Kattiera Nana
I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
StunnaKrypto
Self-important, over-dramatic, uninspired.
Gutsycurene
Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.
Janae Milner
Easily the biggest piece of Right wing non sense propaganda I ever saw.
smatysia
A thoroughly enjoyable semi-historical drama. Although set in Holland in 1940, you can't really call it a war film, since there is no combat shown. More of a wartime drama. Excellent acting, photography, and unobtrusive direction. The only cast members I recognized were Christopher Plummer as the Kaiser, and Janet McTeer as his wife. Excellent performances also turned in by Jai Courtney, Ben Daniels, Eddie Marsan as a creepy Reichsfuhrer Himmler, and the lovely Lily James as Mieke de Jong. Plummer's Wilhelm II was a joy to watch, even if he wasn't accurately portraying the Kaiser's personality. For those who are annoyed by German characters played by actors with English accents, well, maybe it would have been better in German and Dutch, and only subtitled in English. There are compromises in making films for, hopefully, a mass audience. Anyway, I recommend this movie
lovetheoutdoors_2000
I watched this film on Amazon Prime, and it's a total surprise. The acting of all main and every supporting actors are nothing short of perfection, especially, of course Christopher Plummer, his role as Kaiser Wilhelm II in this film is my favorite of all of his performances. It is a beautiful romantic story that is also gripping and kept me at the edge of my seat from beginning to end. What a great job for the first time director. This does what a good movie does, lures you into the story and don't want it to end.
TwistedMango
Since World War Two was still being fought there have been a plethora of films about the subject, covering almost every side of every angle. Thus to justify another in 2017 the bar must be set high, and while The Exception might be a reasonable way to while away a Sunday afternoon it's debatable as to whether it does enough to justify its existence.Based on the novel The Kaiser's Last Kiss, The Exception focuses on disgraced Untersturmführer Martin Krebbs (Jai Courtney), being sent from the front lines after a confrontation with fellow SS officers in Poland. He is ordered to guard the exiled former Kaiser of Germany (Christopher Plummer), who now resides in the Netherlands. As Krebbs begins a relationship with a maid at the Kaiser's home (Lily James) there is talk of a British spy in the town, as well as German plans to restore the Kaiser to the throne.I'm unsure of the film title, as The Kaiser's Last Kiss feels much more evocative. This relates to my overall problems with the film, as it was often hard to feel sufficiently invested in proceedings. The lack of explosive confrontation and finality relating to the Kaiser himself doesn't justify a meandering build-up. Krebbs and the maid feels more like a tryst of convenience, not the explosive passion that would justify their increasingly erratic actions.This relationship of the officer and the servant girl is as old as time, and reminded me strongly of the 2014 film Suite Française. Coupled with a standard aloof Gestapo agent and the hunt for a spy the whole drama was often formulaic.This is a British cast playing German or Dutch characters, yet some actors have tried on clipped Queen's English, or Allo Allo attempts at German accents, or English with a Dutch lilt. It's so uneven as to be at times hilarious.Accents aside, the performances are a mixed bag. Jai Courtney brings his thumping ordinariness to the British prestige picture, and it would have been preferable to have had an actor who could really delve into the moral maze that Krebbs has found himself in. Lily James drinks up the screen both clothed or otherwise, and any issues with her performance are more to do with a somewhat underwritten character. The film does not shy away from the virulent anti-Semitism that leaves the Nazis so scarred in the Western consciousness. It is an achievement of Plummer to both inspire sympathy as an elderly man the world has passed by, and revulsion as a naive peddler of ugly conspiracy theories. The absolute standout scene of the film features a dinner party with the Kaiser and Himmler (a memorable Eddie Marsan), reminding all of the horrors committed by those who took this nonsense seriously.The whole thing has a sound production design, though the casting left me no doubt in my mind that for all the swastikas and uniforms this was a peculiarly British film. A German language production could have added a level of legitimacy, and a plot with more twists and turns could have led to a greater investment in the Kaiser's last days.christophermarchant.wordpress.com
Michael Ledo
After the invasion of Belgium, Captain Brandt (Jai Courtney) is assigned to protect The Kaiser in exile in Belgium. While he is there he is informed there is a British spy who we know is working as the maid (Lily James.) The story develops slowly adding small layers of complexity.The film attempts to revive the idea of "the good German" and not all soldiers on "their" side is bad. Brandt believe the SS who gunned down innocent people were the exception to the norm. He doesn't have the belly for it. The movie was more drama than a war film.Guide: Sex and nudity (Jai Courtney, Lily James)