Plantiana Yawn. Poorly Filmed Snooze Fest.

Boobirt Stylish but barely mediocre overall

Tayloriona Although I seem to have had higher expectations than I thought, the movie is super entertaining.

Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Leofwine_draca THE BELLS OF DEATH is one of the earlier swordplay movies made by the Shaw Brothers studio. It's not one of their best works but I found it better paced than THE ASSASSIN made during the same period, for example. The director is clearly influenced by Japanese samurai cinema which makes the action scenes and staging quite unique at times; they do stand out compared to the norm.The story is sparse and familiar, although stylishly told. Chang Yi's family is wiped out by bandits in the opening massacre scene, leading him on a path of revenge. There's plenty of action to keep the narrative moving along nicely along with bloody effects that make this a sometimes comic-book style romp. Chin Ping simpers in a damsel-in-distress type role, but the likes of Ku Feng shine as the oily villains and it's a pleasure to see bit parts for Wu Ma and Sammo Hung.

poe426 When a roving trio of murderers wipe out his family for no particular reason, Wei (Yi Chang) vows vengeance. He stumbles across an elderly martial arts master who quickly and efficiently dispatches a band of would-be bandits. He dogs the old master until he can literally go no further; he collapses, and wakes to find that the old man is willing to take him under his wing. In an interesting break with tradition, THE BELLS OF DEATH eschews the usual training sequences that would normally follow and instead leaps ahead five years. The next time we see Wei, it's obvious from his demeanor that he's not the same hapless bumpkin that we saw earlier. He promptly proves it by taking on a gang of pimps and "liberating" their latest acquisition. The carefully measured movie-making is a welcome change of pace from the frenetic, free-floating wirework and cgi of contemporary kung fu films; THE BELLS OF DEATH is like a western (Wei wears bells that jinglejanglejingle), and many of the scenes play out like the showdowns in American westerns. There is some good, solid action that compliments the solid filmmaking. Highly recommended.

xBMVHx Bells of Death is a classic Shaw Brothers production that I first saw in the early 90s when it was released on VHS in North America. I remember being amazed when I discovered that it was made in 1968...and now that I have the restored DVD version put out by Celestial I can fully appreciate how fresh it still feels. This might seem counterintuitive considering that the plot revolves around a man who devotes his life to avenging the murder of his family at the hands of bandits...a kung fu cliché if there ever was one. But while the concept was by no means original in 1968, it was also far from being stale. Add to that the creative cinematography, camera work, and set pieces and it becomes apparent why Hollywood is still trying to catch up to Hong Kong action films almost 40 years later. So while some people call this film completely derivative, I wonder why it hasn't been copied more. Maybe just due to its relative obscurity.With the popularity of Tarantino's Kill Bill, his homage to Asian action cinema (the Shaw Brothers rip-off of the Warner Brothers marquee front and centre, the soundtrack almost directly lifted from films like Bells of Death) it might be instructive and entertaining for more people to watch these old Shaw Brothers' films. The candle fight scene at about the mid- point of Bells of Death is enough to justify hunting the film down. If Hollywood is going to strip mine old films to recycle ideas it could do much worse than recreating such brilliantly executed scenes.

boazdror Don't believe the last reviewer, or else you might find yourself missing out on a great "eastern" western. I rented the celestial remastered DVD of this movie and enjoyed the heck out of it. To think that the low star count given by the guy before me had me dreading this film: after seeing it I'm a bit upset at how a person can review this film with so little respect. It's unlike any of the other films made around this time, and it's so beautifully shot that the cinematography alone is worth your time. Made in 1968, this is easily one of the more brooding, unique swordplay films in the Celestial/IVL library. If you liked THE ASSASSIN and ONE ARMED SWORDSMAN, you'll like this film. The look is unique and the experience is a good one. Especially memorable are little flourishes: the director has a different take on the macho swordsman theme than the other directors in the Shaw stable, which makes the film a refreshing change of pace from Chang Cheh and Chu Yuan flicks. Worth a purchase? In my opinion, yes. Worth a look? Definitely.