The Fly

1986 "Be afraid. Be very afraid."
7.6| 1h36m| R| en
Details

When Seth Brundle makes a huge scientific and technological breakthrough in teleportation, he decides to test it on himself. Unbeknownst to him, a common housefly manages to get inside the device and the two become one.

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SLM Production Group

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Reviews

Ameriatch One of the best films i have seen
SincereFinest disgusting, overrated, pointless
Kailansorac Clever, believable, and super fun to watch. It totally has replay value.
Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
christopherhodges-91529 One of the most mainstream David Cronenberg films the Fly is considered a cult classic today and rightly so- featuring a stunning turn by Jeff Goldblum and ably supported by Geena Davis(who were married back then) the Fly is a remake of an earlier film but is a massive improvement. The city of Toronto is as much a character as the people it features some stomach churning scenes. Kudos must go to the puppeteers and make up artists who do a stunning job.
Matt Greene Only Cronenberg could remake the great B-movie original with as much humor as he does terror. The visual effects and makeup in the body horror is undeniable and supremely disgusting, but the way Goldblum's Brundle handles his transformation is dryly and unnervingly funny. Goldblum and Davis are both so great, and the way the movie peals away thematic layers of purity and sex and procreation goes far beyond the original.
Caleb Zero To me, The Fly is the crowning jewel of 80s Sci-Fi horror. The animatronics, the special effects make-up, the acting, the story... It all makes for a great movie. From start to finish, this movie is a masterpiece.What I loved about the movie right off the bat was that it did not mess around. The movie starts in the middle of a conversation between the 2 main characters, and Brundle is explaining exactly what the movie is about. From then on the story just flows brilliantly, with no dilly-dallying. There's no mystery, there's no ambiguity, its just a story about an inventor and his machine.The artistry that went into the make-up, and the Brundle-Fly possibly make this movie stand out as the most realistic looking 80s horror. The Fly didn't need to be shadowed, or ambiguously shot, to hide any flaws.Jeff Goldblum's acting is creepy, and suits the character so well. You really got a feeling of discomfort for Gina Davis's character.One scene that really caught me by surprise was the baboon and the fly. It really baffles me how they were able to film a fly and a baboon together in the same shot, and seem as though they could direct them both with ease.
videorama-759-859391 Here was another film I really loved to have seen, cinema wise, but again I was one, two years shy of being admitted. The Fly, with those unforgettable tag line words, is a well formed horror film, with wonderful FX, and some strong doses of gore, here and there, where it doesn't, over exploit it. It takes itself more serious as a fine featured horror, and it beautifully is, with it's wonderfully constructed storyline, and gradual, unrushed build, up in an experiment, gone wrong. Genius inventor, Goldblum who's just dynamite, in still one of his top performances, who while stepping into one of his cool shaped tele, transportation pods, makes the mistake of having unexpected company. A small misfortune on his part, as a fly gets in there with him, where both insect and human form one, where Goldblum begins a deteriorating process, as he slowly begins to resemble more features and characteristics of a fly. It's an absorbing and engrossing study, on the writer's part (this guy, also responsible for the Psycho 3, installment, my favorite) only released 3 months before this. Goldblum sickly spouts some funny lines of dialogue. In the early stages, prefore to Goldblum's changing deformities, in that cafe, with a fast talking over hyped Seth, is the one scene that sticks out. Again, great acting on Goldblum's part. Oscar potential. Geena Davis is really good too as a journalist, and Goldblum's new love, Her publisher and ex (John Getz) a refined, slight sleazeball, steals her thunder.... acting wise too. This is one of those better horror films/or Sci fi horrors, that have been shaped, and crafted into one of the more respective ones. Don't go looking for a lot of gore though. One of 87's early surprises. A dead fly was in my special fried rice, the day of the film's release in Adelaide. Coincidence?