The Dark Power

1985 "They Have Come to Conquer the Four Corners of Earth"
3.3| 1h21m| R| en
Details

The spirits of dead Indians are haunting a couple's house, and they call in an exorcist, whose trademark is a black whip, to get rid of them.

Cast

Lash LaRue

Director

Producted By

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Reviews

AboveDeepBuggy Some things I liked some I did not.
Roman Sampson One of the most extraordinary films you will see this year. Take that as you want.
Winifred The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.
Josephina Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.
mfnmbessert-224-279128 The beginning title cards make 'The Dark Power' look like it might be a well-made nostalgic campy horror film, but after the first ten or so minutes, one will struggle with the film for a while, lying in wait for the actual story to unfold itself. Alas, there isn't really any very good excuse for a plot to be found here. Instead, just classic 80's camp filled with scantily-clad girls the audience wishes would get naked (but don't, save for one scene), and a bunch of oblivious wops who the audience begs the filmmakers to kill off immediately, but instead lie around throwing empty beer cans and smoking cigarettes.This isn't to say that the film itself is bad, our characters are just pretty terrible, typical non-actors, but their dialogue at times seems to transcend their acting abilities. The infamous Lash La Rue who gets everyone excited about this film hardly makes an appearance at all, but is noteworthy as producer. He comes in at the end, complete with trademark 1950's Western movie soundtrack.This is a sometimes fun amateur B-flick for damn sure, and reminds me of other well-made crap films I have seen in recent times such as 'Winterbeast', 'Zaat', and 'The Boogens'. Enjoyable enough for those with the attention span to tolerate generally well-made awful films. And if you are still commenting to yourself about the hokey costumes, trust me, there is worse out there.Lots of Budweiser references, maybe have a few of those and the film won't seem like 78 minutes of intense bass and muddled dialogue. Definitely worth the watch for bad film geeks.THE DARK POWER -----6/10.
Coventry Ladies and gentlemen, allow us to introduce to you …. The Toltecs! This ancient Latin American tribe, even preceding the Aztecs, supposedly had the most malevolent and bloodthirsty sorcerers, yet they get their asses whooped by a couple of college floozies and a one-hundred-and-seven-year old lawman with a whip! But before you get to see this, however, you have to struggle through more than 40 minutes of sheer boredom, infantile pranks and sleazy sequences that don't contain any actual sleaze. In case I haven't made myself entirely clear yet: "The Dark Power" is an indescribably cheesy and inept piece of 80's horror crap that still manages to be amusing because of its sheer and somewhat charming stupidity factor. Writer/director Phil Smoot's intentions were obviously admirable, but he – as well as the rest of the cast & crew – lacked the talent and financial means to deliver something even half-decent. Smoot carefully watched "The Evil Dead" and other similar demonic-themed movies, and somehow must have thought he could pull this off as well. The movie opens with an old Indian guy dying in his isolated countryside house; barely speaking out his last word above a whisper … Toltecs. His grandson promptly rents out house to a bunch of college chicks, including a typically 80's aerobics babe, a cute black girl and a racist redneck gal. Soon they will discover why exactly the old Indian lived like a hermit, as he was actually the guardian of an ancient Toltec burial ground. Toltec sorcerers buried themselves alive, only to emerge again thousands of years later and feed on the flesh of the living. And, honestly, is there any better tasting flesh than that of bimbos? As hinted at before already, the first half of "The Dark Power" is terribly lame and sleep-inducing. The clichéd pranks, the retarded dialogs and the ridiculously overlong footage of Lash LaRue swinging around his whip seem to go on forever. Then, the movie loses its last smidgen of credibility when the Toltec sorcerers emerge from the ground. Instead of menacing, they look like drugged out hard rock stars with imbecile masks and drunken gestures. Exactly ONE gory moment is worth mentioning, when a guy's lips are stretched out over his entire skull, but overall even the carnage aspect of this movie is disappointing. The only remotely worthwhile moments are utterly senseless, like when a 9-year-old kid (named Cletus!) goes joyriding with his uncle's truck or when the vulgar naked chick sips beer in the bathtub after working out. Seriously, unless you get turned on by the sight of a 1940's western veteran swinging around his whip at nothing, I'd advise to skip this film.
