Manthast Absolutely amazing

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Skyler Great movie. Not sure what people expected but I found it highly entertaining.

Leofwine_draca THE FLESH IS WEAK is a low budget British crime film that goes for censor-baiting action throughout. Sadly it's quite a dated movie when watched with a modern mindset, although it has much in common with the American 'sensation' movies doing the rounds which typically showed young women being lured into a life of prostitution and/or drugs.What I like about these 1950s films is that they often have fairly strong themes without ever being explicit about them. It's pretty obvious that this is a film about prostitution and pimping but you'll never hear it mentioned. There's a turf war of sorts between criminal gangs, and lots of familiar supporting faces like Martin Benson, Freda Jackson, and Shirley Ann Field.Imported American actor John Derek is pretty weak and out of place, but the black and white photography is crisp throughout and the knife crime stuff is pretty good. Hard-working director Don Chaffey would also helm the likes of PETE'S DRAGON, PERSECUTION, and JASON AND THE ARGONAUTS during a long career.

malcolmgsw When this film was released Soho was dominated by violent gangs.One of the tools of their trade was the flick knife which is shown in the film and which was shortly to be banned by act of parliament.One of the basic problems are the leads.Martin Benson is fine but the parachuted in American star John Derek is woefully miscast,pretty he is menacing he isn't.By the way why does he and Benson have different accents?Monica |Vitale plays an innocent Italian girl picked up by a pimp.There seems to be a gang war of sorts and there is an investigating writer,not reporter,played by William Franklyn.Much of this film is muddled and not helped by the small studios at Walton.It has to be said that this film clearly earned its X certificate on its release.

Spikeopath The Flesh is Weak is directed by Don Chaffey and written by Leigh Vance and Deborah Bedford. It stars John Derek, Milly Vitale, William Franklyn, Martin Benson, Freda Jackson and Norman Wooland. Music is by Tristram Cary and cinematography by Stephen Dade (not Gerry Massy- Collier as listed in some sources).It's a British crime drama with film noir shadings. Plot finds Vitale as the innocent girl who upon visiting London falls in love with the shifty Tony Giani (Derek). Before you can say "vice girls" she finds herself facing up to the harsh realities of the Giani family operations.It's a nasty subject that is still relevant today, but the makers handle the subject well. Obviously clipped somewhat by how far they could push the material at the time, it's still surprisingly frank with the vice girls subject to hand. Strong plot is acted accordingly, with the main characterisations carrying a believable factor that hits home the required impact.The girls are treated with sympathetic hands, steering the story away from exploitation histrionics, and while it's a bit too stage bound to really give it some earthy strength, it's a well constructed production that's further boosted by Dade's moody photography. Interesting low rumbling horror movie type score by Cary as well. 7/10

gordonl56 I grab a handful of discs and start firing them into the machine. I've seen this, seen that, and so on and so on. By the 5th disc I decide I'm too lazy to get off the couch again. I stick with the one that's playing. I've seen it before but never on a decent TV, so I let it play. It is the 1957 UK production, THE FLESH IS WEAK. The film features John Derek as the headliner. It is an "expose" noir about the prostitution racket in the U.K. Derek is a pimp who preys on the naive, "just off the bus" young women who come to the big city for fame and fortune.He wines and dines them and after a few rounds of clutch and grab the girls go for the smooth talker. He gets them a place to stay, a few jewels, some nice duds and even finds them a job. The job of course ends up to be a "hostess" in a gentleman's club. The girls fall for the line and before they know it they are out on the street paying back the DEBT.Millie Vitale plays the new girl who has just been turned out by Derek. She quickly decides the life is not for her and decides to quit. She has discovered that Derek is part of a ring that has several dozen girls turned out. The pimps let her know that a large knife to the neck is what she will get if she leaves.In order to teach Vitale a lesson, Derek arranges for her to get busted by John Law on a knife assault charge. She refuses to talk to the police out of fear and takes her six-month bit. She has time to think and decides to go straight when she gets out. This idea however goes south when Vitale finds Derek waiting at the prison gates on release day. She now knows the only way out of the "game" is to turn State's evidence. She tells all she knows to the police and Derek and his boys soon find themselves on the wrong side of the prison walls.The cast includes William Franklyn, Martin Benson, Freda Jackson, Patricia Jessel and Patricia Plunkett. The director was Don Chaffey who is best known for "Jason and the Argonauts". He also worked on series like, "The Prisoner", "Danger Man", "The Avengers", "Charlie's Angel's" and "MacGyver".I really liked the look of the film where the dark alleys and streets of post war London are put to good use. It is a rather blunt and to the point film for 1957.There are no vague suggestions about the subject matter here. Right from the start we know what the story is about. John Derek is particularly good as the smooth talking pimp. He plays it all smiles but is more than happy to apply a knife here and there if needed. I found it a excellent time-waster.