The Eyes of the Mummy

1922
5.4| 0h58m| NR| en
Details

Egyptians Radu and Ma milk British tourists out of their money by offering phony tours of a mummy's tomb-- Radu has the girl lend her eyes to the "mummy" from inside an empty sarcophagus. When adventurer Wendland comes to visit the tomb, Ma is rescued and falls in love with him, leaving Radu in the dust. Needless to say, her former employer / captor follows them abroad in order to exact his revenge.

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Projektions-AG Union

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Trailers & Clips

Also starring Harry Liedtke

Reviews

Maidexpl Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast
SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction
Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
Cineanalyst As others who've seen this film have mentioned, "The Eyes of the Mummy" is not a horror film involving any mummies; rather, it's an insipid melodramatic tragedy. It was the first of director Ernst Lubitsch's dramatic films, after having started as a comedic filmmaker. The movie involves exotic places (this time, Egypt), which are poorly exploited here compared to other such pictures. Pola Negri, in her first appearance as Lubitsch's star, performs some exotic dancing, too."The Eyes of the Mummy" is a generally uninteresting relic. The acting, especially by stars Negri and Emil Jannings, is overdone. Lubitsch employs slight dolly movements to nice effect in the finale, but otherwise the direction is prosaic and theatrical. From the sampling of Lubitsch's German films that I've seen, his dramatic pictures are generally less remarkable than his comedies. With these dramas, however, he received attention in the US--leading to his emigration to Hollywood.
mccrohan Here are Lubitsch, Pola Negri and Emil Jannings back in the year 1918 at the start and before they achieved their huge fame. Of course, this is a low budget movie. The Egyptian desert scenes were filmed in a Berlin quarry and the Egyptian tomb is of absurdly cheap quality. However we can see the evident skill of Lubitsch when working with his lead actors. The fascinating personality of Pola Negri shines . I certainly wish that we had more such real women in today,s modern movies. So please enjoy this nostalgic movie. Consider that if it was remade today with millions of dollars, special effects and huge publicity ,that it might be a box-office bonanza
finki If, as promised, this movie was restored then the results are simply horrible.A company called National Film Museum gave this film to another company called Hypercube IIc, in New York to digitally restore the film.But, instead of a intelligent restoration what this people did was to tint every scene to red, probably with Photoshop, with disastrous results.Douglas M. Protsik music is as unremarkable as the bad restoration. His accompaniment does not enhance the images at all.In all, the available print shown on TCM is unwatchable and I had to turn off the TV set.
Schlockmeister ... but a tragedy... of sorts. The "Eyes Of The Mummy" refer to the eye-holes in a doorway with a face on it that Pola Negri looks out of to scare people out of the temple of Queen Ma. There is no mummy, there is no monster, there really is no horror. This is not a complaint, but this movie is often grouped in with monster movies merely because of it's title. It's easy to laugh at a film almost 85 years old, your grand kids and great grand kids will laugh at what you currently enjoy as well. The dance that Pola does may look strange to our eyes, but the desired effect was to be exotic. The acting is typically broad and melodramatic, appropriate to it's time. With the deterioration of many silent movies, we can sometimes be thankful that the actors seemed to be overacting, we can still see their expressions even when their films are fading away. Not Pola Negri's best work, or her worst. There must be a few different cuts of this film circulating. The one I saw was about an hour and ten minutes long, not the half-hour reported here or the forty-five minutes reported on the main page for this movie. I rather enjoyed the version I saw, maybe the shorter cuts leave too much out to fill the story out. Recommended if you enjoy the genre and it's stars. If you are looking for Halloween fare, stick with Universal's later horror classics, including..yes, the "real" mummy movies.