Lumsdal Good , But It Is Overrated By Some

BroadcastChic Excellent, a Must See

Lucia Ayala It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Delight Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

Scott LeBrun Roger O'Malley (Christopher Mitchum) is a police lieutenant tasked with tracking down a character that's become a nightmare to cops and criminals alike: The Executioner! This masked man is a twisted vigilante who metes out brutal punishment to all underworld figures. For example, stuffing live grenades inside their clothes. O'Malley will team up with a perky female news personality, Celia Amherst (Renee Harmon, who also wrote the monumentally dopey script) to see that The Executioner is identified and contained.Given that the director is James Bryan of "Don't Go in the Woods" infamy, one shouldn't expect the slightest hint of style or polish. Everything about this turkey reeks of incompetence. Bryan fumbles his way through the direction, Harmons' screenplay is utterly senseless, the acting is absolutely atrocious (especially from the actress playing the daughters' friend), the dubbing abysmal, and the music is so wretched that it boggles the mind. Harmon sure doesn't keep us in suspense or anything; we can see that there's only one person that The Executioner could be. You add to that an insipid hero portrayal by Mitchum, several doses of bright red blood throughout, the occasional flash of breasts, and hilariously sleazy, cartoonish villains, and you have a bunch of ingredients guaranteed to result in a priceless exploitation train wreck.Aldo Ray turns up in a few scenes, with very few lines to utter, but it's just as well. Antoine John Mottet is a riot as Rogers' unhinged, 'Nam flashback-plagued buddy Mike. Veteran stuntman Dan Bradley is likewise amusing as "Big Dan", a goon who is constantly taking punishment and coming back for more. Frank Albert and Frisco Estes are entertaining as the scummiest guys in the story. And Bianca Phillipi is utterly charmless as Rogers' troubled daughter. Harmon, on the other hand, is kind of hard to resist, especially as she mouths her own bad lines in that thick German accent.The movies' biggest joke, of course, is that it's not really a sequel to anything, although it was clearly inspired by "The Exterminator".Highly recommended to bad movie lovers.Five out of 10.

Leofwine_draca THE EXECUTIONER, PART II is famous for being a B-movie that purports to be a sequel to a non-existent film. I think perhaps the film they were directly referencing was THE EXTERMINATOR, which has a similar vigilante theme and involves low-down criminals and hoods being taken down by those tired of crime and the lax police response to it.Vinegar Syndrome have done a fine film of releasing this movie in high definition format; it's never looked better. A shame, then, that it's only just tolerable as a movie; it's completely cheesy and ridiculous, full of low rent action and acting and only enjoyable in a so-bad-it's-good kind of way. The story sees Christopher Mitchum playing the most boring cop imaginable searching for the titular vigilante and finding himself involved with various characters.The mystery aspect of the story never really works very well as it's all rather obvious. Better are the low rent action scenes based in and around a garage in which the cheesy action plays out. Aldo Ray has one of those bit part roles as another cop while Renee Harmon, who also wrote the screenplay, co-stars. It's pretty lame as a film but as an unintentional comedy it works.

Comeuppance Reviews A vigilante the press have dubbed "The Executioner" is running around L.A. dealing with punks in his own inimitable way. When Police Commissioner (Ray) (that's all he's billed as) demands answers, Lt. Roger O'Malley (Mitchum) is on the case. Meanwhile, O'Malley's daughter Laura becomes addicted to drugs, and, needing money, turns to her loud-voiced, giggly friend for help. She naturally suggests she go into prostitution, but to watch out for a sadist named "The Tattoo Man", who may abuse her in the process. Some sort of gangsters are involved and putting pressure on the local pimp, and only a delusional Vietnam vet (is there any other kind, according to low-budget actioners?) holds the key to it all. Will O'Malley stop the O'madness? Or will he let it continue as long as The Executioner is cleaning up the streets? Find out today! The Executioner, Part II is a gem. Essentially a 78-minute, incoherent, incomprehensible mess, it's easy to love a movie that's this disjointed and sloppy. In the grand tradition of Surf II (1984) and Leonard Part 6 (1987), there is no Executioner, Part I (just the fact that there's a comma, a space, and a "part" after the title is a major clue to the insanity/inanity going on). Clearly the structure (?) of the movie was modeled after The Exterminator (1980), complete with a Vietnam-set battle intro, which segues into a modern urban environment. It seems so obvious that 21st Century Film Corporation was trying to trick distracted theater patrons/video renters, but, hey, it was the golden age of exploitation, and if this is the end result, it can't be all bad.Try to imagine a cross between Rescue Force (1990)and Death Promise (1977)- complete with straitlaced, unnecessary narration, poor lighting, non-editing, and the star of the show - the dubbing. The dubbing this time around is laugh out loud funny. TE, PII (as all the cool people call it) is one of those "another planet" movies - the filmmakers seem so out of touch with the way human beings actually talk and behave, it seems like it was made in some far-away world. This was director James Bryan's first in a trilogy of films he did with the great Renee Harmon - the follow-ups being Hell Riders (1984) and Lady Street Fighter (1985). Brilliantly, the movie was released on a big-box double feature VHS with Harmon's Frozen Scream (1975). Apparently Continental Video was really gunning for that rich mine of Renee Harmon fans. Well, we still remember it fondly. Only in the 80's, we tell you. Only in the 80's.Fan favorite Chris Mitchum is in full effect here as well. Sporting dark hair and a dark mustache, he fights Middle-Aged Punks (MAP's) with the best of 'em, featuring some of the best (?) fight choreography in recent memory. He even has what has to be the first beeper of all time. But while the Executioner has an ace up his sleeve in the way he deals with the epidemic of punks, the punks have their own means of intimidation - pouring milk on people's heads. No wonder Aldo Ray wants answers.Featuring one of those classic, funky soundtracks (much like the aforementioned Death Promise), The Executioner, Part II certainly marches to the beat of its own whacked-out drummer. There comes a point when cinematic ineptness becomes a treasure. This is that point.

udar55 Probably made for less than Seagal's hairpiece, this is one wild flick. A masked vigilante dubbed The Executioner by the press is running around Los Angeles. Det. Roger O'Malle (Chris Mitchum) is on the case and begins to suspect his best friend and fellow Vietnam vet Mike (Antoine John Mottet) is the killer. A subplot involves a gangster nicknamed The Tattooed Man, who has lured O'Malle's drug addicted daughter into the world of prostitution. Naturally, all of these plot lines meet in a big jumbled mess.Now this is more like it! Bryan's LADY STREET FIGHTER nearly killed me with tedium. This blows it out of the water in terms of entertainment, thanks mostly to some dubbing that appears to have been done by the same people who helped Bryan on DON'T GO IN THE WOODS. If you've seen that film, you know how funny this can be. Thankfully, LADY star Renee Harmon continues to dub her own voice with her zick acczent. Aldo Ray pops up in a few scenes and it is obvious he was shot alone (you never see him on screen with anyone else, only in close ups). The film is technically a sequel to something that never existed, unless they were trying to cash in on Duke Mitchell's mob flick (unlikely) of the early 70s George Peppard flick by the same name (highly unlikely).On a side note, this film may mark the turning point in Mitchum's career where he went from semi-coherent b-movies to all out madness. In the next few years, he would make insane movies like American COMMANDOS (1985), FINAL SCORE (1986), SFX RETALIATOR (1987) and FACELESS (1988).