Raetsonwe Redundant and unnecessary.

Stoutor It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

Jenni Devyn Worth seeing just to witness how winsome it is.

MikeMagi If Lew Ayres hadn't refused military service during World War 2, he'd be remembered as one of the screen's most gifted actors. Here, at a remarkably early age, he gives a bravura performance as a smart, cocky, classy mob boss, making fools of the thugs who've sworn to rub him out. In support is Jimmy Cagney -- in only his second screen role -- as a double-crossing thug with a roving eye. Some contributors have complained that there's not a lot of gunplay in "Doorway to Hell" -- but that's no problem. The movie is more of a character study than a gangster film. And as such, it's remarkably entertaining (especially for a movie made back in 1930,) enlivened by Ayres' charismatic performance.

Michael_Elliott Doorway to Hell, The (1930) ** 1/2 (out of 4) Early gangster picture from Warner tells the rise and fall of Louie Ricarno (Lew Ayres) who started up a beer racket before retiring yet he gets back in after his youngest brother is killed by rival gangs. This film suffers from some technical issues like many films from this era in terms of sound recording but overall it's a pretty entertaining little film, although it's been forgotten today due to Little Caesar and The Public Enemy, which were released the following year. There's plenty of action and tough talk but Ayres is really the wrong guy for the lead. For starters, he looks like a kid so he never comes off too threatening and whenever he pushes the other gangster around it just makes them look like wimps. Ayres also comes off laughable during the scenes where he's trying to show outrage and anger. James Cagney steals the film as Ayres' sidekick and he's his typical, high energy self. Dwight Frye also has a small role here, which was the first of his career.

MartinHafer This is a very early talkie gangster film. Because it was made only a few years after talking pictures debuted, it suffers from a few defects that were related to the technology--such as an over-reliance on long shots--making the film look a bit "stagy". Additionally, background and incidental music in the film is noticeably absent. You really can't blame the filmmakers, as the technology was new and they still had to work out a few kinks, but it does make the film seem pretty dated and creaky. It wasn't until a year later that these two problems were pretty much eliminated in American films and even better gangster films like PUBLIC ENEMY and LITTLE CAESAR debuted.The story itself is very interesting due to its cast. Lew Ayres, who had just made a name for himself in ALL QUIET ON THE WESTERN FRONT, stars as a "nice" and "respectable" mob leader. Only late in the film do we see him unleash a wave of extreme violence. This is actually rather ironic considering that in real life, Ayres was strongly opposed to violence and when drafted in WWII, served as a medic because he was so morally opposed to taking lives! Also, this was only the second film for Jimmy Cagney. Since he wasn't an established star, it's not surprising he plays a supporting role though he already was being cast as a mobster in films.The movie is in some ways a very typical Warner Brothers gangster film, though with one exception. Mob boss Ayres is a supposedly smart man and retires from the mob when he's still very young and able to enjoy the spoils of his work. But, when the gangs start fighting among themselves, he is reluctantly pulled back into the picture--leading to a rather dramatic conclusion. Interestingly, although the movie was pretty violent in spots and probably featured more gunfire than any film of the 30s, some of the key violent scenes are not seen but are only heard. An interesting idea no doubt spurred on by the new sound technology.

Dr-Occult Fine early talkie that belongs along side Little Caesar and The Public Enemy as the gangster films that set the rules for the genre. Unlike those films however this film gives us a smart gangster who tries to get out while on top only to be dragged back in.