Tedfoldol
everything you have heard about this movie is true.
Connianatu
How wonderful it is to see this fine actress carry a film and carry it so beautifully.
Celia
A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
Nika Gigashvili (www.running-reel.com)
The Chameleon is not as good as The Imposter, but still this movie is pretty clever. Actually, it gives you more doubts than documentary, cause it does not much follow the line of real story. The Imposter mostly concentrates on actions of Frédéric Fortin, on crimes he's committed and leaves Randall family beyond the interest. However, the movie itself is more complex giving a closer look to every character.Writers did a great job mixing documented material with fiction one. They clearly show development of main characters after Nicholas's comeback. The script makes you concentrate on three topics: first is Frédéric (or Nicholas) who is kind of shocked as he is introduced to family members closer. As time goes by, he understands that he came in "wrong" place, because they are definitely making his life worse. Every new family, Frédéric has "returned" to before, welcomed him, made him feel comfortable, but not Randalls, because they have their reasons, why Nicholas should not be back.Another story is how FBI thinks of this sudden appearance of kidnapped child. Famke Jensen is the only agent who does not believe in any words of Nicholas and his family. Therefore, she decides to hold an inquiry independently. This investigations lead us to the third story, which is story of Randall family itself.They seem to be not that happy by arrival of long lost child. But still they have no doubt that he, whoever came back, is their little boy and that is why they refused to do a DNA test, or cooperate with police. They know something that is hidden from everyone.These three stories make a superb and horribly interesting movie. Potentially, The Chameleon could be far more better film, because it can easily attract one's attention, thrill you and make you wanting more about this topic. But still I found it average. Mostly the reason is pure directing and acting. I believe that this film could be more engaging and powerful if Jean-Paul Salome had worked more on visualization of whole idea. The camera-work and acting panel could be better and yes! this kid of movie really needs better actors. The only performance I enjoyed was Emilie de Ravin as a sister of Nicholas. I have never seen Marc-André Grondin (Frederic, Nicholas) before and I think he was not the best choice for the role.The biggest dignity of The Chameleon is that in the final scenes, it almost clearly shows what really happened to real Nicholas Mark Randall
perkypops
We can never be sure about dramatised true stories because tricks are played on our memories even as we try to retell with accuracy. This story of a character who is unlikely to be who he claims to be from the start is as much about doubts as it is about rebuilding hopes. From the opening shots of a body hunt through to the final frames this film attempts to tackle the driving forces of all the characters who make up the plot by showing up flaws and how all of us are sometimes drawn to papering over cracks in our thoughts.The film is quite clever in raising doubt in our minds because every player seems flawed from Fortin/Randall (Grondin), through Kimberly (Barkin), to Johnson (Janssen) as an FBI agent who seems to have no doubts. Perhaps a clumsy unevenness in the screenplay sometimes makes following the story a little less taut than it should be, but I could not fault the quality of the acting.Even a family torn apart by an undisclosed tragedy seem very adept at keeping things as they are when redemption is a possibility but the actual interaction between them is not well rehearsed in this script. Too much focus is perhaps played on the mother's relationship with her "son" when there was perhaps a lot of mileage elsewhere.I would guess many people would want a more commercial ending to a film like this and that has probably detracted from it popularity since it does stick to events as they happened but for me the real let down, having such a great cast, was a failure to grasp the real guts of the story and perhaps reveal a little more of what really may have happened.Seven out of ten for acting from a fine cast.
Saad Khan
La Chameléon – The Chameleon – TRASH IT (C) The movie is based upon the true life of European impostor Frédéric Bourdin. He has been in more than 100 houses all over the Europe pretending as their missing sons. His reason for living with different families is not because he wants to rob or hurt them but he just want to seek "Love and Affection". The movie takes place when he caught first time pretending to be teen missing child in taxes, USA in age 25. The premise of the movie is really interesting but poor direction and weak screenplay made it completely mediocre and sloppy. The director never knew whether he wanted this movie to be a family drama or a thriller. Marc-Andre Grondin was good but lacked proper direction as times he was sweet and at times he seemed psychopath. Emilie De Ravin, Famke Jensen and Brian Geraghty did a fine job. Nick Stahl and Ellen Berkin performance was over the top. On the whole, it's very mediocre and doesn't do justice to the story.
joelcuerrier-1
I have seen this movie yesterday and the director went on to ask that we post reviews of his movie on this very site during the Q&A, so I shall oblige. The heart of the problem seem to be that his vision was rejected by the producers and that the final cut done by the producers is such a disgrace that he is going around in festivals to show his own cut.When I asked him if or when the movie would be released in North-America, he answered that it would most likely go directly to DVD, which is a shame cause it really was a tense, effective thriller, faithful to the real events it depict in a stylistically gorgeous mastery. It is a psychological thriller with great actors and a subtly photographed scenery of the deep south, in the down and dirty poor neighborhood of the drugged and drunk underclass. Of course, it isn't really uplifting, but the characters are real people playing out their desperation. The narrative is well constructed and keep you interested through out, especially in the case you had no idea about the event it portrays, you'll get drawn to it only through the sheer magnetism of the central character, who also happen to be despicable in many ways, like everyone else around him.So, let's hope you'll get a chance to see this, the way it was intended to be seen. The director's cut wasn't longish or uselessly shocking, one part that was deleted involved the main character shaving his whole body in the first scene. Perhaps, for the prude and easily upset, it could be disturbing, but isn't that key to building tension in a thriller, to disturb the audience. This first scene should be in the movie, cause it is key to the psychology of the main character. Seeing a grown man shave the hair off his chest shouldn't be cause for concern, especially these days when many men are doing it to follow a trend that made hairy men undesirable. It's a surprising scene, as it is something I never seen depicted on screen, but I don't believe it would offend neither men nor women. There is no actual nudity and very little violence in this movie.To conclude, if you have a chance and it is playing in a festival near you, try to see it and review it too. I believe it should get to be seen and get a proper distribution. It's a solid thriller that wasn't just meant to do the festival circuit.