YouHeart
I gave it a 7.5 out of 10
Supelice
Dreadfully Boring
Gurlyndrobb
While it doesn't offer any answers, it both thrills and makes you think.
Sienna-Rose Mclaughlin
The movie really just wants to entertain people.
David Arnold
After the disappointing films of The Eye 2 & The Eye 3, The Child's Eye is a step back to the excellent first film (although not as good) and some of the elements that made The Eye so enjoyable were evident in this fourth installment of the film series. Thankfully, unlike the third film, there's no comedy scenes here...it was back to being serious like the first two movies, and the creep factor also returns and it returns big style.Now, the story for this installment is a pretty strange one, especially for the last 30 minutes or so, but at least it's imaginative. It's not that big on character development, though. I mean, we're given the basics really and that's about it. In fact, we get to know more about the wee dog in the film than we do with some of the main characters, so I guess that aspect of the film is a bit disappointing. In saying that, however, this isn't some sort of boring, deep & meaningful drama. This is Asian horror, and while I'm not saying Asian horror films can't have decent character depth, sometimes you just have to take the film for what it's supposed to be.What really makes this film is the atmosphere, the suspense, and the creepiness, and you can tell that The Pang Brothers went all out to achieve this when watching the film. And they succeed because the tension & uneasiness created through different scenes was nothing short of excellent. This is mainly why I gave it the rating I did, and I know that with such a weak development for the characters in the story, if there was very little in the way of atmosphere then The Child's Eye would have bombed for me.In my opinion, The Child's Eye has been unfairly panned by a lot of critics. Why? Maybe certain people are too used to seeing run-of-the-mill "jump scare" American style horrors where everything is spelled out for them. Who knows, but this is definitely not as bad as some people would have you believe.It's not as good as the first but it's still worth a watch.
Flow
While the coherence on this one might be a tad bit broken, there were some scenes that seemed out of this world! And yes, in a good way!As most such films, of course it will seem twisted, sick, hard to read, difficult to interpret and so on! But what good Asian horror puts itself on the plate for you? Either go with the program, or find yourself another hobby! People like those involved in the making of "The child's eyes" should be encouraged, helped with finances and let them show us more, see what they are truly capable of. I had fun, I admit it, it kept me very interested the entire movie, didn't seem as long as other Asian horrors I've seen lately, and again, I have to put an accent on the fact that tension is a huge factor here. When such moments will make their appearance you'll just stand there, frozen, waiting to see what will happen.Not many films have that effect on you, so a good scare is where you find it! Doesn't have to be a Boo, a loud fast sound, or a scary monster coming out of nowhere, it can indeed be something slow, annoyingly slow actually, and you'll feel your eyelids opening more and more, waiting..for what is there to happen. As I said, I had fun!Cheers!
revbighig
Watching a movie (reading a book, attending a concert)in order to review it, is to chose not to be entertained. Surrendering to art, allowing it to sweep you along as it may, is always my plan. But when the down-river flow is so full of rocks as to keep bumping my head, I fell out of this movie and back into my living room going "huh"? I love Asian horror. It has a creepiness unseen elsewhere. This movie did too, but only in atmospherics -- the hotel was a fright! The acting, however, did not add much. It mainly consisted of long, silent pauses where the actors stared at each other, at nothing, at ghosts. And considering the ugliness and horror all about them, the three girls were remarkably unfazed, wandering over and over again back into dark and dreadful places. I might have accepted some of this, if the plot made any sense. Even the amazingly knowledgeable narrative of the Doggy girl, wasn't much help.(It seemed to fall apart in the b/w flashback.) Who was the mother? The wife? The half girl/half dog? How did she get this way What was that crazy hellish world on the other side of the goo? Why did we need so much time dedicated to the riot scene -- it felt like a separate movie. 4 for atmosphere, 10 minus 6 for everything else.
rust37
The most beautiful part about horror movies, the very essence is whether you've experienced that eerie feeling on a brink of "I just can't see it any further" and of course shivers. To summarize, this one delivers both. Couple of scenes are real, real creepy.New words to the genre? Yes - I'm following horrors quite closely and still have found new tricks. Visual candy - yes, I've liked a lot the way camera played about dimensions, 3D-oriented scenes were also likable. Derivative to The Eye, Insidious and Re-cycle - also yes, quite unfortunately. But! I'd l-love to see more derivatives to Insidious.Well, one can complain also about full-straightforward story, which is not so to say. So-so direction - here I can agree, but did you ever see stronger performance from teens in Asian horrors? (Pals, this is not a J-horror, it is from Thailand/Hong Kong) Not likely, so why complain too much? I can mumble a while around longish scenes, but I can also cease it on the fact that this is quite typical for pan-Asian movie school and well, this is not a Transformers franchise anyway. All in all this is a solid, quite creative 6/10 effort well worth watching for those who seek for new tricks on the horror arena. Give it a shot - at least to your exploratory agenda.