The Forbidden Room

2015
6.1| 2h8m| NR| en
Details

A submarine crew, a feared pack of forest bandits, a famous surgeon, and a battalion of child soldiers all get more than they bargained for as they wend their way toward progressive ideas on life and love.

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Reviews

Inadvands Boring, over-political, tech fuzed mess
Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.
Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
Jenna Walter The film may be flawed, but its message is not.
bruwhi I admire the film making and the art direction for The Forbidden Room, but while it initially dazzles, it quickly becomes rather tedious. There is no real payoff for the effort it takes to sit through it, and it does take some effort. The most entertaining part for me is the opening titles. The only movie I can compare it to is Stalker, and it isn't a fair comparison. While both share the washed-out, sepia tone Lynch-like visual style, Stalker has a discernible plot beyond just its style. I'd love to intellectualize the film and say it has deeper meaning, but outside of the art direction and distressed film look, after sitting through it I've decided there is just no "there" there.
Frank DuFontaine I realize that a lot of people are going to be put off by the abstract, artistic nature of this film. But what it lacks in cohesion, it more than makes up for in style - similar to poetry, this film is very expressive and doesn't follow any particular norms for film making. It's very visually striking, and for me this was a large part of the enjoyment. Although it has references to films from the silent film era, this film doesn't necessarily keep to a specific style. At times it is sensual and erotic, at other times it's violent and shocking. I believe the intent was to adhere to a certain randomness in both the events portrayed, as well as the tone and visual style; this makes the film follow a seemingly arbitrary path. To me it was visually beautiful and compelling, and I never lost interest. I was impressed by how ambitious it was, with a huge variety of scenes, actors, events. Obviously, the film is very nonlinear and I think the best way to enjoy it is with the expectation of a visual and thematic journey, a series of emotional and artistic events strung loosely together to form a dreamlike storyline.
Jahful OK, if you hate the way Yorgos Lanthimos just terminates movies right before the dénouement, or if you kinda hated how nonsensical Mullholland Drive was (please, just watch it again, really), The Forbidden Room is not recommended viewing. This is a movie for people who are in love with the visual art-form of cinema, the technical history of it (especially full-colour processing), and who have an absolute love of classic pre-code movies. And those who may have accidentally tried a cup of mushroom tea. There is no linear story arc, but there are many snippets of a beautifully reimagined bygone age. Don't be afraid. It's super-watchable and actually has some high-brow humour in it, It has Charlotte Rampling and the utterly fantastic Louis Negin, and the visual film treatments are just unbelievable. This is a movie for all levels of consciousness simultaneously. I have to give this movie a 10 because for me, it's so spectacular it couldn't be any less. Forget Fear and Loathing in Las Vegas, this is the real thing. (Sorry Terry, I'm sure you'll understand.)
JvH48 Saw this at the IMAGINE film festival 2015 in Amsterdam. Walked out after one hour, nearly half of the 130 minutes running time. I did not understand a thing about what it was all about from the outset, but I allowed it some slack due to the overly positive introductory talk by the festival's artistic director. He told us about the abundance of references to films from the silent period (I don't think I care). The format is blatantly weird in taking trouble to look like a film from the silent period, with seemingly missing pieces and imperfect material, though we know that this film is recently made, as such leading to the conclusion that these imperfections are added as a gimmick and defeating any useful purpose. It may resonate with film professionals, however, but what do I know.There is no edible story (actually five stories I've heard or read somewhere, craft-fully intertwined). I could not derive anything in common that could have served as a binding theme. It may be so that the binding element(s) were to be revealed later on, but I did not wait until the final revelation, and left. Anyway, other festival visitors who sat it out until the very end, did not make much of it either, as it scored a lowly 36th (out of 45) place for the audience award with average score 6.78 (out of 10).