HumanoidOfFlesh A group of unsuspecting college coeds move into the house on Totem Hill,a cursed place where four Toltec Sorcerers buried themselves hundreds of years ago-alive and still breathing!On the coming of the Evil Days,the ancient demons arise to feed on the living.Now only one old Ranger with a whip played by western veteran Lash LaRue-fashioned out of materials from the four quarters of the world-stands between the girls and the mystical zombies from the past."The Dark Power" is clearly Phil Smoot's answer to Raimi's "The Evil Dead" with an isolated house,resurrected bloodthirsty demons and lots of POV camera-work in the woods.What surprised me the most are the racist remarks of several characters.The Confederate flag also pops up with alarming frequency.The four Indian monsters are fun to watch and there is a bit of gore including the scene where a man's head is torn apart.Lash LaRue is great with a non-sexual whip action.It's really a shame that the first 45 minutes are so criminally boring.A generous 6 out of 10.
Steve Nyland (Squonkamatic) I must say that I am an *INSTANT* fan of DARK POWER, an EVIL DEAD inspired bit of regionally produced horror hokum masquerading as a teen schlock craptacular. But as usual with medium to low budget movies that have not been messed around with by a studio looking to reap a profit there is more to this than may first meet the eye. The film's plot concerns itself with a group of genuinely unlikeable morons who move into a house formerly owned by a descendant of "Toltec and Aztec" shamans that is on the site of a former burial ground, or repository of ancient Native American artifacts. Offense is given to the tribal gods when one of the losers turns out to be a scab who leaves the seat up when taking a leak, invites his pathetic friends over for a beer party, and his snot rag sister starts giving the black chick in the movie racist trash. Either that or those gods are just being nasty for the hell of it.It moves quickly: There is a local sheriff with some sort of mystical whip played by B-movie Western Whip King Lash La Rue, maniacal doggies (more like poochies: they are cute for killer wild dogs) who attack local fat kids wandering through the woods, a fat handyman dressed up like Meatloaf who's kid manages to blow up his truck, the losers run out of beer, and then out of nowhere come four re-incarnated Aztec warriors dressed up in castoff K-Mart hockey gear who butcher everyone in the house to pay them back for not having any Cheez-Whiz. In other words this is one of those movies made for people with really short attention spans that does not rely on plot to get it's message across, which is that Injun ghost warriors are nasty, mean, and kill people in surprisingly creative manners. My favorite was the chick who gets an arrow right between the eyes, but there are varieties of carnage that will likely please any hacker fan -- though be advised that DARK POWER's budget amounted to about one good semester at graduate school and the effects may not please fans of the animated computer cartoon horror hits of today, which genuinely suck compared to imaginative, well-meaning and bankrupt projects such as this. A sub-plot involving a foxy local reporter's inappropriate flirtations with the local teen book nerd doesn't go anywhere, but there's plenty of offbeat carnage, some enjoyable T&A, plenty of beer for everyone, and some appropriately tasteless humor that is funny for all the wrong reasons. This movie is an applied study in poor taste, but somehow it works.The film also throws a few curve balls at viewers with some unexpected social commentary, such as the scene where one of the Injun Zombies decides to sample some of the snack food, condiments and booze stacked up in the kitchen. Then there is the scene where one of the losers from the beer party is being massacred and the snot-rag sister comes out of the bathroom clad in only a towel screaming at the morons to KEEP IT DOWN! I also liked the racial dynamic with the black girl, who sort of becomes one of the heroes and who's tolerance of the white trash (one of them even has a Confederate flag hung prominently in his room: cute) crackers is nothing short of admirable. The film is also strangely comfortable with it's Regional Horror look & nature, and we may have coined a new term here.REGIONAL HORROR: Low budget, semi or outright independent thrillers from the 1970s - 1980s filmed in places like Miami, Omaha, Richmond, and St. Louis that eschewed gloss for a kind of droll wallowing in everyday suburbia, featuring everyday plain Jane actors who are cast for their ordinariness rather than traits attributable to a manufactured freak like Tom Cruise or Angelina Jolie that has no identity outside of their industry. These are everyday people, non-actors with maybe some community theater experience, called up by a director who needed a cast for a movie, offered a couple hundred dollars for a few day's shootings and usually got more than they're money's worth when compared to the baloney performances of someone like Mr. Cruise. Regional Horror features existing locations as sets like people's homes, their backyards, maybe a stretch of woods on public land, and is usually comprised of images & scenes that blue collar slobs like ourselves would otherwise see every day of our lives.The ultimate example would probably be CHILDREN SHOULDN'T PLAY WITH DEAD THINGS (or NIGHT OF THE LIVING DEAD, for that matter) but see also HOUSE OF THE DEAD/THE ALIEN ZONE, KINGDOM OF THE SPIDERS, FIEND, DON'T GO IN THE HOUSE, DON'T LOOK IN THE BASEMENT, DON'T GO IN THE WOODS ALONE and other movies with the word DON'T in their title, and I would rank DARK POWER right up there with any of those as a movie that amounted to more than the sum of it's parts, and turned out far, far better than it probably had to.8/10, and I mean it.