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Smartorhypo Highly Overrated But Still Good

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Cassandra Story: It's very simple but honestly that is fine.

MovieAddict2016 I don't understand the point of this movie. "Terms of Endearment" already did all this - and it was better. What's the point of bringing Shirley MacLaine back almost fifteen years later? The original audience of the first film are much older by then and younger girls don't give a damn because they weren't around when the original was released. Do you see a point? Neither do I. Perhaps that's why it flopped when it came out.MacLaine returns to her role and basically this movie is just her life and we get an update on how she's living. Juliette Lewis and Bill Paxton get little to do - Lewis is annoying as usual and frankly I wouldn't mind if she just stopped acting permanently tomorrow.The best thing about this film has to be Jack's cameo appearance as Garrett. It almost saves a failing movie - but once he leaves it all falls apart again.

paxtonjm While Shirley McLaine remains ever the strong willed Aurora, what makes this film wonderful is the fact that she continues her relationship with her grand children much as she did with her daughter, and somewhere along the way in both movies the children come to realize that while she may make you want to bang you head against a wall, there isn't anyone that loves and supports you more! I have an even greater respect for my mother and the education she gave me.Yet Aurora still manages to make the same mistakes we all make. Love is not an easy road traveled.This movie brings humor to that road, tears just like the original movie. I will agree the airplane scene was over the top, but I loved the scene with Jack Nicholson on the beach with the car going through the surf. I have never read the books, but now I really want to.One interesting fact - almost every star in this movie is a daughter or son of someone in Hollywood - Teddy was Patty Duke and John Astin's son. Tommy's wife is Cary Grant and Diane Cannon's daughter, Teddy's wife is someone from Jefferson Airplane's daughter. Even Lewis has an acting father - although she has made her own name in the business.

mystic80 Synopsis: The continuing adventures of Aurora Greenway and her tumultous family life, are further explored in this sequel to the 1983 classic. With her three grandchildren fully grown, they all have their own personal problems to face alongside Aurora.The Review: Just not meant to happen. Contrived is what comes to mind when viewing this sequel with Bill Paxton, Scott Wolf, and Jack Nicholson among the famous actors making walk on appearances. Overlong and underwritten, the film misses the interest of the original, not to mention any inkling of James L. Brooks' involvement. There's no Danny DeVito, and no Jeff Daniels (which is very odd considering he was the father of the three but is omitted from the film). Nowhere near as good as the first.Grade: C-

T Y Could be summed up by that sentence. There are some funny moments in it. Classic Aurora control scenes and blow-off lines. but it'a mess... The title could have been "Terms of Endearment 2: Return to the Cash Cow." What could possibly be more unnecessary than a sequel to Terms of Endearment? Because the pivotal relationship was eliminated by Wingers exit in the first film, this sequel has no focus. What had been an amusing take on the funny and sad moments in an erratic mother-daughter relationship, has become a plot less holding pattern. There is no central emotional relationship to care about and the characters have little to do. They have not found a suitable foil for Aurora here. The relationship between Patsy and Aurora which had been quietly disagreeable, is now full-on antagonism. And that's a familiar, unsatisfying device to duct-tape a story onto.If you were wondering what happens next after Terms ended, the answer is that the characters continued living. Whoopee. "Star" tries to milk tender emotions from you, but those feelings are given no foundation. It just moves on to some new unrelated emotional "payload" every ten minutes or so. Whether this went on for an hour or three (which it feels like) it just wears you down. The creators fail to understand that extraneous undeveloped characters (who've barely been introduced) can only deliver phony emotional epiphanies. It's so overwritten that superfluous sub-plots are M.I.A. for an hour at a time. It has so many false endings, that I gave up shortly after Nicholsons odd, special-guest-star appearance. He arrives to spout some tender inexplicable pseudo-Oprah drivel. It's like it was written by Edna Ferber. It goes on and on and on...