Infamousta brilliant actors, brilliant editing

Nessieldwi Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

KnotStronger This is a must-see and one of the best documentaries - and films - of this year.

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

cherimerritt Young Russian inventor Ivan Kouznetsoff (Sir Lawrence Olivier) brings his new design and prototype for an underwater ice-breaker propeller to pre-war England (1938-39) in hopes of presenting it to world famous engineer and shipbuilder, Mr. Runalow (Felix Aylmer), hopefully for production. He coincidentally meets Mr. Runalow's granddaughter, Ann (Penelope Dudley-Ward), who takes him under her wing and home to the family. Culture shock (in both directions) permeates his every experience and interaction. The development of mutual understanding is the sub-plot, hastened by Hitler's invasion of Russia during Kouznetsoff's second trip to England and its subsequent synergy of combined effort to assist Russia and to complete the ship with the cutting edge propeller.Having worked for 2+ years with émigrés from Russia who lived through WWII and were contemporaries with this film, Olivier's interpretation of Russian sensibility was of great interest to me and he did a very fine job. One of Olivier's best performances, in this writer's opinion. Well written script and dialog. Performances of Felix Aylmer and Penelope Dudley-Ward were quite enjoyable. Felix Aylmer as a wise genius in this film bears notice in contrast to his role as Polonius in Olivier's Hamlet. The film held my undivided attention the entire two hours.Highly recommended for anyone with high interest in inter-cultural relations. Given human nature's propensity for alienating others who display any differences, the making of this film was a stroke of genius. Hopefully it was widely viewed at that time (1943) and provoked reflection. If a picture is worth 1000 words, a moving picture is worth 1000 pictures. Kouznetsoff's speech at the ship's christening and launch is priceless - remarkably apt and inspiring.

ksf-2 Almost two hours long, D.P.starts out in Russia, with some British travelers meeting with a Russian; we quickly flash back to when one of the Russians had traveled to London on business. Laurence Olivier is Ivan Kouznetskoff, who recounts his experience in Britain many years ago, both pleasant and unpleasant. British "Ann" ( Penelope Dudley ) is his new love interest, and that is an on again/off again relationship. Viewers will recognize Margaret Rutherford (plays Rowena Ventnor) - Rutherford played Agatha Christie's Jane Marple during the 1960s. Olivier's accent is iffy, but they DO capture the proud complaining that is prevalent in some Russians (as well as some Americans, some Britains...) Of course, the story takes place deep in the middle of world war II now, and also about the time of the Haye's movie production period back in the U.S., so I'm guessing some parts of the original story were left out of the film. Writer Anatole de Grunwald had actually fled Russia as a young boy with his family during the Russian Revolution, so its interesting that his main character would extol the virtues of the common worker society. Entertaining two hours, but Ivan is so cold throughout, that we don't get too drawn into the story. The second half is more about their relationship, and less about comparing Great Britain to Russia, and what a snob Ivan is.

bkoganbing In between making That Hamilton Woman and Henry V both of which could be argued were better contributions to the propaganda front of the British war effort, Laurence Olivier made this film about a Soviet engineer who designs a new type ship propeller and the government contracts with a British firm to build and install it on a ship. This is taking place in 1939 before any general war breaks out in Europe.Two things I found interesting about The Demi-Paradise. Firstly the fact that the proper name of the country, the Union of Soviet Socialist Republics, or USSR, or the Soviet Union is never used once in the film. Olivier always refers to his country as Russia, as do the others in the cast. Secondly, you never hear one word about the German-Soviet non- aggression pact. I suppose that might have been better than the clumsy explanations given in the American film Mission to Moscow.But whether Czarist or Marxist it's a different world that Olivier steps into when he arrives in the United Kingdom. He's pretty suspicious at first, but his interaction with British people in all walks of life gradually wins him over. Not the least of which is pretty Penelope Ward who's conducting a campaign of her own as far as Olivier is concerned.Hardly the greatest film Olivier ever did. Then again he nor anyone else managed to get themselves blacklisted over it, did they?

vasa Good example of the type of movies made in England during the war, to keep spirits up. The Brits never seem to engage in gung-ho war stuff: which makes for more pleasant viewing.While nowhere near the league of, say, "A Canterbury Tale", The Demi-Paradise has enough realism (of the British character) to while away a pleasant hour and a half.