The Devil at Lost Creek

2010 "Pity the souls who meet the Devil at Lost Creek."
3.4| 0h27m| en
Details

A child's wish unleashes the embodiment of fury.

Cast

Director

Producted By

Castile Productions

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Reviews

Stoutor It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.
ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.
Teddie Blake The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
mrmuzikproductions What does this film offer that all the numerous others don't? Honestly, not much. Well, I guess the basis for the story is somewhat different, this time around it's a couple of adorable little kids that unleash the man-beast on everyone. Beyond that, 'Lost Creek' looks like your typical Bigfoot on a killing spree film. Little Gary and Shelley live in a dismal world of poverty, trying to avoid their mother's abusive, drug- dealing boyfriend. Their mother, Susan, hesitates to seek help, afraid the state will take her children. Gary and Shelley escape into an innocent dream world, trekking into the woods to search for Gary's obsession – Bigfoot. Children say, if you hit a stick against a tree three times in the wilderness, Bigfoot will appear. In a moment of crisis, Gary calls forth a creature of rage, death and destruction. Is it a demon or avenging angel? Not even the children are safe from its wrath. At Lost Creek, the devil is on the loose. That sucks. Poor kids have a terrible home life, social services seem to be failing them, so they unleash a crazed Sasquatch on their town. The Devil at Lost Creek draws inspiration from 1970s low-budget Bigfoot movies such as The Legend of Boggy Creek and Creature from Black Lake. The film respects its antecedents, but resists wallowing in retro nostalgia. Lost Creek uses the Bigfoot horror sub genre as a milieu for assertive, contemporary storytelling.

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