Platicsco
Good story, Not enough for a whole film
Gurlyndrobb
While it doesn't offer any answers, it both thrills and makes you think.
Guillelmina
The film's masterful storytelling did its job. The message was clear. No need to overdo.
Winifred
The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.
snakepaws
This film is actually surprisingly good considering the ratings and some of the reviews. The setting and atmosphere, while nice in itself, lends to the film not feeling dated. The story is competent, if not somewhat predictable. The only real complaint would be Bokeem Woodbine's performance in this; it feels off and even forced at times (overacting) - which wouldn't honestly be much of a problem if he wasn't such a main and central character. Adrian Paul, however, is fantastic. This isn't a rip-off film by any means (no more than any other film, anyway), and is definitely an underrated vampire flick that I'd have no problem recommending to people looking for something more than what's on every "must see" vampire movie list. It's no masterpiece, but it's good for what it is.
Kate Dixon (foolwiththefez)
I've seen too many movies. I admit it. That's why I can tell where most movies are going most of the time. This is especially true of horror movies. I don't mean to imply that all horror movies are same and therefore easily predictable. Rather that there is a tendency towards sameness when it comes to quickly made B grade horror movies. This tendency is what makes me treasure those rare B grade horror movies that manage to surprise me. Movies like "The Breed."The movie, set in "the near future," opens with our main character, named Steve Grant (Bokeem Woodbine), and his partner tracking down a kidnapped girl. Grant is an agent of the NSA (National Security Agency) and I am unsure as to why an NSA Agent would be tracking a kidnapped girl. Unfortunately, so is the script. Moving on. The partners quickly find the girl (too late) and confront her kidnapper. The kidnapper turns out to be a vampire and slaughters Grant's partner. It was at this point that I figured I knew where the movie was going. I assumed that this incident would open Grant's eye's to the world of the occult and he would either A) be kicked off the police force and become an independent vampire hunter or that B) he would be inducted into the secret branch of the police force that specializes in demolishing creatures of the night. Just as the movie looked to be headed straight for path B, it took a left turn and regained my interest. When Grant insists on telling the truth in his official report he is told that the Government has known about vampires for nearly a year and are working on integrating them into normal society. He is then introduced to his new partner, one Aaron Grey (Adrian Paul), who is a vampire and told that they must work together to catch this dangerous rogue who threatens the peace of both races.This is a good premise for a movie and, to "The Breed's" credit, it tries to live up to this premise. It fails more than it succeeds, but at least it fails in a watchable way. The movie spends a little too much time on a murder investigation that isn't as complicated or as interesting as it seems. It sets up an ending that isn't as surprising as the movie wants it to be. It gives action scenes that aren't as exciting as they should be. In between the scenes mentioned above we get a love story that, properly handled, could have been the basis for an entire movie of it's own. We watch two partners learn to trust each other and deal with their differences. We see totalitarian overtones to the government that, if played up more, could have added a whole new layer of depth to the movie. We meet some cool vampires. We see some cool death scenes. Generally, this is a lousy movie, but it is a movie that tries hard. Sometimes, I'd rather watch a failure with high ambitions than a success with that settled for ordinary.
user-3133
Sometimes with cheap budget films, you can see what they might have been- and that can be both good and bad. Bad, because you can see that more money = better special effects/ more actor motivation. Good, because you can see some qualities in the film, that while rather charming in this version, would be crap in a big budget film. The Breed falls into this section.The acting is about what you'd expect, and the storyline the same, but what really, really made me actually enjoy this film for the time I watched it, was the sets. They were incredibly reminiscent of the Second World War- the propaganda posters on the walls, the typewriters, the big grey buildings all of it combined to make an atmosphere which managed to meld times totally.Definitely worth the time spent watching it- it doesn't pretend to be a masterpiece, and it's all the the better for it.
robbiebonham
Did anyone else get the vibe, at the start of the movie, that the vampires were a commentary on the Jewish people? Or am I looking too much into a B- movie...? The first glimpse we get of the vampire community is a WW2 style vampire safe house, complete with said period's costumes, and the NSA's costumes are very Nazi-like. And there's the whole 'we fear them because they're a different 'ethnicity'' thing. This may have been a theme started in the movie, but of course, was forgotten as the film underwent several style-changes (by which I mean, it went off on a tangent to rip off some other movies) But yeah, as mentioned above, there were lots of scenes that paid homage to (see...ripped off) Brazil, Blade, The Matrix, Tarantino,..even Highlander. A mucky piece of work, with too many genre stereotypes, and what was with Woodbine's gruff, 'bad boy' voice?