ada the leading man is my tpye

Supelice Dreadfully Boring

Humbersi The first must-see film of the year.

Lachlan Coulson This is a gorgeous movie made by a gorgeous spirit.

Johan Louwet Now this was rather a disappointment. It eventually starts of greatly with a scene of the legendary dark eyed crying woman helped by some bloodthirsty dogs and an ugly cripple man attacking and killing the passengers of a chariot in the dark woods. Who thinks (like me) was going to get a mystery of who is that crying woman will be disappointed as within minutes you will already know who it is. Later on we get a mature lady named Selma living in a big mansion letting her niece Amelia and her husband Jaime come over. They haven't seen each other in 15 years. Very fast Selma lets her niece know what she expects from her. They are both descendants of a witch which was killed decades ago and now should be brought back to life by Amelia at midnight to avenge her death. Amelia doesn't want to but Selma starts to play all kind of tricks on her and even more on her husband. None of them were really as good as "The Witch's Mirror" and rather stupid in my opinion. Yeah there was even some Frankenstein like monster. Sequences and some fights it all continued way too long and took away the tension and creepiness of the whole. Thin plot, one dimensional characters and very disappointing end. This director clearly tried to go for a more spectacular and action packed movie rather than more subtle, mysterious and atmospheric horror which was more common those days (or at least that's what I think).

Coventry I almost feel the urge to spontaneously start a Mexican Wave in honor of this SUBLIME Gothic horror movie! When listing the most important classic horror titles and their countries of origin, people automatically think about Italy (with Mario Bava and his "Black Sunday"), Spain (with about a million Paul Naschy films) and naturally Britain (with the legendary Hammer and Amicus production studios). Mexico understandably always gets left out, but it truly deserves to be mentioned too, if it were only for THIS movie alone! "The Curse of the Crying Woman" is nearly flawless Goth-horror and features all the aspects that make the genre fans' mouths water. Filmed in beautiful black & white and bathing in an uncanny atmosphere, this movie is compelling from start to finish and several eerie images will haunt your thoughts even long afterwards. The story is simplistic, yet effectively creepy, the decors & set pieces are overwhelmingly sinister and the make-up effects are surprisingly convincing. No wonder this film often gets compared to Mario Bava's aforementioned milestone "Black Sunday". If you take the wise decision of purchasing "The Curse of the Crying Woman", you may expect to see endless dark forests, old mansions, ominous thunderstorms and – of course – a sardonic mythical storyline that tightly connects all these elements together. On the night of her 25th birthday, beautiful Amelia and her husband arrive at her aunts' Selma reputedly "cursed" house. Amelia has been looking forward to be reunited with her aunt since years, but she doesn't know that the sole reason of her invite is to serve as the final sacrifice to resurrect an ancient witch. Throughout the years, Selma became obsessed with the powers of Marina; an evil bitch that lures woods-travelers with her cries and kills them. Even if the young couple manages to avoid the curse, they still need to defeat Selma's horribly scarred servant and the mutated monster in the attic. The tension & atmosphere are masterfully built up, especially during the first 45 minutes. Director Raphael Baledón then seems to lose his tight grip on the story a bit around the hour, but he immediately rectifies himself again with an unforgettable climax. The sequence with the chiming bell alone is worth a standing ovation! Mesmerizing horror experience, recommended to fans of the genre all over the world.* Special word of thanks to loyal IMDb-user G.B, for helping me to obtain this new personal favorite.

rkolesza I just watched CasaNegra Entertainment's version of this film on DVD, fully restored and all I can is Wow, they did a great job with it. It's such a treat to see these old Mexican classic finally get the attention they deserve. Curse of the Crying Woman is often considered the the Mexican Black Sunday and it lives up to it in every way. Beautifully filmed entirely at night, creepy mist, candle lit dungeons and dead trees are everywhere. These type visual elements were one of the trademarks in many of great horror films from Meixco and definitely what helps make them unique.The story involves a young woman who upon visiting her Aunt who lives in a creepy Hacienda mansion in the countryside, learns she is next in line to join a family of evil witches. The Mexican title suggests the film is based on the legend of Llorona which it is only loosely. Baledon takes the real legend and morphs it into his own screen play and the outcome is pure classic horror enjoyment. A must for any true lover of Gothic, Black and White horror movies.

gravelbreath Enter Gothic Mexico! Easily one of the best Horror films of the classic Mexi-Horror era. This film is oozing with the lush atmosphere, bizarre imagery and beautiful, shadowy photography which many of the Mexican horror classics of this era are known for. Like several other classic Mexican horror films, this one also plays off the the old Mexican folklore tale of Llorona, the weeping ghost/witch of the Mexican countryside. Real horror buffs will see (during the opening scene) a striking similarity between this film and Mario Bava's masterpiece, Black Sunday. The setting, where the Witch lives is actually a old Mexican Hacienda Mansion. I think the scenes where this "Haunted" mansion is depicted rivals that of the old Gothic castles which were typically used as settings in the European classics, mainly the Christopher Lee Dracula films. It just looks different but is creepy as can be. There is also some dreamy, almost psychedelic like sequences also not unusual during this period. Combine all this is the mutated, malformed man kept prisoner in the mansion, the boney flesh-eating hounds, Abel Salazar (Brainiac) playing the heroine and Rita Macedo playing the Witch you have a film any horror fan is not likely to forget.