Exoticalot People are voting emotionally.

Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Delight Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

Nigel P A period piece Italian giallo from the mid-1970s, featuring some wonderful rain-swept locations and some mild sexual moments - all of this sounds like a guarantee of success. Somewhere along the way, however, dullness overtakes proceedings. The dubbing must take some of the blame for this. Although I've seen worse, some of the voice actors sound incredibly bored. Whoever voiced the magnificently - almost unnaturally - coiffured, twinkling Count Richard Marnack (played by prolific actor Giacomo Rossi-Stuart) reduces the character to a monosyllabic sneerer instead of the suave charmer of a certain age he is supposed to be. Krista Nell was due to play the starring role, but due to health reasons, played the secondary Cora. Sadly, this was her last film - she died the same year. Patrizia De Rossi plays Evelyn, who bears an uncanny resemblance to Count Marnack's wife. And they all they all have one thing in common: they all hate Samuel (Leo Valeriano). So when various characters begin dying in graphic circumstances, I drew my own conclusions. I might have been wrong.The ending is quite abrupt, as often things are with films such as this. It is also not entirely satisfying, with a very effective revelation not quite answering all the questions regarding the previous 86 minutes. Whilst far from the best giallo film I have seen - in fact, it is only loosely a giallo - it has a certain appealing strangeness about it.Several sexy scenes were inserted into this for its French release, where it was known as 'L'insatiable Samantha (1977)'.

MARIO GAUCI A particularly maligned example of Italian cult cinema with a nonsensical title to boot (if anything, the alternate THE MARK OF Satan is even less relevant to the plot!), this hybrid of Gothic Horror and Giallo (with a strong dose of Erotica) only contrives a flat sort of atmosphere throughout – actually matched by handling which is downright dreadful! Here, we get the usual group of people (an acting troupe) stranded on an island (to which they were invited by a Count – since he had become enamored of the leading lady, a dead-ringer for his missing spouse)! The characters are pretty much stereotypes: middle-aged but dashing hero (played by Giacomo Rossi-Stuart and whose family history bears more than its share of violent tragedy), demure heroine, sluttish companion (recalling Mae West and emerging the most annoying of the lot!), a meek but devoted stage manager (forever chided by one and all for his unmanly behavior!), a couple of lesbians, a mysterious gardener (the ubiquitous Luciano Pigozzi who, for once, gets in on the action, if you know what I mean), an envious housekeeper (nominal star Femi Benussi though, for what it is worth, this is really an ensemble piece), a religious fanatic of a butler, an impressionable chambermaid, etc. While the film is not by any means unwatchable, the atrocious dubbing, snail's pace, shoddy production (with the scenes depicting the raging sea lifted from some black-and-white film!) and the fact that the murders only occur within the concluding half-hour do not help matters. Besides, Marcello Giombini's score, though pleasant in itself, comes off as incongruously modern under the circumstances; that said, the revelation proves a surprisingly elaborate one (considering there is surely no shortage of suspects here).

mccarthystuart You know something? It amazes me just how much that some film-makers get away with. 'Bloodsucker leads the dance' is billed as a vampire movie, yet it turns out to be anything but!! It's little more thana cheesy soft-porn 'whodunnit' murder-mystery thrillerAtrocious dubbing and misleading synopsis aside, this film does havea few things going for it. Firstly, the music score is quite airy and atmospheric, and the period costumes are quite nice, and the sets are quite elaborate (even though quite a few of them can be seen in the film, 'Nude for Satan')Mind you, some of the set do like as if they're made out of Cardboard.There are also some convincingly grisly scenes of severed heads to spice things up a little.At the risk of giving too much away, what I noticed about this film is the way in which it plays around with the viewer's suspicions and makes you think at first that the creepy butler was behind the murders. I shan't reveal who the real killer is, though!All in all, this film won't win any Oscars, but if you happen to be into Italian 'Giallo' cinema, then you can't go wrong with little number.

Greg Goodsell -- it just plain sucks. Set in turn-of-the-century Ireland, said film could have BEEN MADE at the turn-of-the-century, what with it's bright, ugly, flat lighting, plot so-old it creaks and gore scenes that would shame a Sunday School spook house! Rich man invites theatrical troupe to his isolated island mansion and the women all start turning up beheaded. Many who like bad movies will find nothing of interest. Read a book instead!