Softwing
Most undeservingly overhyped movie of all time??
Afouotos
Although it has its amusing moments, in eneral the plot does not convince.
Rio Hayward
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
Janae Milner
Easily the biggest piece of Right wing non sense propaganda I ever saw.
Michael Ledo
Henrik Vanger (Christopher Plummer) wants to solve the 40 year old disappearance/murder of his 16 year old niece. He enlists the help of investigative reporter Mikael Blomkvist (Daniel Craig) who thinks he is on to something. He needs an assistant and employs the talents of Lisbeth Salander (Rooney Mara) in the title role. Lisabeth is a savvy psychotic bisexual computer hacker/investigator who provides us with a dark bizarre subplot.During the investigation they uncover hints that point to a serial killer, who kills Jewish women based on quotes from Leviticus. The mystery isn't too hard to figure out with the numerous clues that they give you. The movie is best when Rooney Mara is on the screen.F-bomb, rape, sex, nudity (Rooney Mara)
jo-hanna
I've nearly watched this several times, and when I actually did watch it last night, the intro really made me think I wasn't going to like it... Visually, the intro reminded me of (the awesome) Daredevil intro., but sadly only because of the slick graphics and 'flowing liquid'.. Musically it made me expect some kind of fast-paced dark, violent action thriller. It's like a frenetic, dark Bond intro. The film is more moody, and apart from a few scenes, generally much less frantic. They got a good, 'meaty' story going with Lisbeth I thought, but then spoiled it by almost forgetting about it. There was a particularly awful scene involving her, which I thought they'd play out more, but she dealt with it in her own way, then there was only a brief return to it later on.. I don't see the point. It wasn't part of her history: it just happened.. and it didn't seem to affect her much: her relationship with Mikael could've been much more interesting if they'd weaved that into her character. As it was, I wish I hadn't seen it. There could have been more to Mikael's character too. I believe that it would have worked better if their relationship was platonic: he could have been the guardian that she never appeared to have had.I dislike unnecessary violence, etc. in films. It often seems to be added in to please certain audiences, and I feel like that about some of the scenes in this. Overall, it was okay, but why do this remake? Apparently the Swedish version is pretty good. This version even had most of the actors doing Swedish accents.. except 'Bond' who didn't bother.. I got a little lost with all the similar names. The ending I found sad, but overall a bit disappointing. I just found several elements ill-fitting.I intend to watch the Swedish one at some point.
Kingslaay
I wonder why directors or producers choose to make such terrible films. Films that have such perverse and sick scenes. The first part of this film was twisted, sick and terrible to watch. Even if the second half of the film seemed interesting the first was simply dreadful. Who in their right mind would enjoy it? When I spoke to friends about this film they said the novel and previous adaptations were pretty good and enjoyable. Puzzled, I told them what I just saw and they gasped. The events were twisted and quite degrading. Making a film with such lewd content and terrible scenes acts to undermine the quality and story of a film.This film is a definite past and not recommended at all. If you want to torture prisoners of war maybe show them this film, it will get the job done.
eagandersongil
"Millenium - the men who did not love women," for that is, what a strong name, just as the film is also strong, with a seven-faced and a zoadic painted, fincher's investigative suspense hits again. We have here a very well worked script, not only in the construction and immersion of what is being investigated, but in the construction of an environment as a whole, its two protagonists are spectacularly presented and developed, all their nuances and dikes are shown, not always Played in the viewer's face, but for those who are paying attention, he perceives everything that guides our protagonists, just as the Vanger family, all their hatred of inheritance, their feuds and disagreements are extremely immersive, fault of this excellent fincher script that tells the story of Mikael Bomkvist (Daniel Craig) and Lisbeth Salander (Rooney Mara), a man who lives within social standards but is professionally discredited and a woman living out of social standards very professionally credited, the two unite to investigate a case in a family, Where there has been a disappearance more than 30 years. The film talks about invasion of privacy, domestic violence and abuse in a rough way, is like a punch in the stomach, the character of Lisbeth Salander (Rooney Mara) is incredible, a Gothic, with a completely opposite look of what is described in Social conventions that fight against itself in a search for something real. Technically, the film is very good, first the photography, we have nothing from another world, but the photography is always sober, gray, with darker tones, very traditional Fincher films, except in moments of flashbacks, there the Lighter tones take over, the film is clear and with a paler color palette, we can observe a care in this matter in every film, and the soundtrack is always sagacious, nothing memorable, but it is there, always. Rooney Mara, accustomed to cute roles is here completely decharacterized, and makes a very sober acting, just like her partner. Finally, "Millenium - Men who did not love women" is a movie that pleases.