IslandGuru Who payed the critics

FrogGlace In other words,this film is a surreal ride.

PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

Payno I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Leofwine_draca It was only after watching that I had any idea that THE BLAZING TEMPLE is actually the third part of a film trilogy by director Joseph Kuo, following on from 18 BRONZEMEN and 18 BRONZEMEN PART II. I've seen those two predecessors and I didn't like them very much. Despite an interesting theme, they're pretty boring movies. Carter Wong is the linking actor in all three films, a serviceable action star who holds his own in the fight stakes, but the twist is that he plays a different character in each film.The plot is also loosely linked, and THE BLAZING TEMPLE in particular stands out as an individual movie unlinked to the others. It actually turns out to be a bloody good little film, packed to the brim with strong characters, well choreographed scenes of battle and action and plenty of special effects along the way as well. Basically, once the film starts it never lets up. We're briefly introduced to the shaven-headed monks of the Shaolin Temple and their abbot leaders, along with a merciless emperor and his entourage. The title refers to an extended set-piece that takes place around the halfway mark, in which the temple is attacked, burned and razed to the ground, with many of the peaceful monks burning alive inside. Of course, there are a few hardened survivors who go on to make it their business to seek vengeance, and that's where the climatic, large-scale battle comes in. The action is top notch throughout, very well choreographed and all with lots of different fighters with their own special abilities and skills.The main reason I loved this film so much is that it seems influenced by a '30s serial, in which story is told via action and the scenes are always shifting. Take the bit in the underground passage, for instance, where the chief abbot holds up a massive boulder for an inordinate time and ends up killing himself in the process. Other fun elements include a female fighter who swoops through the air to behead her enemies; she comes out of nowhere at the climax and adds to the fun. There are other gory interludes such as torture, impalement and characters dying heroic deaths as they're slashed to death by multiple opponents. With the ensemble cast on show here, star Carter Wong doesn't seem to be on screen much, but he does have some fun with his '18 lessons' technique right at the climax. In any case this is a jolly good show.

ckormos1 The Shaolin Temple has burned to the ground in many movies but never in such a boring way. This version had all the star power and even a bit extra. Typically an all male cast, this version found room for Chia Ling but then didn't use her for any notable action sequences. The photography and costumes were at the highest level and that would be Shaw Brothers level. I'll never know for sure but I suspect it might have been filmed on Shaw sets and in Shaw costumes rented out daily. The evil emperor even has kung fu skills and a sword proof armor under his gowns. Then they forgot to film any real action. In the moment of heat, as the temple burns down, the head abbot holds a door open for about five minutes. He stands there holding the door open. Just stands there. Yawn. If you are a fan of kung fu movies of the golden age 1967- 1984 then you must watch this movie. Do your duty and be done with it. I can only rate it a 5/10 and I'm being generous.

dbborroughs Better than average martial arts film concerning the Emperor versus the Shaolin monks. The Emperor fears the monks will destroy his power and burns their temple in the hopes of wiping out their order. Of course it doesn't work and only manges to get them angrier.Somehow connected to earlier films this is a good little film that works fine on its own terms. Its packed with action and drama and never really stops moving for a second. I was just going to take a quick look at the disc to make sure it worked and the next thing I knew I was 25 minutes in. This is a rainy day popcorn film. Best of all is the beauty of the fights which wonderfully link the violence with ballet.This is one to see if you run across it.

Brian Camp BLAZING TEMPLE (1976) is another film in producer/director Joseph Kuo's series of Shaolin Temple-themed films, starting with EIGHTEEN BRONZEMEN (1976), which showcase the 18 Bronze Men who offer kung fu challenges to graduating Shaolin monks. Carter Wong stars in each film, but plays a different character each time. Here he is one of a group of about 20 Shaolin student-monks who escape after the temple is burned to the ground following an assault by the forces of Emperor Yungzheng in the early stages of the Manchurian-backed Qing Dynasty. Some of the students try to escape by fighting their way through the Bronze Men, who, instead of escaping themselves, presumably burn up in the fire. Before the temple's Abbot dies, he bestows on Carter the honor of safekeeping the sacred scroll containing the 18 Lessons of Buddha and being the only one to learn the lessons. While on the run, Carter and his brother monks make it their goal to attempt the assassination of the Emperor, all while trying to find suitable hiding places from the ever-vigilant pursuing Qing troops. At the same time, a beautiful female fighter named Outlaw Lui (played by Chia Ling/aka Judy Lee) has her own plans to assassinate the emperor. It all culminates in a massive raid by the Shaolin men on the Emperor's lakeside vacation pavilion. The film is beautifully photographed, with lavish sets and stunning costumes. This is one of the few Shaolin Temple films to stage the burning of the temple on elaborate miniature sets. The fights, though few in number, are well-staged, with Carter and some of the other performers given an opportunity to show their swordplay techniques rather than their kung fu. The action consists mostly of running, hiding, and running again. The chief problem is an awkward plot structure made worse by disjointed editing that never quite shows everything that needs to be seen. Judy Lee's character, Outlaw Lui, dominates the action at the very beginning and then disappears for most of the film, which subsequently has little, if any, connection to her plot thread. And since Judy is such a dynamic, striking performer, her absence is sorely missed. Carter Wong is very good, as usual, except that he's not really the main character among the Shaolin men, who function as a group with no one character dominating the action. As a result, Carter doesn't get the screen time he gets in the other Kuo/Shaolin films. Also, even though he's charged with learning the 18 Lessons, we never actually see him in his secret training, so when he finally unleashes his newly acquired power, it comes as a big surprise to us. One of the inviolable rules of the kung fu genre is to always show us the training. None of the films in this Shaolin/Bronzemen series are exactly related, plotwise, although a case can be made that BLAZING TEMPLE is, in fact, a direct sequel to RETURN OF THE EIGHTEEN BRONZEMEN (aka 18 BRONZEMEN 2), which had ended with the corrupt Qing Emperor (played in that film by Carter Wong) ordering the burning of Shaolin. The films mainly serve as an opportunity to revisit the same material and come up with variations on a theme. The other films in the series include THE 18 BRONZEMEN (listed on IMDB as EIGHTEEN BRONZEMEN) and EIGHT MASTERS (aka 18 BRONZEMEN 3).