Teringer
An Exercise In Nonsense
Bluebell Alcock
Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies
Clarissa Mora
The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.
Marva
It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
lipjam
I watched this based on the good reviews. The acting isn't bad nor is the production. The music score is quite good also. However, the story line is so preposterous and filled with holes as to beggar belief. Even if you can get over the opening sequence: This actress who is so famous and adored is simply abandoned in the charge of a testosterone charged young man who posts photos of her and has has his friends visit the hospital without any suspicion or checks. It doesn't get any better. It is predictable and a little tedious at times. The plot twists for me were not really twists as sweeping bends you can see coming a mile off. The ending just takes the biscuit. I did not see that coming but it is so stupid that it could only be made up on the spot. I suppose if you're twelve and want to see a naked dead lady then knock yourself out. If you want a thriller with a believable story line then I doubt this will satisfy. Not really worth the one hour and four minutes of your life. If you still want to see it prepare to suspend disbelief (like leave it outside the front door) and you may not be disappointed but I would recommend you opt for something a little less puerile.
Coventry
I have to admit that I was quite hesitant to see this film at the Brussels International Film Festival
After all, the title doesn't sound very cheerful and the two-line plot summary reveals absolutely nothing about the movie except for the perverted premise. The only I got beforehand was: "Imagine your best friend calls to say that he's in the same room as a famous actress and she isn't saying no to some action between the sheets
The only problem: your friend works at the morgue and the actress has recently deceased!" Okay, intriguing idea, I'll be the first to admit that. But where will it go from there? I hope it won't be a 76 minutes long-feature movie showing three guys committing necrophilia! Or will they get caught and does the whole thing turn into a courtroom drama? Or even worse, will the actress emerge from her deathbed as a zombie and shall she alternately rape and butcher her three assailants? I decided to purchase the ticket for "The Corpse of Anna Fritz" after all, and certainly didn't regret it. I won't reveal what does eventually happen (although many other people blatantly revealed it in their reviews) but writer Isaac P Creus and director Hèctor Hernández Vicens made the absolute most out of it and I'll gladly proclaim that "The Corpse of Anna Fritz" is a very suspenseful and absorbing thriller with a few unpredictable twists and a handful of notably frightening moments. The one thing you shouldn't expect, though, is gratuitous or repulsive footage. The necrophilia theme is quite controversial, of course, but the nudity and sexist sequences are kept to a minimum. The film does go quite far in showing how far people are prepared to do in order to protect their own sorry ass, like betrayal and even murder, which results in a number of brutal but nevertheless confronting and realistic sequences. Since there are only a couple of set pieces and a very limited cast of characters, "The Corpse of Anna Fritz" very much depends on the strong acting performances and the surefooted direction of Hèctor Hernández Vicens. It's a very simple yet effective shocker that occasionally makes you wonder how you would react in such a situation. Hopefully different than these guys!
chiendalou
Some movies have big spoilers in their own titles, basic plots or trailers. There, you have clues of what production team want you to know. I'll try not to go further.We are introduced in the very beginning (by journalists' fragmented threads on voice-over) to Anna Fritz persona and we are get to know that she is a worshiped celebrity. Her death is where it all begins.Then we are taken to the point of view of three curious guys that want to see her for the first and last time. What I can say it's not a good idea.This movie have some violent scenes. If you are more or less sensible to 'moral terror', despite the comments of the toughest viewers, I think you will suffer.From one specific moment, the story they are about to tell us, could perfectly fit in horror genre, but it clearly follows the way to a claustrophobic crime flick. The cast is good, especially for the pretty Alba Ribas who plays Anna Fritz (in some shots she looks a little like Chloë Sevigny). The characters are made for the plot, so don't expect a great character developing (runtime being 76', it's not possible in an action centered movie). The pace is fast, and it works. No place for being bored. Give it a chance!So from now on, it seems we have more reasons to be afraid of dying!
sol-
Put in charge of a female celebrity's dead body, a young morgue attendant boasts to his friends who insist in seeing the dead woman naked, and things only become more twisted as one of the friends expresses an interest in necrophilia in this independent thriller from Spain. From such a plot description alone, 'El Cadáver de Anna Fritz' might sound like a film done in incredibly bad taste, but it is rarely exploitative (only the briefest glimpses of the nude corpse are seen) and a sudden twist after eighteen minutes pulls the film in a decidedly different direction with the friends forced to make some tough moral decisions. None of the actors playing the three friends are particularly remarkable, but there are some interesting shifts in personality; most notably, the morgue attendant goes from reluctantly letting his friends in, afraid of losing his job, to giddily playing practical jokes on them. That said, Bernat Samuell has a bit of a bland character - he is pretty much the moral compass of the group throughout, but co-stars Christian Valencia and Albert Carbó undergo enough shifts in personality to keep things fresh. The plot also requires some suspension of disbelief (medically speaking in particular) but it is an engaging film through and through if one does not think about the probability of it too much. Several ideas raised by the film are fascinating, including celebrity worship and the ability of the human survival instinct to overtake rationality. Clocking in at only just over an hour in length too, the film is briskly paced and never outstays its welcome.