Stometer Save your money for something good and enjoyable

Flyerplesys Perfectly adorable

Dorathen Better Late Then Never

BoardChiri Bad Acting and worse Bad Screenplay

Bene Cumb Last year, we could all witness the fame of Estonian-Georgian film Tangerines which got both Golden Globe and Academy Award nomination, and lots of fame and praise among exacting audience. And another surprise already this year - the film in question, a Finnish/German/Estonian co-production which was nominated for Golden Globe "only"...As I kept track of the origin and development of this film, I did not even think of it as a kind of sports film, although fencing plays here a significant role, both directly and in the background. Later I have read that several foreign viewers had previously perceived it as a sports film but were pleasantly surprised afterwards that it was no Rocky within the different kind of sports but a realistic picture of a Stalin-era town in a Soviet Estonia. The atmosphere and environment are depicted in a realistic manner, enhanced by post-WWII poverty and gray weather scenes, but there is enough space for human dimension and even some romance.Althouh the plot is not totally smooth, the great performances and taut moments provide additional value to the film. Actors like Märt Avandi or Hendrik Toompere could be easily used abroad as well, and all children did their best (in many films, children lines seem mugged up, but not here).All in all, a good film about surviving and making choices under tough and unpredictable circumstances, when every "hobby" or non-ideological endeavour helped to move beyond the misery around - at least temporarily.

Thom S When I first heard about this film, I was rather apprehensive about its portrayal of fencing. Too often such films fall prey to unrealistic swordplay, or to relegating the fencing to some metaphors and maybe a lunge every now and then.Not so with this movie. Not only are the lessons portrayed in a realistic way, the tournament itself had the feel of an actual tournament and the actions executed looked like they were supposed to. I did notice the modern scoring system was used, but I assume this is so as not to confuse the viewer; the old system kept track of hits scored against a fencer, and as such the numbers would be reversed.History-wise, it gave a good picture of the time period and the perils in which Soviet citizens found themselves.In my eyes, the only 'weak point' would be that the underdog story is a rather standard one, but I honestly didn't feel that it detracted from the movie at all.

Horst in Translation ([email protected]) "Miekkailija" or "The Fencer" is a Finnish/Estonian 90-minute movie from 2015 directed by Klaus Härö, a filmmaker with a long history of successful films and many awards wins, and written by Anna Heinämaa, her first screen writing effort apparently. The lead actor is Märt Avandi and, to me, he is still completely unknown, but he gives a quietly convincing performance here, nothing great, but certainly one of the better aspects of the film. I felt the movie was at its best when it completely focused on the historic background of the time, during which this film is set. The fencing is used as a means early on to elaborate on that political context and that is perfectly fine. Unfortunately, halfway into the film, the fencing becomes the center of the film and it just isn't such a relevant movie anymore at this point.It turns basically into a "Rocky" story and I am not a fan of this film at all either. David-Goliath has been done so many times and this is one more. Too bad it is just another unrealistic one. I guess they thought showing the girl's face expressions on several occasions made this more significant or funny with the ending, but it was all so unrealistic and predictable that at times it felt difficult for me to take this film serious anymore. Of course you could interpret her fight with the bigger Russian guy as a metaphor for the protagonist fighting the system, which is much bigger than him too, but that's just grasping for straws in trying to find a deeper meaning in here.Fact is the film lost a lot of quality around the 50-minute mark, basically at this point, during which it turns into another mediocre sports movie. The ending makes a reference back to the early political context, but the movie has gone south so much at this point already that even this is not working anymore. It feels so random that they are suddenly there coming to arrest him, but he chooses to keep watching the fight, after he fled from his home country before the film started. Is it realistic that he stays now? The film has a couple moments that had difficulties in feeling authentic. Another one would be the guy working at his new gym. Early on, he seems like the main antagonist, but at some point, completely out of nowhere, but after a truly demeaning act (did he have regrets?) he suddenly seems to feel for the main character. That really sucked as I liked him as the bad guy.Overall, I quite enjoyed the early parts, but the longer the film went the more forgettable it became. They did not manage to elaborate convincingly on some really good aspects they brought in early. Quite a shame. This film had potential for more. On the one hand, it surprises me, despite its mediocrity during major parts, that the film is Golden-Globe nominated and made the Oscar films short-list. Then again, they love films about politics with a bit of a sentimental background. We'll see if this one gets the Oscar nomination or not or maybe even has a shot at winning. In my opinion, it's nowhere near the best 5 Foreign Language movies I have seen from this year. Still, it's not a failure either and I guess you can check it out, especially if you like "Rocky" more than I do.

av-ankur "The Fencer" is a typical sports and underdog film: which make you root for the underdog. It's slightly different from many others in that there is some history for solid context: however, that also has been done so far, and the director does not experiment much with the pace of the film. Some of the landscapes are beautiful, and in my opinion they afforded the director to be much slower and absorbed in the atmosphere, like the German film "Barbara" did, but that does not happen. However, the film is a lovely watch and touches your heart because of the fine cast: a special mention should be made here for the boy (Joonas Koff) playing Jaan, who has given the most impressive performance of the film.