The Gang That Couldn't Shoot Straight

1971 "The hilarious comedy about dis-Organized Crime."
4.9| 1h36m| en
Details

A Brooklyn mobster and his gang try to rub out their rivals.

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Reviews

Evengyny Thanks for the memories!
Holstra Boring, long, and too preachy.
Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
Wizard-8 "The Gang That Couldn't Shoot Straight" has all but been forgotten more than 40 years after it was made. Seeing it, it's easy to figure out why. In its defense, the movie gives an interesting look at a New York City that was seedy before it was cleaned up. It's also interesting to see a young Jerry Orbach, and the movie has the occasional mild chuckle. But for the most part, the movie simply doesn't work, and the problems come with the script. For some reason, the movie does not go into depth with ANY of its characters, and they all end up being pretty interchangeable with each other. Also, there really isn't much of a story here - instead, it's one seemingly unrelated vignette after another. The movie is never aggressively bad, but it still ends up being a big disappointment.
Michael_Elliott The Gang That Couldn't Shoot Straight (1971) ** (out of 4)Weak adaptation of the Jimmy Breslin novel (adapted by Waldo Salt) about a Mafia family (led by Jerry Orbach) who try to take out a rival crime boss but every time they get close to killing him something goes wrong. I haven't read the novel that this film is based on but I've heard it's actually quite funny. With that said, clearly something didn't come over from the page to the screen and I think a lot of the blame has to go to director James Goldstone. The entire movie has such a serious tone that you're often having to remind yourself that you're watching a comedy because the film just needs to loosen up and let the cast do their job. For the life of me I couldn't understand why the comic moments weren't handled better and there are several scenes that should have been so much funnier. One example is when a couple guys are chasing a man they want to kill but they get to some dirty water and they don't want to mess up their expensive shoes. Flat. Another sequence happens when we learn that Mafia leaders send their wives out to start the car each morning just in case there's a bomb. Flat. The strange thing is that a love story breaks out between Orbach's daughter (Leigh Taylor- Young) and a guy named Mario (Robert DeNiro). This love story is actually the best thing about the film and I wondered if perhaps the two actors were so good that they just kept building up more scenes around them. Considering how far DeNiro's name is in the credits and the fact that he's got perhaps the biggest role tells you something. Both of them are quite good together and it's fun seeing a young DeNiro looking exactly like he did a few years later in MEAN STREETS only here he's nice. Orbach is good in his role as is Jo Van Fleet, Burt Young and Herve Villechaize who would appear in THE MAN WITH THE GOLDEN GUN in a couple years. THE GANG THAT COULDN'T SHOOT STRAIGHT is certainly a complete misfire in terms of a comedy but fans of DeNiro might want to check it out. It's also worth noting that his role was originally going to be played by Al Pacino but he had to back-out once Paramount agreed to let him have the part of Michael in THE GODFATHER.
caspian1978 Jerry Orbach does his best to act like an Italian-American from the streets, let alone, an Italian-American. At times, he is funny but not hilarious. The plot is made to be funny but fails along the way. The audience not only loses interest in laughing, but the characters as well. By the end of the movie, you hardly care who lives or dies and whether or not the movie ends. The title alone makes it hard for anyone to take this movie serious let alone enjoyable. For 1971, an unknown Robert De Niro is the highlight of the movie. The relationship between him and actress Leigh Taylor-Young becomes more of the story than the comical situation of trying to "bump off" the head of the local mob. Robert De Niro addition to the story is the only thing that keeps the movie watchable. Even for a spoof, this off beat, chuckles of a comedy lacks interest and any passion outside the side story of Young and De Niro.
mollyshearergabel I went to see this movie with my mother when it first came out. Now I am waiting for this to come out on DVD because it is one of the few movies that I want to own. When we went to see it in 1971 I laughed so hard I thought I might either pee on myself or vomit. I'd never seen anything so funny…or so familiar. I'm sure that it helped that the action took place primarily in my own neighborhood in Brooklyn, but I believe this movie has something for everyone. The humor didn't seem subtle to me at the time but in light of the brainless fare that has become so popular this movie does require that you actually pay attention from beginning to end. If you get nothing else out of it, the realization that it's not possible to housebreak a lion is worth the price of admission. That and the valuable lessons about car bombs, but to talk about that would require a spoiler alert.