Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Aubrey Hackett While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Bessie Smyth Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

blanche-2 Jeannette MacDonald and Allan Jones star with Warren William in "The Firefly," a 1937 MGM film.MacDonald plays Nina Maria Azara, a singer, who is also a spy for Spain during the Napoleonic Wars. She is to seduce French officers and find out Napoleon's plans for Spain.She meets Don Diego, who pursues her while she is working as a singer. She has to stave him off in order to meet with those who can give her information, among them Major de Rouchemont (William).Don Diego keeps showing up, including on her trip to Bayonne. There, the famous Donkey Serenade is introduced. Unknown to her, Don Diego is actually Captain Andre, who is sent to Spain to spy on her.The story is a backdrop for all of the music, and there is a ton of it. MacDonald's voice was highly touted; with today's ears, it was a lovely voice, particularly in the middle, but I was never crazy about her top notes. I think it was just the way women were trained by then. She was a beautiful woman and a fine, fiery actress, and her popularity was well deserved. She does a good job here.Allan Jones was not the most sparkling presence -- he certainly was no match for MacDonald in that department -- but he truly had a beautiful voice. Warren William was very good in a villainous role.Most of the music was written by Rudolf Friml and Herbert Stothart, so you need to like operetta in order to like this film, and also classical voices.

boblocke The reviews here that say the movie is too long (or "too long for a 1930s musical") must be written by people from fleet street. The movie is as long as it needs to be for a nicely complex storyline, nicely told with lots and lots of beautiful music to entertain, and Jeanette even gets a lot of dancing and wonderful non-dance choreography through crowds of men that she tantalizes with her charm.The love scenes between MacDonald and Jones are funny, sweet, captivating, and the necessary betrayals are handled well and understandably from both sides.I loved every minute of this film and would not have wanted it shortened. All the songs are hummable and lively/romantic. MacDonald's intelligence and sense of humor underlie everything she does, as when she says to Jones after his beautifully sung love song, "Well, perhaps I shouldn't tell you this, but you know that part where you sing, 'My heart's your throne dear, my heart's your throne dear, There you shall rule alone...' with the music building just before the high note?""Yes?""I was wondering... but, no, perhaps I shouldn't tell you.""Tell me.""Well, I was wondering ... if you were going to make it."Or when Jones complains to her, "You're always saying goodbye," and she replies, "All right then, I won't say goodbye. I'll just ... go."Her comic timing is lovely.In fact, she has never been lovelier than in this movie, and the two of them together are just a lot of doggone fun and romance.

guidon7 Wonderful mix of music, romance and comedy but I concede a trifle too long, the length however acceptable with these two. Jeanette MacDonald could do everything; sing beautifully, act as well and surprisingly (I just watched this one after many years) a gifted dancer. MacDonald and Jones are quite compatible and I can see where, had fate taken a hand, it could have been these two and not Nelson Eddy, not to downgrade Nelson's resonant baritone in any way. Allan Jones was a better actor, and was one of the finest tenors in movie history. There was one brief comic bit I found hilarious -- it was so short it may have been overlooked by many. Don Diego (Allan Jones) is singing the famous Donkey Serenade to MacDonald as she rides along in a coach. He sings the line "But try as she may, in her voice there's a flaw", to this jibe at her voice, Jeanette's displeasure shows in a grimace! The expert supporting cast is up to MGM'S standards; Warren William, Billy Gilbert, George Zucco, Douglas Dumbrille, Henry Daniell and even a one-line appearance by Ralph Byrd (a.k.a. Dick Tracy in the 1940's). I highly recommend this film, especially to fans of light operetta. The music is delightful and Jeanette and Allan give it their all. Jones' last appearance was a 1980 role on the Love Boat TV program. Upon retirement from the screen (big screen and little) he became a dentist, quite a surprise. I wonder if he sang for his patients? If he did I'm sure his waiting list was the envy of his fellow dentists.

bkoganbing I am told that the original plot of The Firefly has seen on Broadway back in 1912 had absolutely nothing to do with the Peninsular Campaign of the Napoleonic Wars. Hard to believe because the plot here seems so right.The core of the plot is duty to one's country. Though Allan Jones and Jeanette MacDonald are on opposite sides and love each other, at some point each betrays the other at some point in the movie to gain a tactical advantage for France or Spain.The Rudolf Friml-Otto Harbach-Oscar Hammerstein II, is mostly retained for the movie. One new song, based on a Friml instrumental composition called Chanson, is given a lyric by Bob Wright and Chet Forrest and arranged by MGM's house composer Herbert Stothart. Their combined efforts yielded The Donkey Serenade and provided Allan Jones a signature song for the rest of his career.Jeanette was taking a rest from her usual singing partner, Nelson Eddy, and her teaming with Jones was felicitous. They are a pair of winning songbirds. Maybe had Jones stayed with MGM, he and MacDonald might have made some more films together. Maybe he might have played some of the parts that Nelson Eddy did opposite her. But he probably was right in thinking he'd always be number 2 at MGM, so he moved to Universal.Beautiful singing and a decent plot in this one. Go see it.