Alicia I love this movie so much

NekoHomey Purely Joyful Movie!

Dorathen Better Late Then Never

Clarissa Mora The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

Dan L. Miller The Perry Mason series of mysteries from the 1930s are some of the best mysteries one could watch. One needs to pay attention to details throughout the film to follow the twists in the plot, which in this movie is very complicated. The movies closely follow the Erle Stanley Gardner mystery novels on which they are based. The Case of the Velvet Claws holds one's interest from beginning to end as Perry Mason cleverly addresses the case of a murder he is accused of committing by the woman he has agreed to defend in the case. Warren William plays the role of Perry Mason with panache and wit, and Clair Dodd is serviceable in the role of Della Street but plays the role unremarkably and without the flair one would hope for. If you are a fan of old, intriguing mysteries, you won't be disappointed with this gem.

Paularoc It is not a Perry Mason movie, really - it's Warren William playing yet another devil-may-care, debonair, witty character who is a lawyer but spends most of his time as a detective. The movie aims to be a comedy mystery and does pretty well with that but falls far short of The Case of the Lucky Legs. In part, this is due to a rather bland supporting cast - Claire Dodd as Della Street and Eddie Acuff as the unfortunately named "Spudsy" Drake are both bland and unmemorable. Their predecessors in Lucky Legs (Genevieve Tobin and Allen Jenkins) were better served by the writers and gave sparkling performances. The acting highlight goes to Clara Blandick as Judge Mary F. O'Daugherty, the judge who marries Della and Perry. Blandick is only in a couple of scenes but makes the most of them. She is probably best remembered for playing Auntie Em in The Wizard of Oz. The Velvet Claws plot is a bit convoluted with Eve Belter hiring Mason (at the point of a gun) to stop the local gossip rag from publishing a story (that's both untrue and could ruin a politician's career). The rag's publisher is murdered, Belter accuses Mason of the murder - even though this accusation is not true (Belter thinks she actually committed the murder), Mason is a very forgiving sort and continues to defender her. The humorous overtone in the movie is the fact Perry and Della get married and that their honeymoon keeps getting interrupted; oh, that and the fact that Perry has a bad cold he gives to everyone he meets. This is an entertaining little programmer with the always highly watchable Warren William. Not the best in the series but it's still recommended.

Michael_Elliott Case of the Velvet Claws, The (1936) ** 1/2 (out of 4) Fourth film in Warner's Perry Mason series once again features Warren William as the lawyer. This time out Perry is about to go on his honeymoon when a woman kidnaps him at gunpoint and asks for him to blackmail a newspaper so that her name won't be brought up in a love affair which will ruin a big politician. The bribe doesn't work but soon the woman's husband ends up dead and Mason is the suspect. This is a pretty good film that's nothing special but it makes for a quick 63-minutes worth of entertainment. The best thing the film has going for it is the performance of William who also picks up after the previous film. He's full of charm and anger this time out and those are two things William can do with ease. Sadly Allen Jenkins isn't in this one. He's replaced with a new assistant played by Eddie Acuff and he's comedy just doesn't work. The case itself is pretty good as is the ending.

David (Handlinghandel) Perry Mason and Della Street marry at the beginning. I don't think that ever happened in the TV series.This is a sleek, stylish movie, with good acting and chic sets.I had forgotten that Wini Shaw was in the opening credits and was wondering who that fabulous fatale femme could be. In a dark wig she is very persuasive as the precursor to the betraying woman of film noirs, which would follow a few years later.What a talent she was!