WasAnnon Slow pace in the most part of the movie.

Holstra Boring, long, and too preachy.

Organnall Too much about the plot just didn't add up, the writing was bad, some of the scenes were cringey and awkward,

Fairaher The film makes a home in your brain and the only cure is to see it again.

loveydoveyy My first opinion for this movie is that it has beautiful cinematography by having the screen move in different directions and having a variety of shots. Even though it is in black and white, I find that the movie captures the lighting and darkness really well. The sounds effects for the movie is really amplified for example the crunching of the leaves or birds chirping, likewise for the soundtrack it made the movie more calming and beautiful with the violin or piano playing. The movie didn't have a lot of dialogue beside the narrator's voice of Abraham. It didn't sound like him either since it was more southern and not as high pitched. A better representation of Abraham's voice could be Daniel Day-Lewis's in Spielberg's Lincoln (2012) which is more high-pitched. I also find that the movie also explains Abraham Lincoln's life and his relationships with his family and friends very accurately, which the movie centers more on the interactions with his mother, step mother, and father. The actor that played Abraham didn't seem to show much emotions or show any personality traits throughout the movie for example, there was a lot of scenes that just focuses on his face with no emotions. Overall, I don't usually watch a black and white movie however, I enjoyed watching this since it was entertaining and wasn't dull or tedious to watch.

Tricia Snyder ****Warning - May contain spoilers****Then watch it for what Tom Lincoln says to young Abe toward the very end of the film. It is worth the entire rental. There is not much I can add, since so many people have beautifully reviewed this movie. But, I will say that few movies have taught me the value of stopping to really invest the time in my son's emotional and mental well-being in the far future as much as this movie. It is a lesson that is, perhaps, born out of the simpler and harsher way of life. But it is a lesson that parents of Millennials desperately need to cherish. It is a stark but beautiful movie. Very well done. The cinematography is stunningly gorgeous. Every word of dialogue is so purposeful that even the silence has meaning. It is not a movie to be watched for a history lesson on Abraham Lincoln. It is to be watched for a lesson on life.

danielmizzlemoss What is so immediately intoxicating about this film is the cinematography. From the first frame you are pulled into the experience as viscerally as moving image can manage. Albeit this is not, per se, immediate. The film actually begins with an extended introduction to the score or, more specifically, the leitmotif that will accompany you throughout much of the trajectory. This brings me to the main idea: this piece is ahistorical in many ways. Rather than a score befitting the time period, you make your acquaintance with a modern sounding slightly more minimal arc of sounds which speak more to the mood of the film than to anything aimed at a period drama. A fortiori, the decision to begin the film with this extended immersion into music—a medium beautifully unconstrained by the more limited potential of physical form is a titillating foreshadowing of what the director is after here. This movie intends to touch only on themes that span the course of human history (and perhaps transcend it entirely given the religious connotations often present (similar to The Tree of Life in that regard)) through the presentation of mood, love, loss, family, discipline, isolation, friendship, freedom etc. What makes this so successful is not the scope alone. Any film can be ambitious and fall flat but this endeavor found it's successful portrayal of the universal through specific attention to the particular (much as poetry does (and much as The Tree of Life did)). There is great attention to detail in this film and all of the powerful themes conveyed here are tightly woven into the fabric of a very historically particular life and time. This is what is so magical about The Better Angels. It is ambitiously universal in everything it intends to convey and it does so through a radical focus on the absolutely particular. This is a film about Abraham Lincoln's childhood and that is what you see... But!– You never even hear his name. To an outsider, uninitiated into American Culture and History, it would be the same experience. The detail is so zoomed in that only the most fundamental elements of the life and character portrayed here can be seen. The details that one speaks of in a history class are nowhere to be found. This film pulls you to two opposite ends of an essential spectrum of human knowledge. On one end: abstraction to the universal and on the other: absolute particularity. It is the way that the former permeates the latter that makes this film an exceptional work of cinema. Roger Ebert correctly daubed it: "a genuine American art film", and it is indeed that and yet more. This more, on it's own, however is insufficient. Being a genuine American film alone is insufficient. Combining the two such that the universal emerges from the details and routines of an American woodland childhood is what strikes gold. The message and medium chosen were paired together exquisitely and make for an immersive experience of cinematic poetry and thematic meditation. The Better Angels is indeed utterly American, and yet wholly universal all at once. I hope this enhances your experiences of it.Thanks. -DMp.s. I wrote this in an inspired frenzy so please excuse any potential iPhone typos and read my roving ramblings charitably. Cheers! p.p.s. It's quite beautiful that this is a film which defies typical cinematic structure so thoroughly that I am at a loss for how one could even potentially construct a description capable of containing spoilers. I don't think it can be done.

kosmasp Not really, especially if you watched this without having a clue who the young boy is supposed to be. It could be just any story about any young boy growing up. But it's not. It's young Abe Lincoln, something you could completely miss, like I did. Which happens because I do watch movies without reading up on them. So while it was obvious this was going to be a black and white film, I didn't know what it was about. It played at the Festival in Berlin, which does not always says a lot about the quality of the movie itself, but I tried.And I wasn't disappointed by the story of this boy. A story that is interesting in itself, but would not allow any conclusions about where this boy would go. Something people obviously did ask the director too, who was present at the screening. A very interesting stylised form, of a story of a man/boy you might not have heard/read yet ...