Incannerax What a waste of my time!!!

Matialth Good concept, poorly executed.

Stoutor It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

DipitySkillful an ambitious but ultimately ineffective debut endeavor.

NateWatchesCoolMovies The Box is a moody little crime drama thriller starring James Russo, whose appropriately brooding persona lends itself to grim neo noir films such as these. He's an actor who has almost entirely worked in B movies for a long time, and while you have to watch out for most as they are usually genuine piles of dog excrement, this one is a jewel amongst the rubbish. Russo plays Frank Miles here, an ex con trying to go straight, sticking with the dead end job his P.O. has given him to stay out of trouble. Soon he meets beautiful waitress Dora (Theresa Russell) who falls in love with. The two of them try to start a new life together, but as we all know sometimes it's very hard to run from your past, and soon enough trouble comes looking for them. Frank tries to get some money owing to him from his sleazebag of an ex-associate Michael Dickerson (a detestable Jon Polito) and things go wrong. Violence ensues, and Frank finds himself in the possession of a mysterious box which he can't open and hasn't a clue about. Dora has a scumbag boyfriend in club owner Jake Ragna (a terrifying Steve Railsback) who is dangerous, volatile and obsessive about her. Soon, an evil corrupt Police Detective named Stafford (Michael Rooker) makes their lives hell as he searches for the box. Frank and Dora take refuge at the home of Stan (Brad Dourif, excellent), Frank's former cell mate, friend who is now a weed dealer. Even this may not be enough to keep them safe, as the long arm of the crooked law probes, and Stafford gets closer and closer. It's a depressing situation forged by bad decision and the perhaps inescapable knack for trouble that some people tend to have, whether it's coincidence or a measurable character flaw is eternally up for debate. The pair try so hard to fix their lives and still seem to be headed for a tragic dead end. Russo has sadness in his eyes in every role, as well as a boiling anger to match it, he fills out his protagonist very well. Rooker and Railsback make scary work of the two villains, especially Rooker who uses the kind of blatant brutality and abuse of power that are essential ingrediants in very dangerous men. Dourif is Dourif, which is never not mesmerizing, and Russell does the wounded angel thing down to the bone. A sad story, with a dream cast (for me, at least), a downbeat reflection on lives gone down the wrong path, a diamond in the rough noir thriller of the best kind.

Claudio Carvalho After three years in a penitentiary, the thief Frank Miles (Rene Russo) is released in probation. He is sent to a small town, where he lives in a very low budget hotel downtown and works as a mechanic in a junkyard. His best friend is Stan (Brad Dourif), an ex-small-time drug dealer, who became his friend in the prison. While having his meals in a simple restaurant, Frank meets the waitress Dora Baker (Theresa Russell), a woman with a hidden past, and they feel attracted for each other, starting a romance. Meanwhile, Frank tries to retrieve his US$ 200,000.00, left with a former partner, and Dora is threatened by her former husband, the scum Jake Ragna (Steve Railsback). When Dora finds a mysterious box hidden in her beautiful house, their troubles begin, as if it were the Pandora Box. "The Box" is a surprisingly good low-budget film-noir. Having a great low-paced dark story written by James Russo and very well developed characters, this movie is completely underrated in IMDb. The whole cast has an excellent performance, highlighting James Russo, maybe in his best role, and the good actress Theresa Russell. The pessimist and non-commercial storyline is very real, having no plot point or surprises, becoming darker and darker and without redemption, being a gem to be discovered by adults. Congratulations to James Russo, Richard Pepin, Theresa Russell and the cast and crew for such a good film. My vote is eight.Title (Brazil): "A Caixa" ("The Box")

Comeuppance Reviews This is an excellent movie that takes chances. The whole cast is great, but the standout is James Russo as Frank. Russo never goes over the top. Frank just wants to live his life quietly. He is forced into violence. Theresa Russell, Michael Rooker, and Steve Railsback also put in very good performances. It is very unpredictable. The Plot Is: When Frank and Dora (Theresa Russell) find a box full of money, other characters get involved including dirty cops. Usually James Russo is in Z-grade junk like ("Deep Core", "The House Next Door", "Sonic Impact") It is nice to see him in a good movie for once.In the end: If you want to see a solid crime drama, see "The Box"For more insanity, please visit: comeuppancereviews.com

halopes There is one thing that works better than a good twist: the absence of a twist when you are expecting one. Why? Because if this happens, it means the movie could surprise you, in the way it didn't choose the path you were thinking about. The Box falls in this category of films.In its dark, somber and rough style, The Box has elements of the film-noir genre: an ex-convict just released from prison, a small urban town, a femme-fatale and a load of money. And as soon we realize everything is going from bad to worst - following a pessimistic storyline - we know Frank is doomed from the first moment he was released from prison, just because he left unfinished businesses when he was arrested. And for that reason there is no possible redemption, even if we can see, for some moments, glimpses of a new life for the doomed hero.I like tragedies and doomed characters, and that's one of the reasons I liked The Box. Also, it's nice to see a thriller without a major twist in a time where every thriller marks its points by a closing twist. For this reason, The Box is surely an original piece or, at least, something different from the big-twist-ahead thrillers I've seen in the recent times. For its own good, The Box does not pretend to be smarter than its audience.