SpuffyWeb Sadly Over-hyped

Roy Hart If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

Brennan Camacho Mostly, the movie is committed to the value of a good time.

Justina The film never slows down or bores, plunging from one harrowing sequence to the next.

mmcgee282 Like Canadian pacific,this film had a segment too near the end, that also only lasted a couple of seconds ,in which only one component survived.Because of that it was printed in black and white.The.German preservationist are too perfectionist.The color component of that segment survived in the Eastman color print ,which had no shrinkage ,compare too Canadian pacific. as far as the print as concern.The whole print was used for VHS version released by fries video in 1991.I got that.Why did the German preservationist use the color record of that segment from that print? The same with other? cause they were too perfectionist.The quality did not match the rest of the digitally restored color frames of the rest of the film.So what ? the fact that the color was available from other print it was important to keep the whole print in color constancy.U.c.l.a ,if they restored, it would of felt that way.It was only a few seconds,The quality of material available for the Restoration of Paramount on parade ,was also below quality of the t.v reedited version,but they used it.So was the material use in the finale of the talking version of Broadway ,1930.In spite of this the whole print is still very pleasing.When I saw Gabby Hayes reacting to Bill Williams arms being amputated by Randolph Scot ,after the cattle stampede ,cause by the bad guy,played by Victor Jory, It seemed that this character actor gave everything in his talent that would of deserve an Oscar nomination, but Cinercolor feature were viewed as low brow and the academy did not considered them.Like the other feature this also take place in Canada.I'm wondering if this was a part of promoting the Canadian film industry? Any how this was quite entertaining.This also include bonuses ,like the 8mm 8 minute edited version that was put out in the early 60's,in b and w.For a few cents more that company could of printed it in color, castle films. 11/24/16

malcolmgsw This film marked the end of George "Gabby" Hayes screen career.He is shown as having made 190 screen appearances in Westerns between 1929 and 1950.Although in the quotes section he is quoted as saying that he hated westerns.He has always been my favourite western sidekick.He was just so good at it.He looks quite old in this film though in actual fact he is only about 68.One supposes that with the advent of TV he foresaw the end of his type of Westerns.I have to say that I consider that he is the best sidekick of all.He has a very good role in this his final film.Otherwise it is just run of the mill.As has been mentioned elsewhere the cinecolor is truly awful and was clearly used for the sake of economy.

alexandre michel liberman (tmwest) This film has many faults, and if Randolph Scott made many westerns that could be called "adult" this is certainly not one of them. You can't take it seriously but I enjoyed it. One must remember that this film was made in 1950, and color here is of great importance,considering most westerns of the forties and before were made in black and white. Randolph Scott had the ideal physique for a western hero, and his presence together with a nice scenery and a lot of action, the usual fistfight, and shootouts, cattle stampede, Indian attacks would please most of the spectators of the fifties and it sure pleases me, perhaps a nostalgic feeling. Gabby Hayes is always a welcome presence, great sidekick. Bill Williams has a good performance as Mike Evans, who loses his arm and blames it on Scott, Karen Booth as the saloon owner who falls for Scott, and a small part of a very young Dale Robertson as Will Gray. If you are a nostalgic for old westerns like me you will enjoy it.

