The Codes of Gender

2010 "Identity and performance in popular culture"
7| 1h13m| en
Details

Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.

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Media Education Foundation

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Reviews

Comwayon A Disappointing Continuation
Ariella Broughton It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
Hayleigh Joseph This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.
Janis One of the most extraordinary films you will see this year. Take that as you want.
bettycjung 11/29/17. An interesting documentary about gender roles and how they are represented in media and advertising. It is amazing how what we watch constantly on any medium, whether in print or on the screen, insidiously display what roles we should be playing. This is especially true for women, in which they are constantly feminized to reduce the threat that men may feel when faced with women who come off as being masculine or too male-like. And, gay men are displayed in what are considered feminine positions because they share the same audience with women. Worth catching.