Hulkeasexo it is the rare 'crazy' movie that actually has something to say.

ChampDavSlim The acting is good, and the firecracker script has some excellent ideas.

Hattie I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

cryptic_non_sequitur The estranged Australian family of an unethical Hollywood commercial producer is slaughtered, and when he returns to Australia, he finds the town decimated, and the murderer is waiting for him with an offer he can't refuse! Meanwhile, the surviving locals are trying to stay alive, and the authorities are trying to figure out what is happening. And, of course, newcomer Joe Melton has lost his mind, but gained an unusual friend! The ONLY thing I didn't like about this movie were the scenes where the demons had devil's horns. I thought that was unnecessary and a little silly ... but otherwise I LOVED this movie! It was very original in its execution, and the visuals were surreal and mesmerizing. The message was a bit overshadowed by the mayhem, but if you pay attention, you will see that it all holds together rather well.Apparently the movie is not well known in Australia (or the US, either), because when I googled the "Diggers Rest Hotel - Iron Pot Restaurant", which figured prominently in the film, I got plenty of hits ... most of them about the building being completely gutted by fire on October 30, 2008, and NONE of them mentioning this movie. So much for my plans to stay there some day ...The really odd thing--and I'm not trying to point any fingers here--is that one IMDb reviewer, who had apparently made a donation to help the independent film industry in Australia, was extremely disappointed in the results, as represented by this film, and left a scathing review a mere three days before that fire. It's like the universe read the review and meted out some cosmic justice--which, like most cosmic justice, struck an innocent bystander! Anyway, see the film, and enjoy the Diggers Rest in its final days!

secrettruth I thought that by spending 30 dollars on a locally made film, I would be supporting the Australian Film Industry - but if films from Melbourne are all like this - I'll never buy another. In fact, I don't think I will ever buy a locally made film... such a shame. This film has shaken all my faith in Melbourne. Shaken my faith in film in general. My eyes weep. My heart bleeds. It hurt so bad. It's as if the director started with the intention of going through every single film filter in history. I think this film would have been not bad if not for the ludicrous pretentious use of stock AVID and Premier filters littered, with no real reason, throughout the film. The writing isn't horrible, the make up is quite good (as far as B grade horror goes) and the story is interesting enough - but beside all that Hard work, the director literally pulled down his pants and defecated all over the canvas with the filters, colors, bad computer generated effects, bad day for night shoots and editing, annoying monochrome -for-no-reason, etc etc etc. It's like watching somebody back when VHS video camcorders were released playing around with all the transition settings. I'm a fan of all film for the main part - from B grade and Z grade 60's and 70's exploitation horror all the way to Oscar fodder, and there was nothing in this that I can say I enjoyed. Nothing. It is a great film to watch if you want to see what not to do if you're a filmmaker, but only if somebody pays you to take a copy of the film. I feel very sorry for the actors, who after 3 years of production, had to sit through this film at the premier and see there performances mangled under a pile of bad transitions, annoying over the top filters etc. It is such a shame. And the fact that this won an award locally just goes to show how bad our industry is. I would usually never go out of the way to derail a film, but whoever wrote the last review was an inside man, and that's just cheating. Watch if you enjoy: Gouging out your eyes. -0/10

whammy666 I am a huge Troma fan. A lot of Troma's recent releases haven't been too good, however...Bloodspit? Pot Zombies? Meh. I thought the trailer for this one looked really cool, so I recently bought it, and I must say...it's really good. It has really nice imagery, good special effects, pretty good acting, done pretty well considering what the budget was. The storyline isn't all there, but that is okay. It relies heavily on the imagery, and it works pretty well. It has some decent gore, with good special effects. It is pretty much unlike any other movie you have ever seen. It is also an Australian movie. And for the plot, it is near indescribable, much like most of David Lynch's movies are. Basically, a man moves to a ton, and demons start attacking. But check this out, it is extremely weird, and pretty cool. One of Troma's better recent films.

faust-45 I had a chance to see this film at the Perth International Film Festival this year and was very impressed. For a first independent feature i was amazed at just how good it was. Good acting, cool looking creatures and make-up fx and lashings of style. Very moody, creepy and in some parts, all together bizarre. David Lynch meets THE EVIL DEAD was one good description i read of this film. Shot on video and "film looked" in post the print i saw was beautiful and reminded me of the old days of 70's horror where unlike so many of todays films was not over lit and clinical looking. For me the film also had a dream-like quality (thanx to some inspired editing) akin to some of Lynch's earlier outings. The music and sound effects also impressed me greatly and complimented the visuals perfectly. Not overly gory, nonetheless the killings on screen had the impact one would expect, helped greatly by some of the best performances i've seen in a grass-roots independent for a long time. All in all a highly original and entertaining take on a well worn genre.