Dorathen
Better Late Then Never
ChicDragon
It's a mild crowd pleaser for people who are exhausted by blockbusters.
DipitySkillful
an ambitious but ultimately ineffective debut endeavor.
Dana
An old-fashioned movie made with new-fashioned finesse.
writers_reign
This may well, as Ginger Rogers liked to say, have finished RKO, where not only herself and Fred Astaire, but Katherine Hepburn, Cary Grant and others enjoyed early success. This is nothing if not bizarre; six well-known names and no two even close to suggesting they're in the same movie. In Rogers case there is not an iota of chemistry between her and 1) Barry Nelson, her leading man - in the sense that they wind up together and 2) Carol Channing, her co-star and team-mate in a 'female buddy' movie. Channing and Nelson were both more comfortable on Broadway and both found success there. Here, Channing has the only number in the film proper (there is a title song sung over the credits) and though she brings it off it's a stand-alone item rather than an integral part of the plot. But if Channing and Rogers are mismatched Channing and Clint Eastwood, who actually share a kiss, borders on the grotesque. Add Jim Arness as a heavy and you have a real curio.
bkoganbing
Back at the turn of the last century Ginger Rogers and Carol Channing strike a blow for women's equality by stepping into a man's profession. They become traveling salesladies. Now that's not a profession truly open to women. If you remember The Music Man and that famous scene of all the salesmen talking to the rhythm of the train wheels or Elmer Gantry where Burt Lancaster hung out in all kinds of disreputable places before he started selling religion it is clear that this is a male preserve.But if you sell things like corsets back in the days when women really wore them I guess it could be tolerated. But Rogers and Channing in The First Traveling Saleslady take on a real challenge. They're going to sell barbed wire in Texas. Rancher James Arness is going to stop them selling the wire David Brian's company makes. Both of them would like to make Rogers though. But a funny thing, Barry Nelson in that new horseless carriage contraption keeps showing up just when Rogers and Channing need help.As for Channing she's got an admirer in newly returned Rough Rider Clint Eastwood in one of his early screen roles. As for Channing she never quite made it on the big screen so this is a rare opportunity to see a unique performer. Pity she never did do one of her noted stage roles for movies.A pity a lot of talent gets wasted here in The First Traveling Saleslady. It's not a really bad film, but it is a mediocre one.
mark.waltz
Take dancing queen Ginger Rogers; pair her with dizzy queen Carol Channing, and you've got one of the oddest teamings in film history. Ginger and Carol must have had some laughs over this one years later when Ginger prepared to take over the role of Dolly Levi from Carol on Broadway in "Hello, Dolly!". This is one of RKO's last films, and how sad it must have been for Ginger to return to the studio that made her a star when it was on the verge of becoming the property of Lucille Ball and Desi Arnaz. She had not made a film there in ten years, so it must have brought back some long- forgotten memories.The film is a period comedy about corset saleswoman Rogers who wants to make it in a man's world by selling barbed wire after previous salesmen were either lynched or run out of town. Channing is her pal, a ditzy gal who sings the show-stopping "A corset can do a lot for a lady" to advertise their colorful girdles. (With this song out there, why "Que Sera Sera" won best song in 1956 makes no sense to me!) Together, they join forces to take on the men of the wild west, especially brauny James Arness. Then, there is Barry Nelson as the wisecracking man who keeps crossing Ginger's past. Serious dilemmas arise: will Ginger and Carol emancipate the west from cattle barons like Arness who refuse to allow barbed wire onto their lands? Or will they end up lynched or thrown out of town with their corset stays between their legs? Which man will Rogers choose, Arness or Nelson? And then, the most important question: will Clint Eastwood (as Channing's beau) ever crack a smile? All these questions end up being answered in a trial that would make Frank Capra jealous.OK, so "The First Traveling Saleslady" is no "Mr. Deeds Goes to Town", or even a "Mr. Winkle Goes to War". But its the type of comedy that older leading actresses like Claudette Colbert, Irene Dunne, Rosalind Russell, and Rogers were being given towards the end of their career. The comedy isn't classic, but it isn't low. It produces smiles, a few groans, and one or two major chuckles. If you compare this to most other RKO features of the mid 1950's, its barely better or worse than the others. Rogers and Channing, sadly, did not photograph too well; the men were much luckier.I first saw this as a teenager, and really enjoyed it. As a young adult, I got some amusement out of it, and recently thought, "What the heck did I find so amusing?" So I must admit, the more sophisticated you get, the less you will laugh. In a sense, too, it's ahead of its time on the subject matter of women's lib, even if how it tells the story is extremely silly. References to David Belasco and Carnegie Steel are smart and sassy.
marcslope
A dull little situation comedy made at the end of RKO's reign, and it looks desperate -- the patently false production values, the cheesy Americana, the mid-century niceness that dates so many '40s and '50s movies. However, and I can say this with authority: It's the only movie you will ever see where Clint Eastwood ends up paired with CAROL CHANNING. The Fifties were strange times, children.