Linbeymusol Wonderful character development!

KnotMissPriceless Why so much hype?

ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.

SnoopyStyle Ivy (Zoe Kazan) is epileptic and returns home to Brooklyn on summer break from college. Her friend Al joins her to sleep on her couch when his room is rented out by his parents. She struggles to stay in contact with boyfriend Greg. Greg gets into a car accident with his high school friend Rebecca and decides to stay with her in the hospital. Ivy starts hanging out with Al.Don't get me wrong. Zoe Kazan is lovely. She's beautiful and has a charm about her. It doesn't mean that watching her alone for most of the movie is particularly exciting. She has some interesting phone calls. She really needs the second to be in more of the movie and he needs to be played by somebody more compelling. I understand the idea of being alone in a crowded city and losing one's connection. However, this movie lacks the drive to propel it.

Chris Smith (RockPortReview) This little independent drama written and directed by Bradley Rust Gray definitely has a niche audience. Made on a shoestring budget and filmed "guerilla style" on location in New York City. It seems to be a throwback to the 1970s when these kinds of movies were made more frequently by people like by John Cassavetes, Bob Rafelson, and others Zoe Kazan plays Ivy, a basic girl next door type who is home for spring break. Al (Mark Rendall), a childhood friend, asks to stay with her and her mom as he has nowhere else to go. Their relationship is like any other boy-girl "friends" situation. It can be awkward and strange at times, and there are moments when you think there could be something more going on. This is pretty much the entire story in a nutshell. Zoe is above all "real and honest" in her portrayal of Ivy, who also suffers from epilepsy. She has a boyfriend back at school (Greg), but when he is involved in car accident with an old girlfriend as a passenger, their relationship is the next victim. This is one of "those" movies that are heavy on feeling and atmosphere. Its structure is plot less and meandering, but you really can't seem to pull your eyes away from the screen as these characters really start to grow on you. There is no music or score to the film and many of the scenes are filmed at a distance, letting the characters interact with there real environments. The authentic feel of this film really puts it at a different level than most films. Nothing feels forced or made up to serve a greater good, things happen and the characters react. The people at Oscilloscope have put out a DVD package that is available, but I would first recommend seeing it on Netflix watch instantly.Like I said at the beginning this movie is really aimed at a very specific audience but if you're ready to disconnect from a summer full of CGI Robots, Aliens, and big budget garbage, give the Exploding Girl a try and thank me in the morning.

nickb393 Websters defines exploding as "what happens when an explosion goes off" usually caused by the complex and nuanced relationships between various chemicals and elements. There is nothing complex or nuanced between the relationship explored in Bradley Rust Grey's Exploding Girl. I will go ahead and spoil the plot of this movie, if only to save others from the same fate that I suffered; Ivy (Zoe Kazan) gets dumped by her boyfriend, who we never actually see, but hear his monotonous voice via a series of phone calls (probably because he was playing XBOX or something and didn't want to be concerned with physically appearing in such drivel) and shacks up with her sexually ambiguous platonic friend, Al (Mark Rendell, the scene wrecking wussy brother of Josh Hartnett in 30 Days of Night). Ivy has epilepsy, which i presume is to draw some sympathy for her emotional plight kinda like how the old woman in the notebook had dementia. I personally would have found it more entertaining/believable if she had down syndrome. I feel as though there is a lack of quality roles for actors with down syndrome, and although the meaningless character study of Ivy could hardly be described as quality, it would at least be a step in the right direction for the acceptance of disabled actors. Anyway she has a bit of an epileptic spas out as epileptics do, again this scene didn't really add anything to the narrative, but I could strangely relate to it, as at this point I wished I had gone into uncontrollable spasms and hit my head on something so as not to watch the remainder of this pretentious garbage, but alas it weren't to be. Many of my loyal readers must be wondering, "why didn't you just walk out?" and the short answer is it was valentines day and I was trying to impress a date with my taste in independent cinema. In retrospect i should have just stayed at home and wacked off.Peace

napierslogs The title "The Exploding Girl" is figurative not literal. I would add "of course" but that's not as obvious given movies nowadays. This is a low-budget, independent character study.It's about Ivy on college break, back home in New York City. Ivy struggles with love and friendship. And the film-maker shows us this with really slow-moving, seemingly unimportant scenes mired in the noisy streets of New York City. I know the city is basically supposed to be its own character, but the loud, constant bus and car noises and obstruction just lowered the quality of the film.Zoe Kazan's Ivy is very cute and likable, but even with her epilepsy, her college problems seem minor compared to the stress that other college girls experience. Her boyfriend back at college was painted one-dimensionally. And although I didn't mind Al, the reason given for him moving in with Ivy was very odd and never explained.It's called a "discreet character study". I will agree with that in the sense that meaning was hard to find, dialogue was indiscernible and silent at times, and reasons for few things happening was kept private from the audience. The brilliance displayed in the poster is only found once in the film, and is not enough to watch it. "The Exploding Girl" is only for the very discerning film viewer who likes slow-moving character studies of little importance.