GamerTab That was an excellent one.

Blucher One of the worst movies I've ever seen

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Jenni Devyn Worth seeing just to witness how winsome it is.

videorama-759-859391 It's amazing how many WF films creep in among his others. Only seeing this movie for the first time, the other week, I only knew beforehand, from reading the cover, Friedkin directed this cute little crime flick. The movie which has a inventory of topline actors, who all give wonderful performances is based on fact, another thing I didn't know, about the two bid crooks, who pulled off the greatest bank heist in history, a few hiccups, prefore, as blundering their way to their objective, in some quite hard to believe blunders, which I'm frightened to believe this is fact too. This robbery had attracted much notoriety, the public praising and admiring the robbers, who are much suspect than the usual suspects, and are brought in, and I think you can gather what results, or might not result, where some astounding and approving facts revealed later, as if rooting for these guys,which is hard quite not too, despite, their illicitness. Falk is just super fantastic in this, an acting force to be reckoned with, while I liked Allen Garfield a lot in this too. The film is patchy here and there, and takes a while to get to where it's going. I was actually quite disappointed for the first third of it, but it picked up. For me, it's one of those films, where earlier in the peace, you really don't know where it's going, but as I said, it's a cute little film, and worth the rental fee. Don't snub it. My recommendation.

MARIO GAUCI After the dismal box office and critical reception of SORCERER (1977), William Friedkin went for a change of pace with this light-hearted piece which, however, proved that his previous misstep with was no fluke: in fact, his career never really picked up after that costly bit of self-indulgence (even so, I’ve only just acquired the director’s fair update of his own THE FRENCH CONNECTION [1971], namely TO LIVE AND DIE IN L.A. [1985])! Anyway, this concerns – in a somewhat uneasy comedic vein – the famous January 1950 robbery from the Boston branch of the titular depository of payrolls destined to various key firms; incidentally, the same events had previously been depicted in the 1976 TV-movie BRINKS: THE GREAT ROBBERY. Its coup is in the meticulous period reconstruction (which earned production designer Dean Tavoularis, already responsible for BONNIE AND CLYDE [1967] and “The Godfather” films among others, an Oscar nod) – Friedkin himself had earlier demonstrated his prowess in this area with another comedy about an equally notorious incident i.e THE NIGHT THEY RAIDED MINSKY’S (1968).Interestingly, too, the cast of daring crooks here comprises several reliable character actors of the era – Peter Falk, Peter Boyle, Allen Garfield, Paul Sorvino and Warren Oates; 1940s Hollywood veteran Sheldon Leonard turns up towards the end as J. Edgar Hoover(!), but Gena Rowlands is wasted in the role of Falk’s wife. The comedy revolves around Falk and Garfield’s bumbling duo – the former is the mastermind and the other his often resentful relative/underling. After a number of ‘jobs’ go wrong (with Falk even doing a 6-year stretch in jail) or the ‘funds’ don’t last (one amusing sequence has them following a payroll van around and lifting a handful of money bags with every stop it makes – since the officer left to ostensibly guard them is apparently in continuous slumber!), they set their mind on robbing the Brink’s warehouse.After studying the place from the outside (such as time of arrival and departure of the various employees, and their toilet habits!), Falk manages to get inside the building to get an idea of how it’s set-up; with the place left unguarded during the night, he’s able to break in with relative ease to look for possible alarm systems and determine the model of the safe – the former is an ancient device, but the latter is up-to-date and unassailable. Oates, a war veteran, proposes to dent its surface with a bazooka fired from the roof of the opposite building(!) – however, saner heads prevail and they organize a good old-fashioned stick-up (complete with the gang putting on grotesque masks). Eventually, the sum they make off with is over $1.5 million – which, at the inflation rate of the day, was considered the biggest haul in U.S. history…thus bringing the F.B.I. in on the case.I’m not familiar with the facts of the real case but, here, the denouement is rather unexciting as Oates is brought to justice for another (minor) theft and, since he has a very sick sister and can’t possibly make the whole jail-term, he spills the beans on The Brink’s Job! Still, the gang apparently had the last laugh as, in spite of Hoover’s promises, a very small percentage of the money was retrieved over the years (as per the postscript) – and, following the lapse of their individual sentences, one assumes each picked up where they had left off… Ultimately, the film is O.K. (though curiously undistinguished among the spate of heist pictures made during this cynical era) – and especially disappointing given the intriguing subject matter and the welter of talent involved (including a script by THE WILD BUNCH [1969]’s Walon Green).

bkoganbing Words almost fail me in talking about how much I love this film, this very funny, very stylish portrayal of what was considered the robbery of the last century.First of all it could never have been done earlier. J. Edgar Hoover was not a figure to be satirized before May of 1972 when he breathed his last. Sheldon Leonard who plays him here and has him get it all wrong about who pulled the Brink's Armored Car Robbery, would not have taken the role, neither would any other actor. No one wanted to be on that man's bad side. Hoover was not quite the figure you see Leonard play here, though Leonard is fine in the part. Books and films subsequent to his death still really haven't got it quite right about him.For all of J. Edgar's fulminations about the great Communist conspiracy at work in the Brink's job, the whole point of The Brink's Job is who actually did it. Six very ordinary street criminals, none of them violent felons in any way and one fence who declared himself in on the job.The group is headed by Peter Falk who should have been Oscar nominated for his portrayal of Tony Pino, the group's leader and planner. You see The Brink's Job, Peter Falk will remain with you forever. A man without complications and hangups, he's a thief because it's his profession. He does have pride in how good he is though.Some of Falk's best scenes are with his wife Gena Rowlands. She too is a woman who stands by her man. No doubt they came from the same hardscrabble background in Boston's Italian North End and she's completely supportive of him and his work. In particular I love the scene where she's bidding him off to work just like any other wife who's husband had a night job. Don't forget your screwdriver, here's a sandwich in case you get hungry, the scene is priceless.I also love the scene in the restaurant where he takes her after a nice score. Falk is at the height of his considerable talents as he tells Rowlands of his plans for the Brink's Armored Car Company.What everyone will love when they see this film is how comparatively easy it was for these knockabout guys from Boston to accomplish stealing over 4 million dollars. This score was so big, it HAD to be the work of a master criminal mind. The thing is it was, the mind was just not in a body where you would expect it to be found.The others in the mob are Paul Sorvino, Kevin O'Connor, Warren Oates, Gerard Murphy and Peter Boyle who plays the fence. But my favorite in the mob and in the film is Allen Garfield who plays Falk's brother-in-law and sidekick who Falk keeps around for laughs. They have an Abbott&Costello like relationship with everything Garfield touches turning to waste product. My favorite scene in the whole film is when they decide to rob a gum factory payroll. Poor Garfield accidentally presses the wrong switch and he's awash in gumballs. Falk's and Sorvino's differing reactions are priceless.A lot of the film was shot in Boston which in many ways is a city that tries more than most to keep it's traditional look. I haven't been in that city in about five years, but I daresay you could remake The Brink's Job today in the same area.But if you did it wouldn't be as good, that isn't possible.

willab I've been trying to pick up a VHS of this flick for 2 years and finally won it on an auction. It was on AMC a few years back and I caught about 30 minutes of it. I was so intrigued that I started to look for a chance to buy it.I thoroughly enjoyed this film, a great cast with a young Peter Falk leading the way. Peter Boyle was realistic in his portrayal of the money launderer. Used VHS tapes are out there and although this robbery occurred in the 50's there is enough suspense and a ton of surprises for you. Sometimes a true story beats the best fiction a writer can come up with.