The Big Show

1936 "A Roundup of action actually filmed at the Texas Centennial!"
5.7| 1h11m| NR| en
Details

At the Texas Centennial in Dallas Autry confuses two girls by being himself and his own stunt double. When cowboy star Tom Ford disappears, Wilson gets his double Gene Autry to impersonate him. But Ford owes gangster Rico $10,000 and Rico arrives to collect. He fails to get the money but learns that Autry is an impersonator and now blackmails Wilson and his movie studio. Original version runs 71 minutes, edited version runs 59 minutes.

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Reviews

BroadcastChic Excellent, a Must See
ChicDragon It's a mild crowd pleaser for people who are exhausted by blockbusters.
Cunninghamolga This is a gorgeous movie made by a gorgeous spirit.
Janis One of the most extraordinary films you will see this year. Take that as you want.
mark.waltz A non-singing cowboy star finds that his life has been temporarily taken over by his own stand-in who does sing, and a desperate publicity mab finds himself possibly out of a job. Gene Autry shines in a dual role, one an egotistical movie star, the other an easy going stuntman looking for a break. The scene is the Texas Centennial and movie star Tom Ford cannot be found to attend as promised. It turns out that the hero of the screen isn't so clean, and the threat of exposure threatens both men's futures with ruin. Smiley Burnette is delightfully obnoxious, and Autry's future rival Roy Rogers has a role as one of the members of the sons of the pioneers. A satisfying and fast moving comedy with musical and western interludes, this is one of the best Autry films and gives a nice look at how B westerns are made behind the scenes. This shows that movies can have preposterous situations and still be good fun.
dougdoepke A lot of fun as long as you're not expecting a traditional formula Western. There're more imaginative set-ups in this Republic oater than in most A-pictures. Catch the Light Crust Boys as they roll down the road, or the talking horse a couple decades before Mr. Ed, or a mustachioed Gene acting mean and nasty. No, there's no real plot, but the pace is brisk from one lively set-up to the next. And whose great idea was it to film at the new Texas state fair, a backdrop like no other. Those live panoramas are a taste of big screen pageantry before the big screen. All in all, it's a great little peek at popular history and Art Deco. Then too, catch the clever little spoof of movie-making and tyrannical studio heads. I love the movie love scene that immediately becomes a hate scene once the cameras stop rolling. I guess my one complaint is with the movie as a driver's manual-- Driving down the wrong side of a two-lane highway is not, I repeat Not, a good way to deliver lunch. Anyway, the diverse story elements are neatly combined into a highly entertaining 71 minutes, programmer or no programmer. Thanks Western Channel and Autry Enterprises for the full restoration.
Thomas Fasulo In this movie, Gene Autry is a stunt man for Tom Ford, and then does a stand-in for Ford at a Texas Centennial celebration when Ford goes on a fishing trip. At the end of the movie Gene is the star and Tom Ford is now his stunt man.But look! When the Sons of the Pioneers do their singing part in the back of the wagon, who is the guy singing, right front? Why, it's Leonard Slye, one of the original members of the Sons of the Pioneers.The movie was filmed in 1936. Five years later, when Gene Autry left the studio to serve in World War II, the studio needed another singing cowboy and Leonard Slye was chosen. Of course, the studio had to change his name, so Leonard became Roy Rogers.
Mike-764 Mammoth Pictures star Tom Ford decides to go on vacation, but the studio's press agent Wilson needs to get ahold of him so he can make a scheduled appearance at the Texas Centennial in Dallas. The problem is solved when Wilson convinces Ford's stuntman, Gene Autry (Autry also doubles as Ford here), to go to the event impersonating Ford. The ruse works, but things go wrong when Autry decides to go on the radio singing, which Ford can not do. This ticks off Ford, who comes back to the studio to get Autry fired, but some gangsters are at the Centennial hoping to collect some of Ford's gambling debts from Autry. This film is good, but nothing more than a promo film for both the Centennial and Autry & the singing groups at Republic, as well as the studio itself. There are some pretty good action scenes at the beginning with Autry as the stuntman. Autry as Ford, however, doesn't convince anyone since his thespian abilities were never great (especially this early in his career). Fun to watch. Rating, based on B westerns, 7.