ada the leading man is my tpye

2hotFeature one of my absolute favorites!

SoftInloveRox Horrible, fascist and poorly acted

Bessie Smyth Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

valadas Yes but maybe real. The movie atmosphere both visual and psychological is gloomy. Four Catholic priests have been sent to a secluded house by the sea to expiate their former sins which include pedophilia and homosexuality. A former nun keeps and eye on them and their behaviour. A fifth one arrives with heavy sins upon him being followed by a man who was a victim of sexual abuse by him when a child. This man begins to reveal all that has passed between them uttering that in a loud voice outside the house where the priests are. This upsets the newcomer so deeply that he ends up by shooting his head with a pistol and dying. After that we see the priests talking and talking about their sins more often with a crisis counselor that has been sent there to inquire about the situation and even to close the house. The dialogues and conversations deal also with the way religion is faced by those priests and victims coming to use religious faith and principles to justify their sins. All this is given very expressively in an intense dramatic way.

SquigglyCrunch The Club is about of group of former male priests who have been sent to live in a house for supposedly being incapable of properly ministering, when something horrible happens outside their house and a young priest-psychiatrist joins them in the hopes of finding out what's going on, and putting the former priests back on the right track. The movie has so many twists and turns, it's probably better that you don't know much more about it. And that's something that I loved. It's unpredictable, and the movie just goes along without over dramatizing much, thus making it just a little more real. Right from the get-go, this is a beautifully shot movie. Every scene is gorgeous, and the gloomy color pallet really helps set the tone. Even the coloring of the house sets the mood incredibly well, and allows an atmosphere of dark sadness to settle over the entire film. The acting is all pretty good. The characters are convincing as characters, and they react in ways that I think a lot of people would in their situation. This is often due to the writing, which is also great. The dialogue is intriguing and pulls the story along with nice pacing. The movie is pretty slow to start. When the dog races are first introduced, I thought it'd be about dog racers and lost interest. However, I'm happy I stuck with it because it gets better. Much better. Despite how well-made and unpredictable the movie is, I found myself somewhat distant from it emotionally. Scenes that should have shocked or made me tear up had little effect. While it captured discomfort perfectly, it didn't quite capture other emotions. Overall The Club is great. The acting, writing, shots, and story are all very engaging, all with a little too much discomfort. It lacks emotional investment and intrigue right off the bat, but it gets better. In the end I would definitely recommend this movie.

Reno Rangan Sadly, this is the most boring film I have seen in the last 12 months. I have enjoyed many films what others called the worst film of the year. That means I love to take chances, but I was surprised for this which is the least liked by me from the year 2015.I usually respect films and filmmaking, so I thought to skip reviewing it than writing negatives about it, but then I thought I hadn't written much for the disliked films. Realised I should not go like this being neutral, because I collect my reviews and I wanted all kinds like good, bad, average for my basket.I never considered myself an atheist or a theist, just a form of a life on the planet earth, so it's nothing to do with the religion for my viewpoint on this. This drama about the corrupted priests was not like I expected, I kind liked the theme, but not the overall film.It was sent to represent Chile in the recently concluded Oscars, which was a similar theme to the top award winner 'Spotlight' but failed to qualify for the main event. If it was based on the real then my reaction would have been different.They have tried it with a dark comedy that I was not impressed with the overall presentation. But there were a very few good scenes and it was not enough to win me. I know the majority of those who had watched the film are saying many good stuffs about it, looks like I might be the lone black spot around here that deserves dislike votes, so come guys!! Do it!3/10

jtncsmistad Four disgraced Catholic priests and a mysterious nun live together in a house situated in a remote seaside town. Each must atone for sins of the past. Collectively they comprise the "The Club".And they don't take kindly to guests.Chilean Director Pablo Larraín (who also shares writing and producing credit) does masterful work here creating an unremittingly dreary and dour atmosphere right from the opening frame. Even those scenes where the sun is shining feel decidedly dim in his film.And the overarching tone befits the performances. This is fine ensemble work from the aforementioned five principle characters. The supporting cast is equally as impressive. Together these actors deliver a common thread of acute despondency and resignation to the dire circumstances which have come to consume and define their dismal lives.It would be an exercise in easy to dismiss, or at the very least, minimize, "The Club" as a portrait of punishing depression and abject absolution. But I will submit that it is more than merely such uncomplicated characterization.Larraín pulls nary a punch in his raw and unsettling condemnation of an omnipotent organization which has continued to figuratively turn it's head in the face of evil transgression rather than face the sordid depravity head on and work to root out and vanquish it.The final moments of "The Club" brings the notion of "The New Church" and the suggestion that there is perhaps systemic change afoot in institutional Catholicism. These scenes also introduce a new boarder into the house in the person of a severely scarred victim of that which has been allowed to permeate in perpetuity and practically without punity.But what we can not know, and what Larraín clearly leaves ambiguous by intent, is this: Will "The Club" welcome their new tenant in a spirit of repentance and forgiveness? Or will they treat this interloper as they have all other unwelcome invasions of their duplicitous commune? We can only hope for the former. Still, there is little expectation that our wish will be fulfilled. For by now we have come to learn in no uncertain terms that this is a congregation whose service is certainly not in the name of God. But rather in the shame of."The Club" is not at all pleasant to watch. It is alarmingly disturbing, spiritually jarring and leaves you adrift in a wake of lingering despair. This is not to say that it is a bad film. For it is not. It is to maintain, nonetheless, that it is a film about bad people violating all that is sacred about the human condition. Particularly by those who have vowed to operate in a manner mirroring that of divinity much more so than mortality.