WasAnnon Slow pace in the most part of the movie.

Peereddi I was totally surprised at how great this film.You could feel your paranoia rise as the film went on and as you gradually learned the details of the real situation.

Catherina If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

Dana An old-fashioned movie made with new-fashioned finesse.

jvdesuit1 In a foreword by Georges Lautner, the director of the movie, he explains that he always alternated serious and comedy movies. La Grande Sauterelle is a follow up of Galia a drama which Lautner directed in 1966, the same year as an other comedy, "Ne nous fâchons pas". In 1967 he decided to return to more serious scenario and what makes the charm of the movie is the great sensitivity which surrounds the whole movie and the dialogs especially Francis Blanche which is playing a small part here. The crime aspect of the movie is not important. It's here to show how two very different human beings can suddenly become related to one another to the point to change the course of the life of one of them. Hardy Kruger and Mireille Darc are perfectly matched in the movie, not only because of their handsomeness but also because through their rather limited dialogs they are capable of transmitting to the viewer the emotions and thoughts of a whole generation at a moment when a profound change in the perception of life was going to happen or even was happening. Of course today younger generations cannot perceive what was at stake in those years and the film can only be fully appreciated by people who were reaching their adult life at that time, who were part of those changes. The film is also served by the great dialogs of Lautner's accomplice, Michel Audiard. Only fluent French speaking spectators can really appreciate the movie because those dialogs are untranslatable and no subtitles will ever succeed to give their flavor.

wvisser-leusden The bottom line of 'La grande sauterelle' (= French for 'the big jumping-girl') is criminality. However, this is never put on heavily, and in fact only & cleverly serves to provide some coherence to this film's main theme: adventure-seeking, chasing unchained freedom, chasing the liberty to do whatever one pleases to do. Which was pretty fashionable in 1967, the year 'La grande sauterelle' was issued.The attraction of the plot is favored considerably by its setting in Lebanon. Now don't go wrong in expecting some hippie adventure: 'La grande sauterelle' is located in expensive Lebanese hotels, tourist resorts and casino's. Pot, drugs and local Arab scenes aren't on the menu.The big jumping girl, who carefully avoids any dullness and routine, is credibly performed by Mireille Darc. However, Darc's male partner, German-looking Hardy Kruger, makes a less happy choice. Kruger surely acts well, but differs too much in character to make a convincing match.