Interesteg
What makes it different from others?
SunnyHello
Nice effects though.
Supelice
Dreadfully Boring
Kinley
This movie feels like it was made purely to piss off people who want good shows
Kirpianuscus
at the first sigh, a splendid comedy. seductive for humor, impeccable performances, for the air of French style to banter itself , with grace and precise art. at the second sigh - portrait of contemporary diplomacy. the minister as image, the hard work of staff, the delicate international files, the solutions and errors and bizarre advice, the family life and the pressure of job, conflicts, expectations and selfish. a fundamental institution as a clock. or labyrinth. "Quai d'Orsay" has the virtue to be more than a good film. but a guide for see the international relations. sure, in an ironic note. but fair and useful. for understand the responsibilities of a great European power diplomacy. and for discover a new perspective about events of every day.
FilmCriticLalitRao
In French culture, 'Quai D'Orsay" refers to French ministry of foreign affairs. It is also the name of a best selling comic book which has been adapted into a major film by veteran director Bertrand Tavernier. This is his first attempt at making a comedy film. He has not disappointed his loyal fans as "The French Minister" is able to make people laugh even when the film's theme appears to be serious. As a film 'The French minister' is largely autobiographical in nature as it is based on writer Antonin Baudry's experiences as a young trainee. In the past, he worked as a speech writer for former foreign minister of France Dominique De Villepin. Tavernier focuses on the mad world of politicians who use too much of academic rigor in order to deal with questions which need a pragmatic, practical approach. He shows that things are so bad at French foreign minister 'Alexandre Teilhard De Worms' office that one can quickly understand that a statement dictated in the morning would end up getting changed in the evening. The film mocks France's attempts to get involved in all major conflicts which happen in the world. It reveals that French government doesn't have proper strategies in place in order to deal with all the world's troubles. The laughter is assured as Tavernier doesn't hesitate a bit in showing the idiotic personalities of people working for French ministry of foreign affairs. Lastly, "The French Minister" displays its concern for genuineness by shooting its security council scenes at the actual UNO site.
Harriet Deltubbo
When this movie's good, it's fantastic. Then again, when it's bad, it's overlong, faintly chauvinistic and most definitely thicker than two short planks. But don't get me wrong. It has a lot to recommend it. From an action point of view, this movie's about as much fun as you can have with your pants still on. I mean okay, the movie doesn't give its audience any credit for intelligence, utilising a paper-thin plot to lead us about like a blind man, and the entire cast is really just left to sit around and look pretty. We're getting force-fed bad movies these days and you instantly forget them when you leave the theatre, so it's nice to see a film that doesn't care if you like it or not. You won't be forgetting it in a hurry. It's worth your time.
3xHCCH
Arthur Vlaminck is a fresh graduate from a noted university is hired to be a speech writer for the French Minister of Foreign Affairs, Alexandre Taillard de Worms. Arthur would soon discover that his new boss is vainly self-centered and overly meticulous. Despite saying he wants a speech which is direct to the point, he has a speaking style that tends to be pretentious and rife with quotes from classic political texts. The script brings us in the thick of the daily goings-on in the French foreign ministry, as the busy bureaucrats address this and that conflict. While the superpowers, US, Germany and France, are mentioned by name, the smaller countries they have issues with are hidden under fictitious names, like Ludemistan or Ubanga. There are generous references to NATO and the UN Security Council. The elegant egoistic slave-driver Minister Taillard is very well- portrayed by Thierry Lhermitte. You will feel sorry and root for the harassed and toxic Arthur Vlamnick as played by Raphaël Personnaz as he not only deals with his difficult boss, but all the other big egos in the staff as well. Nils Arestrup provides that balancing force as he calmly plays the efficient Chief of Staff Claude Maupas.From the start, you already get that this is written as a political satire as you witness Taillard address pressing issues with his strange idiosyncrasies -- how he orders a rewrite without even reading the draft, how he makes papers fly around by merely entering the room, or how he wildly wields his neon highlighter as he goes through his readings. This pattern unfortunately tends to be repetitive and will lose steam as the film progresses.