The Fish Child

2009
5.8| 1h36m| en
Details

A desperate love story between two young girls of extremely different social backgrounds who, unable to find a place for their love in the world they live in, are pushed to commit a crime.

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Trailers & Clips

Also starring Mariela Vitale

Reviews

Maidgethma Wonderfully offbeat film!
Cubussoli Very very predictable, including the post credit scene !!!
SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction
Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
tsimshotsui This is a film that tackles a lot of things. One is, of course, the love story between Lala and Ailín, which was in danger of taking a back seat when this huge event happens — that is always a danger in LGBT and/or women-led films by the way, but in here, it wonderfully does not. Another is race, class, privilege, and the justice system. The issues shown here about Argentina are not anomalies. While all of these and more could've been better-crafted, this film is still definitely a gem. I like Director Lucia Puenzo's choices to tell this specific story about these specific characters, when other directors could've chosen easier ways out. I can't wait to watch more from her.
Chris Smith (RockPortReview) "The Fish Child" or "El Nino Pez" is Argentinean director Lucia Puenzo follow up to the critical hit "XXY". Puenzo once again casts Ines Efron to star in this story of a family in the rich upper class suburbs of Buenos Aries."The Fish Child" is more ambitious and sprawling in its story telling which also contributes too many of its faults. While "XXY" was a small character drama focused on the struggle of one persons search for identity "The Fish Child" reaches for a more broad almost soap opera like style. The story is told in a fractured non linear style making a first viewing somewhat of a challenge.It is a modern day love story between two young women Lala (Efron), the daughter of a judge and, Ailin the family maid. They plan to run away together to Paraguay and live in a house on the shores of Lake Ypoa. The problem is they have no money. Lala's father is about to retire and write a scathing memoir about the rampant corruption within the police force. But before he can do any of this he is murdered but by who? Lala and Ailin have their motives as do others.The story is told from Lala's point of view and mainly focuses on Ailin. She is accused and arrested for the murder and send to prison. The story flashes back and forth in time to give us a background on the characters, but when it comes to the third act the plot is just too bloated and over stuffed. We find out a bit more about Ailin's past and an anticlimactic resolution to who killed Lala's father. Needless to say they escape to Paraguay and live happily ever after or something like that. Obviously not the greatest movie but the acting of the two girls is pretty decent and will appeal to those who scour the foreign films section looking for something different.
doyelkar This movie gives an steady view into the existing relationships of the protagonist's family.The movie keeps the context, yet change frames to show differences of human nature. The outcomes are sometimes drastic, sometime pleasant.The urban lifestyle of Argentina and rural landscape of Paraguay have been used to show the contrasts. The protagonist plays a simple girl with honest emotions. Her lover on the other hand is a maze. She has a range of emotional and physical connections to different people, who form a part of her existence. The former, with a good fortune and privileged life, the latter with a rustic background and tragic life. She keeps spinning misery around herself under different circumstances,that ultimately affect her lover so much that she is ready to run away to a different country. The movie picks up pace and keep changing locations to keep audience interested.It would be good to watch this on a Tuesday evening as a mid week thought breaker.
saratim1 Good intentions, no so well translated to the screen. In a way, confuse in many moments, not so clear in others; all related without a clear cinematographic language. A feeling that the story is what in Spanish we call "tirada de los pelos"; exaggerated situations without a clear context between one situation with another. Great performances of Ines Efron and specially of Mariela Vitale -the daughter of Lito Vitale, wow!-, that studied guarani for her role on this movie, a revelation as actress. A special mention for Arnaldo Andre, too.