The Frightened City

1961 "A city terrorised by its own evil!"
6.3| 1h37m| en
Details

A small time thief is recruited by a mobster to help with the racketeering. He doesn't like the job, but with the mob on his back, a femme fatale in his bed and a sick friend to care for, he will have to keep all his wits about him.

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Reviews

ThiefHott Too much of everything
Fluentiama Perfect cast and a good story
Ameriatch One of the best films i have seen
DipitySkillful an ambitious but ultimately ineffective debut endeavor.
zardoz-13 Even if Sean Connery had never been cast as James Bond, the rugged, handsome Scots man would have still carved out an enviable cinematic career for himself. He plays a low-ranking criminal in writer-director John Lemont's grimy but atmospheric crime thriller "The Frightened City" and his "Hell Drivers'" co-star Herbert Lom along for the ride, too, as the mastermind behind an insurance racket. Watching Connery walk through this formulaic film noir is comparable to watching a tiger pacing restlessly about the confines of a cage far too small for him. The lean, mean Connery exudes charisma, and you can see that he was destined for bigger and better things. Aside from "Konga," "The Frightened City" is about as big as Lemont would ever get. Paddy Damion (Sean Connery of "Goldfinger") is a small time hood who is loyal to his close friend and cat burglar, Wally (Kenneth Griffiths of "The Lion In Winter"), who broke his legs on a job gone bad. An urbane but unprincipled accountant, Waldo Zhernikov (Herbert Lom of "The Pink Panther"), joins forces with a ruthless gangster without a qualm, Harry Foulcher (Alfred Marks of "Valentino"), to organize a syndicate consisting of several rival crime bosses to operate a protection ring in London. They search for an able-bodied lieutenant to manage the collections for their mob and settle on Paddy because he uses his head and doesn't indulge in violence. Initially, Paddy wants nothing to do with them. When his partner in crime cannot resume his career as a cat burglar, Paddy concedes and takes Harry up on his offer. This move represents Paddy's ascension into the big time in the British underworld. Predictably, all of this swells his head. He decides to push his long-time girlfriend Sadie (Olive McFarland) out of the way in favor of a delectable French-Algerian song-bird Anya Bergodin (Yvonne Romain of "Double Trouble"), who happens to be in cahoots with the slippery Zhernikov. Anya has been looking for a way to break into the nightclub scene and Zhernikov accommodates her. Naturally, Sadie isn't happy with Paddy's treachery, but soon things get out of hand. Later, one of the crime bosses, Alf Peters (David Davies of "The Heroes of the Telemark"), objects when Zhernikov wants to be the screws to a building contractor. Peters argues that the building contractor will bring in the police, so Zhernikov and Harry decide to eliminate him. They get Paddy to set up a meeting and Harry guns down Alf. Eventually, after the police pull Paddy in for questioning, our hero decides to turn against Zhernikov and Harry because they kill Wally. In fact, Wally tells Paddy after the latter winds up in jail for not collaborating with the cops to sort out the two of them. Meantime, a hard nosed Scotland Yard detective, Inspector Sayers (John Gregson of "Night of the Generals"), who doesn't mind breaking the rules, sets out to crack Paddy and round up the hoods behind the protection racket. Paddy breaks out of jail after Sayers puts him behind bars and goes after Zhernikov. Sayers picks up Sadie, and they follow Paddy to Zhernikov's apartment where the grand finale takes place.Despite its strong cast, "The Frightened City" isn't very frightening.
Marco Trevisiol 'The Frightened City' stars both Sean Connery and Herbert Lom just before their iconic appearances in the Bond & Pink Panther series respectively (although Lom already had a substantial film career before The Pink Panther series).But it wasn't the first time they appeared together, having appeared in 1957's 'Hell Drivers'. And it's this comparison that weakens TFC as while both films are similarly hard-nosed, rough-edged action films, HD is superior more interesting characters, compelling drama and more vivid action scenes.That isn't to say TFC is a bad film - it's solidly entertaining with a good atmosphere and Connery displaying the charisma that was about to make him a major star (plus a nicely underplayed turn from Lom as the villain). But it's too conventional in its plotting and lacking great action scenes to be up to HD's level.Still, TFC is a decent film and worth a look
Michael O'Keefe Sean Connery plays Paddy Damion, a thug in the West End of London that is lured into a protection racket scheme. The story takes place in a rundown section of the city, where the citizens and business owners are held in the tight grip of extortionists. Damion goes to work for a mobster(Alfred Marks)in order to support his fellow burglar(Kenneth Griffith), who was injured during a robbery. There's plenty of work to go around as six major "protection" rings join together for combined success. Damion has a change of heart and helps Scotland Yard Inspector Sayers(John Gregson)bring down sinister crime boss Waldo Zhernikov(Herbert Lom).John Lemont directs this crime drama for Darryl Zanuck. The movie is good and Connery is better. Also in the cast: Yvonne Romain, Olive McFarland, David Davies and Patrick Holt.
withnail-4 The film is above average, well made, but lacking the style or brio that makes a good US or Italian crime film really fun. Sean Connery is great to look at in his leaner, pre-Bond form, and Herbert Lom is excellent. Connery plays a low-level mobster, and Lom is the criminal mastermind behind the mobs. It's interesting to contrast the portrayal of violence in this early 60s British film with American or other later portrayals. The approach here is so banal, and the mobsters are obviously pulling their punches in the fight scenes. The director seems completely uninterested in making the violence realistic or exciting. The final fight, however, has some choreography to it and a few interesting touches. In summation, a paint by numbers job, competent British B film, uninspired film making, but good nostalgic fun.