Hellen I like the storyline of this show,it attract me so much

RyothChatty ridiculous rating

Inclubabu Plot so thin, it passes unnoticed.

Adeel Hail Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

annevejb First viewing, this was way different and way better than I had expected from the user reviews that I have read, while not being in the top 33% of features ever made, this is middling. The ending. MT, the central actress, is again looking her true age, 18ish, despite all that has gone before. Something to shrug off as other than that it is a neat ending. Except that second viewing the dive at the start was her character at age 23ish and the ending is around a year later. It fits. I had been confused by comments that maybe referred to the novel rather than to this adaptation? Symbolism as a bigger problem. I assume that the dive can be interpreted as symbolic of something fairly commonplace and that symbols such as 23 and 35 and library books and dressmaking are liable to be around. MT Carrie really being 18 fits this aspect really well. Stories often get carried away by symbolism to the detriment of the story and that does not happen in this case, but I would still have preferred this set with Carrie as age 18 to 19. I can like this story, the symbolism does not mess things up. A drawback with the DVD is that it is region 1 and 4x3 and interlaced. Not so unusual with MT stuff. It can still look good even though it should look even better. It looks as if part was filmed on reel and part on videotape? Replaying on a Blu-ray compatible computer system improves the quality, for me. The DVD sleeves for both this and The Circuit suggest that these 2010 releases might have been encouraged by Trachtenberg fans taking an interest and if so I cannot complain. A fan can hope that these lead to more being released. *** The acting quality. Approach this as an MT fan and her opening and end comments can stick out painfully, but the rest is very okay. I do get this tangle with some fan stuff. Other than that, I got this DVD as a fan thing and do not consider my purchase as a waste, I had been hoping to get an affordable copy of this disk for some time. I have qualms but they are not over-riding.Re-watch this in 2015 and I am finding it to be much better than a lot of stuff that I have seen recently. I am glad that I purchased my disk.

LilyDaleLady While this is not quite the cringe-worthy train wreck I had been fearing (based on comments here and the promos on Lifetime), it is certainly a shallow, trivial and disappointing adaptation of a genuinely interesting (if imperfect) first novel by O. Henry award winner Ann Packer.For some reason, the scriptwriters choose to change the perfectly simple names of the main characters (Bell, Mayer) to Beal and Mayor. Not a big change, but there is no reason for it, which is an indication of the sloppiness and flabbiness of the film script. Granted, any film adaption HAS to be compressed -- a novel usually runs 300-400 pages or more, and a movie can only be about 2 hours at best, so something is going to have to go....side-plots deleted, characters eliminated or combined and so on. But why change a simple name like Bell?In a drearily weak cast composed of TV series and soap opera newbies, only Will Estes as Mike "Mayor" gives a reasonably good performance and even that is compromised by his apparently inability (or ignorance on the part of the director) to portray a quadriplegic. I thought they had changed the character's affliction to paraplegia, based on the trailer, since Mike is shown moving his head very freely and using his arms and hands. However, if you overlook that, this is by far the most sympathetic performance...and sadly, that throws off the whole plot. In the novel, Mike is bitter and angry, and actually it's pretty understandable why Carrie neither wants to marry him, stay with him or be his nurse.Michelle Trachtenberg is far too young to be playing a character in her mid-twenties (She is still a teenager) and I guess this was her agents idea to have her play a grown up, sexy part with love scenes. If so, he jumped the gun. Michelle still looks 15, which is great for her since she can go back to playing teen roles on TV. But to see her with an adult man, doing love scenes, is kinda squicky -- she looks like underage jail-bait. Plus someone somewhere (her mom?) decided she could not actually be nude, not even under a sheet, so all the love scenes are ridiculously played with Michelle fully dressed in t-shirts or other undies. Ridiculous! Michelle is still quite far from being able to tackle this kind of adult role, she looks like she's sleepwalking or on Quaalude through most of the film.Sean Maher has the difficult and perhaps thankless role of the enigmatic NYC boyfriend, Kilroy. The filmmakers obviously didn't read the book carefully --- Kilroy is an adult man of FORTY, he is not a contemporary of Carrie's. Most of his amusing and witty dialog is sacrificed here, towards no purpose, plus his "career" of being a office temp (at 40!) is entirely left out. What he is left with is an ultra glamorous NYC apartment, suitable for love scenes, which is entirely at odds with the book, where he has virtually no furniture or possessions and is living a life of nearly monastic sparseness. (I also don't recall, or think, that the character was meant to be Jewish, a red herring that is tossed out for no apparent reason.)The rest of the cast, which in the book included some well–rounded and important secondary characters, is totally short-shifted so that their parts are either barely there or incoherent. (Another example: Carrie returns to Madison in part to be with her lonely single mom –– not just Mike -- and this is entirely left out of the story.)The worst part is that the film implies (but does not clearly state) that Carrie has gone back to Madison to be with Mike again, perhaps in a romantic way. The novel is absolutely clear that any romance between them is entirely over (on both their parts) and they will only continue on as long time friends. I guess the concept of being friends with an ex is too advanced and complex for a Lifetime TV movie!In general, this is a disservice to the book. On it's own as a film, it's like a teen drama, cut from the same stuff as Dawson's Creek or other teen dramas...but filled with confusing characters who disappear without cluing us in to who they are, dialog that goes nowhere and a general sense that big parts were chopped out and discarded. I would guess that a viewer who had not read the book would sit to the end and just think "huh? what the heck?"I wish I could say that this a rarity for Lifetime, but in fact they are almost in the business of butchering decent novels. What a waste!

Sara Cooper (xxstaindrosesxx) I thought this movie was an OK movie. I never read the book but I really want to. I'm sure I'll like the book more when I read it than the movie but that's besides the point. I thought the story was OK and the thing I really liked was Michelle Tractenberg in this movie. I'm so tired of her playing a teenager or an immature character in some really stupid kiddie movie. In this movie however; I really liked her acting because she got to play a grown up. In real life, she is like 20 and I'm so sick and tired of her playing a kid so this was great. I think if she was given more roles to play as a grown up,her talent would really show. The one thing I didn't like was the ending. It kind of left you hanging on what happened and didn't really explain. I'm hoping the book is better. That's all I liked about this movie.

shelly36095-1 Yet another sad attempt at turning a book into a film. I discovered the book by accident and went about encouraging my friends to read it because the characters, story, and compelling ending needed to be discussed. This film lends itself to no discussion beyond asking for what purpose the things that were changed, especially in character, were changed. By significantly changing the characters, especially Kiroy (the character in the book would NEVER have gone chasing after Carrie), the film lost all of the soul of the book. The greatest moment in the book, when Carrie gets the sewing machine in the mail, wasn't even in the film. Further, the film became less about one woman's journey to discover who she is and more about her dealing with her fiancé's accident. Definitely not recommended. Read the book.