Ketrivie It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.

Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.

Abegail Noëlle While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Yazmin Close shines in drama with strong language, adult themes.

christopher-underwood When I think of some of the barely visible 3rd generation copies of Jess Franco's films I've seen over the years and now here is a pristine, all bright and shiny Blu-ray. Also, this is a film that was very hard to get to see in any shape or form, for good or bad i will leave to you. Actually, considering what this sets out to do, a Universal Studios rip-off in full colour with full frontal nudity, some gore and a little S&M, this succeeds rather well. Dennis Price probably comes back to life a few too many times and I never did work out why the monster was painted silver but it is light hearted fun with some magically lit scenes. Neither was I sure why Howard Vernon had to stand by as many of his 'instructions' and guidance were spoken by his half bird, half woman side-kick but never mind. The film doesn't waste time getting going and keeps up for the duration with plenty of bloody scenes and lots of skin. The aforementioned S&M quota come curtesy of a fairly lengthy sequence where a completely naked man and women are tied back to back while the silver monster lashes them severely leaving rather theatric bloody stripes. Not bad at all.

Glen McCulla More movie-making madness from the archfiend of Iberian exploitation Jess Franco. This movie, known variously in its alternate guises as "The Erotic Rites of Frankenstein" and "The Curse of Frankenstein" (not to be confused with the Peter Cushing Hammer classic of the same vintage), re-utilises a great deal of the same cast and characters of Franco's roughly contemporaneous "Dracula, Prisoner of Frankenstein", but is thankfully a more coherent film than that effort.That's not necessarily to say that it's good, mind...The plot, such as it is, involves Dr. Frankenstein (Dennis Price once again slogging the twilight years of a once-promising career away in Eurotrash exploitation) and his assistant creating a bizarre silver monster, before being attacked by Melisa the flesh-eating bird woman (the lovely Anne Libert, also to be seen in Franco's "A Virgin Among the Living Dead"), resplendent in green feathers and not a lot else. Melisa is the slave of the immortal Cagliostro, played with relish and garnish on the side by the godlike genius of Howard Vernon, who wants to mate the creature with kidnapped lovelies such as Britt Nichols. Well, you would, wouldn't you? Meanwhile, Esmerelda the gypsy (future Mrs. Franco Lina Romay) is having her own ponderous and largely irrelevant adventures in the woods, chatting away to a batty old crone who doesn't seem to realise that she's even in the film. Understated just doesn't cover it. Cagliostro is in the meantime summoning an undead army of darkness (ie: extras wearing Halloween skellington masks and cloaks), resulting in some quite atmospheric and haunting shots of these revenants drifting through a mist-shrouded forest. Sadly, however, these dreams of conquest are destined to never come to fruition, and Cagliostro winds up plummeting over the edge of a precipice for no other reason than that the film's run-time is almost up.A truly trippy and hallucinatory experience that must be endured to be believed, this is another true Franco classic that combines the kind of story-line you made up when you were too young to know any better, needless nudity of hot chicks, and editing seemingly done on the hoof by a blind man. And a green-feathered flesh eating bird woman. What's not to love?

lastliberal Doctor Frankenstein (Dennis Price) creates a man (Fernando Bilbao), but before he can fully enjoy his creation, Melisa (Anne Libert), a blind vampire with wolfman hands, steals him and takes him to her master Cagliostro (Howard Vernon) so he can use him to collect beautiful virgins. Not exactly the Frankenstein story we are familiar with, but one from the mind of Jesus Franco.Vera Frankenstein (Beatriz Savón) is on the hunt to find her father's creature and continue his work. Unfortunately, she falls into the clutches of Caliostro and must help him in his quest to create the most beautiful woman in the world. I don't know why he wants to create a woman when Lina Romay is close at hand, and she would certainly qualify on her own.The film was a great disappointment as it was basically a story of an evil genius, a strange vampire that served him and Frankenstein's creature. The creature didn't rape any beautiful virgins. In fact, there was nothing in the film that would get it more than a PG-13 rating - and that was all from the blood drawn by the vampire.

mord39 MORD 39 RATING: 0 (of ****)I have no objections to low-budgeted horror films of the foreign nature...but when they're boring beyond endurance, it's mind-numbing.Jess Franco is one of the worst directors in the horror genre (I'll give him respect by not saying "of all time"), but this piece of garbage makes his COUNT DRACULA (1970) look like a masterpiece. I can't critique this film very well, as I literally had no idea what I was looking at. The monster is painted silver, someone gets whipped, and that's all I am sure of. Dull, dull, dull.A sort of companion piece to this dreck was DRACULA, PRISONER OF FRANKENSTEIN. While it too was poor, it was far less plodding than this one. As of this writing, EROTIC RITES OF FRANKENSTEIN is not easy to find...and that's the best thing to be said about it.