WasAnnon Slow pace in the most part of the movie.

Exoticalot People are voting emotionally.

Roy Hart If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

Brennan Camacho Mostly, the movie is committed to the value of a good time.

Spikeopath The Gambler and the Lady is directed by Patrick Jenkins and Sam Newfield, the latter of which also writing the screenplay. It stars Dane Clark, Kathleen Byron, Naomi Chance, Meredith Edwards, Anthony Forwood and Eric Pohlmann. Music is by Ivor Stanley and cinematography by Walter J. Harvey.Clark plays Jim Forster, an ex-con and reformed alcoholic who is trying to climb the social ladder by way of his thriving gambling business. But all that is threatened when new gangsters on the scene want in on the action. Not only that but he also has a jealous ex-girlfriend to contend with just as he meets and falls for the blue blooded Lady Susan Willens (Chance).On the page it sounds terrific, a real chance for some noir nirvana, while the opening to the film is a cracker, with a moody night time cobbled street scene punctured by a hit and run collision. Yet the piece never rises above the routine crime thriller that it is, while visually it's flat and uninteresting.Out of Hammer Film Productions, there's an attempt at class distinction to drive the narrative forward, but it never really develops into something resembling dramatic worth. A shame because Jim Forster is an interesting enough character, he has done time for manslaughter, has anger issues but now he hates the rough stuff, even admonishing his staff for handing out bumps to bad debtors. And the women love him as well. Yet it's all so lethargically played that come the finale, the culmination of the dangled carrot at the beginning, you will struggle to care anyway. 5/10

mark.waltz I diagnose this low-budget British crime drama as film noir. Symptoms: A social climbing gangster; Rackateers determined to muck their way into a share of his profits; a vindictive ex-lover out for blood; An ingénue from snobbish high society with a few hidden cards up her own sleeve. Prognosis: Can't be cured of diagnosis, but can be prolonged by re-discovery of a film noir sleeper.American diamond in the rough Dane Clark falls under the spell of British high society, dumping his co-dependent lover (Kathleen Byron) for the seemingly gentler Naomi Chance. Her snobby brother gets him involved in a phony stock scheme while a racketeer tries to muscle in. Chance gets an earful from the nasty Byron but turns the tables on her in a wonderfully vicious scene. Exciting from the start, this little known film noir grabs you and does not let go, moving practically at the speed of light.You think that Lizabeth Scott, Gloria Grahame, Martha Vickers and Jan Sterling had the ball on low society tramps? Wait until you meet Ms. Byron who is not somebody who takes no lightly. And Chance isn't some namby pamby ingénue, either. She can give as good as she gets. Clark is given an extremely well developed character to play, and you find yourself liking him even if you really should avoid him like the plague.

J. Spurlin A social-climbing American (Dane Clark) with a business in illegal gambling falls in love with a blue blood (Naomi Chance), but gangsters and a jealous ex-girlfriend (Kathleen Byron) stand in the way of happiness."The Gambler and the Lady" is a typically weak attempt by the Hammer studio to replicate American crime films. A mildly exciting climax (part of which is shown at the beginning) is the only thing that livens up this dull affair. I would have liked to see more of Percy Marmont, who was so good as Col. Burgoyne in Alfred Hitchcock's "Young and Innocent." Here he only gets a brief part as Chance's father.

JohnHowardReid The good folk at IMDb don't seem to be aware that "Patrick Jenkins" is a pseudonym for Pat Jackson who also helped out around this period on "Scotland Yard Inspector", "Bad Blonde" and "The Saint's Return". Anyway, one can understand the wish for anonymity, as "The Gambler and the Lady" is not terribly interesting. True, the script has all the makings for classic film noir, but it doesn't come off, mainly because it wastes too much time on the dull Dane Clark character and his equally dull buddy, and fails to develop Kathleen Byron's role. Some attempts at humor are also misplaced. True, the climactic action has a bit of impact -- unbelievable though it is -- but by that time our interest has dissipated past the point of no return.