Hellen I like the storyline of this show,it attract me so much

Interesteg What makes it different from others?

Nonureva Really Surprised!

Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

jc-osms I got this movie in a supposed film noir collection, but besides being the colourised version, it's also a long way away from the mean streets and boulevards of broken dreams of the hard-boiled men and femme-fatales of my experience. What it is though, is a road caper or even a buddy movie, with the twist being that the couple who are simultaneously chasing and being chased are indeed a couple, namely Robert Mitchum and Jane Greer.Set in Mexico, in happily realistic-looking exterior locations, the film is essentially one long car chase and as such, necessarily episodic as the flung-together twosome habitually get out of one scrape only to fall into another. There's some agreeable grown-up humour between the two, plenty of good fight scenes, where you actually see the protagonists sweat and bleed, an early example of an extended car chase and a decent twist at the end; as you can tell, it certainly packs a lot into its brief 71 minute running time.Mitchum and Greer are great together, William Bendix offers his usual solid support and the young Don Siegel directs with verve and energy. This is a great little movie, highly entertaining and so recommended.

writers_reign Given the two leads, support, and director this, certainly viewed so long after the initial release, is disappointing. Mitchum and Greer have no problem working together and generating chemistry but that to one side this is a pale comparison with Build My Gallows High. On a superficial level it's merely a pursuit race south of the border with Mitchum and Greer chasing Patrick Knowles, Bendix chasing all three and silent star Ramon Navarro watching from the sidelines. As noted Mitchum and Greer are good value but Bogie, Tracy, Cagney and Robinson would be hard put to get this to fly. If anything it's a reminder of how Greer, like Marie Windsor, cornered the market in femmes fatale and how sorely missed both are.

Leofwine_draca THE BIG STEAL is a rip-roaring crime adventure yarn which sees the dogged army lieutenant Robert Mitchum travelling through Mexico where he's hot on the trail of a robber escaping with a stash of loot. Along the way, Mitchum teams up with the fraudster's fiancé, and is pursued by an army captain who thinks he's the real robber.That's the plot in a nutshell, and the film ends up writing itself thanks to the action-laden premise. And THE BIG STEAL offers massive entertainment value indeed, not least to the direction of Don Siegel, working early on in his career and bringing the same verve and vitality to this as he would to the likes of INVASION OF THE BODY SNATCHERS and DIRTY HARRY.Mitchum is on top form as the likable lead and he's given great support by the alluring Jane Greer and the increasingly exasperated William Bendix. The structure of the narrative allows for plenty of near escapes and car chases, along with two-fisted fight scenes and some light comedy and romance thrown into the mix. It's one of those films with a little bit of everything and I found myself really enjoying it.

talkincalifblues The somewhat askew plot aside, the film provides a delightful spin through some Mexican towns and countryside in the late 1940s. Robert Mitchum and Jane Greer (together again following "Out of the Past") lead a strong cast featuring William Bendix, and Ramon Navarro. Mitchum and Greer seem to be enjoying themselves throughout, in a kind of a romp toward an inevitable climax (while the viewer may be wondering about the motives, sense, and competence of the authorities). Dialogue and action are entertaining and engrossing. It's the locations, though, and the view back into a lost world, that make this film a special treat.