IslandGuru Who payed the critics

MoPoshy Absolutely brilliant

Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable

JohnHowardReid Copyright 28 September 1932 by Vitagraph Pictures, Inc. Released through Warner Bros. No New York showcase. U.S. release: 8 October 1932. U.K. release: March 1933. 54 minutes. SYNOPSIS: A bandit (Alberni) aids a new deputy sheriff (Wayne) in cleaning up a gang of rustlers organised by a big land owner (Beery) in New Mexico. NOTES: A re-make of The Land Beyond the Law (1927) starring Ken Maynard as Steele, Dorothy Dwan as Ginger, Tom Santschi as Crew, Noah Young as the bandit chief, Gibson Gowland as Crew's vicious henchman, Billy Butts as the youngster, and "Tarzan" the horse as himself. Directed by Harry J. Brown, photographed by Sol Polito for Charles R. Rogers Productions. Re-made again in 1936 under the original title, this time with Dick Foran. COMMENT: The original Ken Maynard effort must have been one spectacular movie. True, some of the stock footage was undoubtedly lifted from earlier films, but it's still mighty impressive. This Wayne re-make would certainly have knocked the socks off most spectators who must have a wondered how a little "B" western could afford such exceptionally lavish effects. And it's not that The Big Stampede relies to all that great an extent on stock footage either! Impressively adding to the tautness and suspense of the script are a fine roster of players, led by the personable Wayne, the delightfully villainous Beery and the psycho-comic Hurst. (Love the way the cast is introduced in the credit titles: Wayne chatting to "Duke", Hurst glowering at a laughing Beery, Miss Madison looking uncomfortable whilst Master Bailey stares self-consciously at the camera). Wright has directed with considerable flair and panache, making the most of the many action sequences (especially the saloon appointment) staged especially for this movie. For the most part, the stock material is cleverly integrated. It's only the speed of the silent footage that gives the game away - though all the same it's still hard to tell where some Land Beyond shots stop and Big Stampede begins (the gunning down of Lafe McKee, for instance). Realistic sets and locations allow ace cinematographer Ted McCord to present a series of pictures that are always fascinating or appealing.

classicsoncall I happened to catch this film back to back with "Cahill, U.S. Marshal", and you couldn't ask for a better contrast between the John Wayne who appeared in one of his very first movies, and the one who finished out a career in one of his very last Westerns. Wayne was strikingly handsome in these early oaters, and because he appeared rail thin, looked somewhat taller than he did in his films of the late Seventies portraying characters like Cahill, Big Jake and Rooster Cogburn, all notably huskier and gruffer looking."The Big Stampede" was one of six movies Wayne appeared in under the 'Four Westerns" banner, an offshoot of the Warners studio. He was paired with a white horse named Duke, a conscious choice because Duke needed to resemble Ken Maynard's horse Tarzan when they sometimes appear in silent film stock footage used by the Four Westerns pictures. I hadn't noticed it before, but Duke bore what looked like an 'A1' mark or brand on his left hindquarter in this picture. I'll have to keep an eye out for it in other films.As far as the story goes, it's somewhat unusual in that newly deputized sheriff John Steele (Wayne) sees fit to team up with a Mexican bandit named Sonora Joe (Luis Alberni) in order to break up a cattle rustling operation run by outlaw Sam Crew, played by Noah Beery. What makes the situation even more incredible is that earlier, Steele stopped Sonora Joe and his banditos from stealing cattle that was part of the wagon train Steele was riding with.Apparently, story continuity wasn't one of the primary concerns for these early Westerns. There was an instance where Steele left the wagon train to make his way to Fort Cummings to see if the Army could use some beef cattle. However right after he left, the very next scene shows Steele playing harmonica back in camp with the rest of the cattle men. It could be that the version I watched on Turner Classics was an incomplete print because there were also a distracting number of flaws in the picture about fifteen minutes in.Still, if you're a John Wayne fan or a follower of these early Westerns, it's a fun flick that blows by in just under an hour. Like many of his first couple dozen films, Wayne's character wins the female lead, in this case Mae Madison, at the end of the picture. This time however, Sonora Joe has to stop Ginger's younger brother Patrick (Sherwood Bailey) from interrupting the romance - "All is fair in love and war, but no sling shot"!Addendum**** 6-7-2016 - Doing a little research on 'Duke', you can see a pretty good screen capture of the brand noted in my review here at: http://www.b-westerns.com/hoss-jwayne.htm. Apparently it's a combination of the letters AH as one can see from the picture.

ccthemovieman-1 A number of John Wayne's early westerns looked alike, but that's not a criticism because the handful I've seen were all entertaining.That's one similarity: others included the fact they only were about an hour long, had interesting (albeit strange) dialog, had a pretty lead female (here, Mae Madison) and a very talented horse named "Blue." Of course, the men were all tough guys.There is a lot of action and interesting scenes packed into this one hour.My only complaint was that Luis Alberini's character made the Mexicans look unnecessarily stupid.

bsmith5552 "The Big Stampede" was the second of six "B" westerns starring John Wayne and his horse "Duke" made by Warner Bros. for the 1932-33 season. As was the case in this series, this film was a re-make of a Ken Maynard silent (in this case, 1927s Land Beyond the Law).Sam Crew (Noah Beery Sr.) is luring settler's wagon trains (and their cattle) to New Mexico where he rustles the cattle for himself. Governor Lew Wallace (Berton Churchill), who in real life wrote "Ben-Hur", assigns John Steele (Wayne) as a Deputy Sheriff to clean up the problem.He drifts into town and poses as a shiftless drunk to gain knowledge of the situation. A wagon train led by Cal Brett (Lafe McKee) comes to town and turns to Crew for help in settling in the area. But Crew has other ideas.When Crew's gunman, Arizona (Paul Hurst) murders Brett, Steele vows to bring in the killer. It just happens that Brett had a young daughter, Ginger (Mae Madison) and a sling shot slinging son Patrick (Sherwood Bailey). Steele naturally takes to the two.Bandito Sonora Joe (Luis Alberni) and his gang compete with Crew for the settler's cattle. Steele for some unknown reason has enough faith in Sonora Joe to have him throw in with him to bring down Sam Crew. In the final showdown there is a "big stampede" (lifted from the Maynard film) and.........................................Wayne's inexperience really shows In this film. His acting is mediocre at best but he would gain valuable experience over the next seven years in films like this. There seems to have been a scene or two cut from this film. Wayne's transition from the drunken drifter to heroic sheriff is missing. He just suddenly becomes the upstanding hero without explanation. This film is boosted somewhat by the casting of Noah Beery Sr. as the snarling villain Crew. Alberni is also good as Sonora Joe, providing the film's comedy relief. Berton Churchill would appear as Gatewood the banker in Wayne's breakthrough film, "Stagecoach (1939).