Exoticalot People are voting emotionally.

ReaderKenka Let's be realistic.

Mischa Redfern I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Theodore Zuckerman Despite thinking it is unnecessary, the police chief dutifully complies when he is ordered by a higher-up to interview everyone who has claimed to have seen the flying sauce. What follows provides insight into human motivation and human nature, and is also hysterically funny.The story uses the supposedly non-existent object of the flying saucer like a therapist uses a rorshak inkblot. But of course, while rorshak inkblots are real printed copies of real inkblots, there is no such thing as a flying saucer. So what is it that is stimulating people's imaginations? The whole movie is a delight. One of my favorite movies of all times.

kevin olzak 1964's "The Flying Saucer" is a rarely seen Italian comedy from director Tinto Brass, not to be confused with 1949's "The Flying Saucer," starring its director, Mikel Conrad. Alberto Sordi essays four different roles, mainly as the investigating police sergeant who deadpans throughout the film as each 'eyewitness' confesses to seeing something completely different from everyone else. As the telegrapher, he actually spies the saucer (a dead ringer for the Jupiter 2 from LOST IN SPACE), as well as its occupant, a comely Martian female who does little but wander around, mistaken for a Mardi Gras costumer (shades of "Abbott and Costello Go to Mars"). Sordi's priest spends more time in the local saloon than he does in church, and all four wind up in the asylum by film's end, treated by electroshock therapy because no one will believe them. Fans of Pittsburgh's Chiller Theater rang in the new year, Jan 1 1972, with 1963's "Unearthly Stranger," followed by "The Flying Saucer," thematically linked by their attractive female invaders.

kmj-2 Fairly typical Italian "light" fare from the 1960's, this tale mixes comedy and light sexual farce with some success. The serious and somewhat slow Police Inspector and his bumbling assistant investigate reports of "strange goings-on" in a rural community. A flying saucer with more bells & whistles than Rube Goldberg ever dreamed of dispenses comely female aliens, dressed (barely) in silver "bathing suits" with strategically-placed bubbles who wander about -- mixing in with a "Mardi Gras", and are chased by giddy males to no avail. The highlight of this film is the music, which is haunting. The true shame is that this film is not available on VHS or DVD, and that the soundtrack is not to be found. This film used to be a staple of "late night" "fill-the-time" movie features at local television affiliates.