zardoz-13 Although "Tall in the Saddle" director Edwin L. Marin's "Caribou Trail" was filmed in color, the print that I saw on Turner Classic Movies is the black & white version. Western novelist Frank Gruber penned this oater from a story by John Rhodes Sturdy who had written the 1943 World War II naval epic "Corvette K-225." Altogether, "Caribou Trail" qualifies as a low-budget empire building western where the hero must triumph over a corrupt city slicker who owns an entire town, except for the saloon, before he can establish his ranch. By and large, this Scott western is fairly predictable stuff. The departure that sets "Caribou Trail" apart from most westerns is its treatment of a character that loses his arm during a cattle stampede.Jim Redfern (Randolph Scott of "Jesse James"), Redfern's partner Mike Evans (Bill Williams of "Rio Lobo") and their cook Ling (Lee Tung Foo of "Mission to Moscow") are driving 36 head of cattle north from Montana into Canada to build a ranch. Mike doesn't want to raise cattle; he came to prospect for gold. Redfern believes that cattle will flourish long after the gold has been depleted. After they cross the national boundary, our heroes find themselves at a toll bridge owned by the chief villain, Frank Walsh (Victor Jory of "The Capture"), whose henchmen want more money for their passage than Redfern is willing to pay. Mind you, Frank Walsh isn't around in this early scene, but his second-in-command Bill Murphy (Douglas Kennedy of "Dark Passage") is there. Anyway, Redfern refuses to pay the toll so Mike and he stampede their cattle and wreck Walsh's bridge. Once they are across, they encounter an old, bearded prospector Oscar 'Grizzly' Winters (George 'Gabby' Hayes of "Colorado") on the trail who catches a ride on Ling's wagon and cooks up some tasty grub for their first night under Canadian stars. Not long after they eat, they hear gunshots and unidentified rustlers stampede Redfern's own cattle. During stampede, Mike is injured and the town doctor must amputate his left arm. Mike didn't want to go to Canada in the first place and he blames the loss of his arm on Redfern. Meanwhile, after he exits the doctor's office, Redfern meets Walsh. Initially, he passed him on the way for a snort at the Gold Palace, the local bar run by a woman, Francis Harrison (Karin Booth of "Cripple Creek"), who has steadfastly refused to sell out to Walsh. Walsh, it seems, has his name on every business in Carson Creek. Eventually, Redfern and Grizzly have to sell their saddles for more grub and Redfern talks about getting a job. One of Walsh's former gunhands Bill Miller (Jim Davis of "Big Jake") shows up in town conveniently selling beef with Redfern's brand on it. They slug it out in Francis' bar and then Redfern guns down Miller outside in a fair fight. Redfern believes Walsh has been the source of his misfortunes since he refused to pay up at the toll bridge. Grizzly suggests that they prospect and Ling provides $300 of his hard-earned dollars. Our heroes head off to prospect in a mini-version of "Treasure of the Sierra Madre" with Gabby playing the Walter Huston role. By this time, Mike has recovered sufficiently to tangle with both Walsh and Murphy in Francis' bar, while Redfern discovers a cattlemen's paradise in the faraway mountains during his prospecting. A tribe of Blackfoot Indians appear and Redfern and company shoot it out with them, killing two of them before they capture them and take them back to their camp. During a pow-wow, Grizzly's mule Hannibal wanders into camp and Redfern uses Hannibal's kicking powers so our heroes can break out of the camp. Redfern snatches a rifle and a horse and then rides out. When he stops for water, he discovers gold in a stream. Redfern dishes out $900 worth of glitter, but there is only one person who can buy his gold. Walsh refuses to pay the full amount and charges Redfern $300 plus for cost of his damaged toll bridge. Murphy incites the citizens of Carson Creek against Redfern when he refuses to divulge the whereabouts of his strike. Redfern escapes just ahead of a mob and hits the frontier where he reunites with Grizzly. Grizzly has tied in with a group of Americans that are herding cattle. Redfern buys a 25 per cent interest in the herd. The cattle foreman is Will Gray (Dale Robertson of "The Silver Whip") Ling shows up at Francis' saloon and she hires him as a cook.Despite the loss of his left arm, Mike Evans has grown to be a threat to Walsh; he goads Walsh's henchman Murphy repeatedly to draw on him, and Murphy backs down. In one scene near the end of "The Caribou Trail," Evans shoots it out with two gunmen and sends the third running. Walsh forges a quick alliance with Blackfoot Chief White Buffalo (Fred Libby of "Three Godfathers") to stampede Winters' cattle, but Evans shows up like the cavalry to kill Murphy and Walsh before the mustached villain drills him. Redfern's escape from the Blackfoot camp seems more hilarious than dramatic despite the number of shots of a mule kicking Indians. Presumably, Marin and Gruber must have felt it wouldn't be fair for the Indians to shoot the mule. Meanwhile, the evolution of Mike Evans from a one-armed man to a one-armed army with his handy six-gun predated the likes of Joe Don Baker's one-armed gunman in "Guns of the Magnificent Seven.""Caribou Trail" is one of those oddball westerns set in Canada where—as one commentator—has observed doesn't have any Royal Mounted Policemen intervening between the hero and the villains. Although it isn't especially memorable as many of Scott's later westerns, "Caribou Trail" clocks in at a trim 81 minutes and Marin neither wears out his welcome nor does he let the narrative drag.