Stellead Don't listen to the Hype. It's awful

Fairaher The film makes a home in your brain and the only cure is to see it again.

Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.

Ella-May O'Brien Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

wes-connors In 15th century Paris, poetic lover John Barrymore (as Francois Villon) leads crowds in an extended celebration of "All Fools' Day" which irks King Conrad Veidt (as Louis XI). Consequently, Mr. Barrymore is banished to the outskirts. After Barrymore is caught sneaking back to the city, Mr. Veidt sentences him to death. Barrymore proves himself cleverer than your usual connoisseur of wine, women, and song. He convinces the superstitions Mr. Veidt their deaths are destined to occur within the same day, and becomes a pampered member of the court. Soon, Barrymore risks his life to rescue beautifully figured Marceline Day (as Charlotte), and save France...This version of "If I Were King" is obviously tailor-made for Barrymore. The United Artists production values are very high.Barrymore was one of the best actors around through the 1920s. He appeared in relatively few films, but they were carefully selected. Here, he is probably at his "hammiest" - which he admitted upon seeing the film at a crowded premiere. Not to be outdone, Veidt chews a fair share of the scenery. Lucy Beaumont leads an accomplished supporting cast. However hammy, Barrymore is highly appealing. He is also, despite reports to the contrary, still in peak physical form. Not only does Barrymore display boundless energy, he plays the last act in a loincloth. Barrymore was now in his mid-forties. His famed "Great Profile" is also very much in evidence.******* The Beloved Rogue (3/12/27) Alan Crosland ~ John Barrymore, Conrad Veidt, Marceline Day, Lucy Beaumont

xerses13 This film is a good start for novices that have never watched a 'Silent Film' and for those who believe that quality Cinema started with their generations efforts. They are doing a disservice to themselves by not expanding their horizons. The 'Silent Film' is a art-form of acting in pantomime that is different from the sound film and the stage, it can stands on it's own merits.THE BELOVED ROGUE (1927) United Artists is a fictionalized history of the relationship of French Poet 'Francois Villon' and 'King Louis XI'. Through 'Villons' prodding 'King Louis' will defeat his nemesis 'Duke of Burgandy' minimize the Feudal System and establish the KING as head of the State and the beginnings of modern France.The cast is exceptional, lead by JOHN BARRYMORE (yes, Drew's GrandFather). For those who only remember him for the decaying actor 'Larry Renault' in DINNER AT EIGHT (1933) or the ham in THE INVISABLE WOMEN (1940) this will be a revelation. Fit, trim with the 'Great Profile' still in evidence he commands the screen. Co-Starring in his first American film is CONRAD VEIDT with his 'cadaverous spider' interpretation of 'Louis XI'. This is a duel of acting titans, each not giving the other a inch. On a trivia note is Character Actor and Dwarf ANGELO ROSSITTO in his first film, his last, MAD MAX BEYOND THUNDERDOME (1985). There are other character actors who would continue in sound that are easily picked up on. United Artists spared no expense in this handsome production supervised by WILLIAM CAMERON MENZIES. Costumes, Props and Sets are well done and not exaggerated like in a DOUGLAS FAIRBANKS productions. There is a touch of reality here. The copy on DVD that we watched from 'Delta Entertainment' came from a good master. Though not 'restored' its musical soundtrack was clear and the print only suffered from nuisance black-spots (dirt) and drop-outs. The only major damage at the end of the last reel from water. 'Kino' also has a edition which may be of a better quality since they do major restorations on their prints. Best check with them. In our opinion this is a 'must have' particularly if you have no 'silents' in your collection. This is a good place to start.

classicsoncall Most of the silent films I've seen have been serious in nature, so it was fun to see one with a comic touch. The setting and some of the scenes for "The Beloved Rogue" were reminiscent of 1923's "The Hunchback of Notre Dame" relative to the Paris street scenes and the celebration of the 'King of Fools'. John Barrymore portrays France's greatest poet Francois Villon in a characterization that ranges quite broadly from virtual slapstick to romantically tender; that 'water into wine' bit early in the picture was rather amusing.It seems that times never change, and it's interesting to see the movie make a cogent observation nearly a century ago - Paris has it's fool to reign for one night, while everywhere else has one all the time. How true.The appearance of Conrad Veidt in the film was a little surprising for this viewer, I've only seen him as Major Strasser in "Casablanca", oddly one of his very last movies. As King Louis XI, he's a monarch obsessed with astrology, crafty but suspicious, and it was a bit unnerving to see how closely he resembled Brad Dourif's Wormtounge character from the final chapter of the 'Lord Of The Rings' trilogy. Not exactly exuding the confidence a King of France might be expected to bear. Which is why the ascendancy of Burgundy's duke (Lawson Butt) seemed all the more plausible, until Villon rises to the occasion to put one over on both rulers.I found it interesting that the use of inter-title cards was exceedingly spare, used only when absolutely necessary to advance the story. Without them though, one would have missed a curious nugget. It seems Villon carried out his exile from Paris at the Hostel of the Lame Flea! The print I viewed was of exceptional quality, the very first film presented in a one hundred Action and Suspense movie DVD set from Mill Creek Entertainment, that's saying something for a film that's now eighty years old. It's great that movies from the silent era are now finding a wider distribution in this type of commercial format, making them accessible to an entirely new generation of movie lovers.One question - did it seem like Conrad Veidt's King Louis picked his nose on purpose, or as an inadvertent gesture that simply remained safe from the cutting room?

Pimpernel_Smith And nothing wrong in that! Heartily endorse the comments of boblipton and Snow Leopard.I'm thrilled to find this movie is available on US DVD - I've only ever seen it through once - I persuaded the Goethe Institute here in London to show it in their Conrad Veidt season some years ago - and long to see it again.Barrymore is resplendent when engaged, as in this movie, possibly because of the prick of having a renowned German actor as a foil. And Veidt is such a wonderful scene stealer (doesn't he pick his nose at one point?) This is one of the seminal films to connect 'Dr Jekyll' with '20th Century', 'Grand Hotel' or 'Midnight'; and 'The Cabinet of Dr Caligari' or 'The Student of Prague' with 'The Spy in Bladk', 'Contraband' and 'Casablanca'.See it!