SunnyHello Nice effects though.

Sammy-Jo Cervantes There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Married Baby Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Isbel A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

dougdoepke Pretty good little programmer. Actor Hogan's sneak thief Jack Coley is no typical hero of the time— he steals, lies, and gets beaten up. But he is patriotic. Seems he steals from an unwitting courier (Kenney) hand-drawn diagrams for some important Soviet plans. Trouble is he doesn't know the significance of the notebook he steals, which came in a briefcase with his real target, a pile of jewels. So the diagrams end up lining a cat box! This sets off a chain reaction among the many players that goes from slum-dwellers in rags to guys in spiffy suits. The ending is shrewdly ambiguous given what's gone before.I love the sleaze-ball parts, especially Ms Pray-tell, who's a landlady from heck. And that's along with Muskie (VeSota) looking like a toad that swallowed a beach-ball. Then there's the rat-trap rooms where Jimmy Hoffa may still be hiding. All totaled, these sets may have cost a buck-eighty. Anyway, Nan's (Kenney) a fetching innocent among the low-lifes, while Hogan at times resembles a darker Steve McQueen.All in all, the 60-minutes manages some interesting touches, mainly from the pen of premier bad guy Leo Gordon working here as screenwriter. In some ways, not all (lighting), there's an over-leap here of 40's noir beyond the air- brushed 1950's to the '60's. Anyway, my advice is not to struggle with the many plot convolutions, but glam onto the characters, settings, and jazz score. The sum total may not be memorable, but it is worth it.

wes-connors Jack Hogan is "The Cat Burglar" who steals the briefcase sexy blonde June Kenney (as Nan) is holding for her secretive suitor John Baer (as Alan). He is really out for her jewels, but picks up the briefcase as an afterthought. Unbeknownst, he has acquired a notebook filled with top secret spy formula doodling - the stuff men KILL, and DIE, for!This film begins with fluid direction from William Witney, mirrored cat-like burgling by Mr. Hogan, and cool soundtrack music from Buddy Bregman. As the plot develops, the film unravels. The soundtrack becomes annoyingly repetitive. The characters get lost in a wildly illogical story; possibly the most incredible element is the bonding (love?) of the characters played by Mr. Hogan and Ms. Kenney. The players continue to try, however; and, the warehouse climax is nicely shot. *** The Cat Burglar (1961) William Witney ~ Jack Hogan, June Kenney, John Baer

BillDP I just finished watching this film from 1961 as directed by William Witney on the Trio Channel. It's a quick paced film that according to the folks here at IMDB has a 65 minute run time. Trio put it in a 90 minute slot with a lot of commercials so that time seems about right. Anyway, I got a total kick out of the movie which featured a cool 60's "beatnik" type soundtrack and had a fella by the name of Jack Hogan in the lead. Fans of the 60's TV series COMBAT! will recognize Jack as the BAR toting William G. Kirby. A fun flick that I wouldn't mind seeing on DVD down the road and a very big favorite of Quentin Tarantino's. He's a big William Witney fan and he always thought the film was lost but Trio found it and also aired the trailer for the film afterwards. Good stuff.