel heist and bank robbery? But the best had to be the time Dr. Venrees (Gustav von Seyferrtitz) began wildly shooting at the presumed villain escaping up the stairs. With his first four shots fired, there were already more than a dozen bullet holes in the wall! It's enough to drive you batty.

binapiraeus Some of those who have seen "The Bat Whispers" claim that it's dated - well, they should keep in mind that it's a REMAKE (and in fact, very true to the original concerning the plot) of the silent movie "The Bat"; if you're not a great friend of silents and don't like the 'hammy' acting style silent actors HAD to use to convey their feelings and intentions without words, then you might call "The Bat" dated. But "The Bat Whispers" - despite the absolute faithfulness to the original, and to the stage play on which both movies are based - has got quite an innovative style for its age.Contrary to the silent film, which was shot largely in the traditional style regarding camera techniques and other technical features, "The Bat Whispers" introduces to the mystery genre of the 30s, which had just begun to thrive at the time of its making, new camera angles which confuse and scare the audience even further; and of course the sound that was 'missing' in the original version provides us with all kinds of creepy noises like bats screaming, wolves howling, thunder - and of course the housemaid's constant screams of terror! Sound also made it easier for the scriptwriters to convey the rather twisted plot to the audience; and the dialogs are in NO way old-fashioned, neither do the actors overplay (except maybe for Chester Morris, who at times seems to take his role TOO seriously). In fact, besides Grayce Hampton as the wacky, but enormously courageous lady writer who becomes the heroine this time, Una Merkel as her niece surprises everybody who has seen a certain number of movies from the era in a most positive way: instead of the silly, squeaking little girl she usually was cast as, here she plays a sensitive, even clever young woman who only breaks down when things really become TOO horrible to bear...And, of course, the dialogs also give more room to the comical element - the way the lady and her maid quarrel and tease each other all the time isn't only hilariously funny, but also pretty modern for the time! And yet, those elements don't take anything away from the tense atmosphere and the suspense - because all the time you feel that any moment a thunder might crash or a shot might be fired, or a mysterious shadow might appear menacingly on the wall...So, the balance of comical relief and moments of extreme suspense is held perfectly, the direction is supreme and the technical quality of the picture very high for the standards of the early 30s. Now, regarding the 'old mansion mystery' plot - that may not be 'en vogue' at the moment (but it's almost sure to return someday; Hollywood screenwriters are slowly running out of new ideas...); but the audience DOES seem to be very fascinated by 'escapist' movies: today the fashion are ghost ships, resurrecting mummies and vampire love stories; compared to that, "The Bat Whispers" is a VERY realistic crime movie with a VERY real killer!

westerfield I've watched the 1926, 1930 and 1930 wide screen versions many times over the years. However, the other day I finally watched the widescreen on my 5x6 foot screen which I usually save for 3D and football. The details really jumped out. There are so many wonderful camera tricks, many of which I cannot explain. As a professional modeler I can say that the miniatures were far ahead of their time, as was the skill in photographing them. They probably were only exceeded beginning with the Star Wars attack on the death star.The fluidity of the camera was amazing for its time. The old lady and the maid walk down a long corridor, talking all the time as the camera moves ahead of them. They walk into a room and sit at a table which was right in the path of the camera. Later in the film a character vaults over a 3 foot wall and runs down a path with the camera following him, apparently right through the wall. The shadows of the Bat as he hulks on the floor are inhuman. On several startling occasions the characters jump right into the camera. These and more have been mastered for years but this film discovered them. If you are familiar with the climax of The Alibi, you remember the special effect that seemed almost real, not surpassed until CGI. The Bat Whispers is filled with such effects.Yes, the film is static, despite all the goings on. And the acting, although unacceptable by 1932 standards was about average for 1930. However, I would gladly have strangled Maude Eburn who ruined every scene she was in. The Bat Whispers is really a guilty pleasure for modelers, cinematographers and horror fans.

funkyfry A tour-de-force of chases, shootouts, and robbery, as "The Bat" terrorizes a city, and particularly the renters of a mansion where he makes his hideout. Nearly everybody is a suspect, but the key lighting pretty much gives it away. Nonetheless, West keeps the pace moving so fast that we don't really have time to stop and think about much of anything. Features West's trademark effects with miniatures and wires. Some remarkable photography (in 65mm, no less) in the disappearing silent gothic tradition makes this movie a link from the newly emerging horror scene to the old "haunted house with criminals" genre into which it more properly falls. "Goofy gothic" excellence.