Cathardincu Surprisingly incoherent and boring

Solidrariol Am I Missing Something?

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Claire Dunne One of the worst ways to make a cult movie is to set out to make a cult movie.

D_vd_B The Big Man is not a true genre movie. It isn't a boxing movie, not a crime movie and not a family drama, but elements from all those genres meet somewhere in this film.The setting is great. The director managed to choose a location that is barren, almost colourless and is obviously a skeleton of what it once was; a mining town. The coal mine has been shut down long ago and that is the beginning of the story. But I'm not going to give too much away of the hows and what's, for the film itself is good enough to tell it's own story without any problems.The acting is good. I can't tell if the people could pass as those that they portray, but they make it believable for those who have never been in Scotland. It's very easy to admire Neeson; main reason is that there are many villages with someone like him, only here it goes a little to the extreme.Even if there are fighters, gangsters and blood, this is still a drama. So it's rather slow. Don't watch this for the boxing or the gangsterism alone. All those elements make it a very rich movie, sometimes even towards the exotic. Downside to this is that it's not always easy to adapt 'all' facets of life. The movie focuses only once on a happening, and that is the fight it's all about. The rest is a little out of focus, but in the end it comes together to one important lesson.As some people in other comments already noticed; music is by Ennio Morricone. It's strange at first to hear an Italian soundtrack (with this I mean music in the style for Italian thrillers) when viewing Scotland, but is sure works. The music during the fight is a great build-up piece that goes from suspenseful to epic.I don't know what score to give this. I wanted to give it a 7, maybe because I didn't enjoy everything in it, but I'll give and 8 after all; I find this movie too sympathetic to give a 7 and there are many elements that I enjoy.Saw it on a Dutch 6 euro DVD with excellent quality and lots of subtitles. Maybe best purchase this month.

Herreken I think Mr. Dundee's review is spot on. The bare knuckle fight is extremely brutal. It's not one of these ultra-choreographed fights seen in the vast majority of movies that contain fighting. Part of this has to do with the superior makeup job and camera angles. Also, the man who plays Neeson's opponent is a real bare knuckle fighter. He was originally brought on as a consultant, and then it was decided that he should play the character.However this is NOT an action movie. It is a drama, and a pretty good one. I can't think of anything else to add. Mr. Dundee summed up everything.If anyone would like to know more detailed info about this fight scene, then I suggest you rent Ultimate Fights Volume 2.

Mick Dundee This started as an entertaining mix between Rocky and Hard Times (with a British twist) but as the film moves on a lot of hidden depth shows and the real quality of this film starts to shine through. The plot is about Danny Scholar (played superbly by Liam Neeson), an unemployed ex-miner who is struggling to put food on the table for his family. He is offered money by a local crime boss to compete in a bare knuckle fight yet the details of why he is fighting are left ambiguous. He accepts but is soon caught up in more than he expected when the real reasons behind the fight become apparent. This is all set in a small working class village in Scotland. Liam Neeson is joined by a superb cast including Billy Connolly, Joanne Whalley-Kilmer and none other than Hugh Grant before he became a megastar. There's also lots of familiar faces from British TV. The settings are what I enjoyed most about this film, maybe because a large portion of the films I watch are set abroad and it was nice to see something closer to home. Especially in a film that was very down-to-earth and realistic. This is reflected in the actual fight, I'm not lying when I say it's got to be the most brutal, realistic and down right nasty fist fight I've seen on screen. Imagine Hard Times just with five times more blood and dirty tactics and that's basically what you've got. But where as Hard Times was more action orientated this leans more towards drama with the only action scene being the excellent fist fight in the middle. Oh did I forget the score for the film was also composed by the legendary Ennio Morricone. Everything just felt like some real time and effort was put in to make this and this is clearly apparent when watching it. Recommended!

James B. I liked this film a lot. It is about a working-class family in a town in Scotland, with the father (Liam Neeson) and mother (Whalley-Kilmer) at odds. At issue is Neeson's desire to earn for his family, in a more lucrative measure than he did during the dozen years he spent as a miner.When Neeson receives an offer to get back into the ring for a bare-knuckles fight in Glasgow, he accepts - for the money, he says, though there are intimations that fighting is more than a job for him. The fight has been organized by two local shady characters, and the organized crime element looms large in the film. The resulting conflicts envelop Neeson, his family and friends, and his community.There is a lot of talent at work in "The Big Man" (also called "Crossing the Line"), including excellent music by the legendary Ennio Morricone. Hugh Grant has a cameo doing a passable Scottish accent. Neeson is, of course, a world-class actor, and anything he is in is worthwhile seeing.The production feels like a labor of love for all concerned, and the results show. The fight scene is not for the faint of heart.