The Glory Guys

1965 "Eee-Yo!!! Here comes the Glory Guys!"
6.1| 1h52m| en
Details

Though a fictionalized Western based on George Armstrong Custer's 7th Cavalry Regiment at the Battle of the Little Big Horn, the film is almost a generic war story covering the enlistment, training, and operational deployment of a group of recruits that could take place in any time period.

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Reviews

Ameriatch One of the best films i have seen
Lucybespro It is a performances centric movie
Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.
virek213 The story of how General George Armstrong Custer led his troops to their deaths at the Battle of Little Big Horn in 1876 is a textbook example of military megalomania writ large in American history, and clearly a story ripe for a budding writer, which is what Sam Peckinpah was in the 1950s, when, at the request of the production team of Arthur Gardner, Jules Levin, and Arnold Laven (for whom he would create the legendary TV western series "The Rifleman"), he was commissioned to write the screenplay for Hoffman Birney's novel "The Dice Of God", loosely based on the Custer story, and which was to become the basis for THE GLORY GUYS. But by the time the story went behind the cameras in mid-1964, Peckinpah, due to the fury that he had caused in Hollywood with the extreme production conflicts on MAJOR DUNDEE, was about to be virtually blackballed from Hollywood. And while the end result is nowhere near a terrible product, one has to wonder just how much further this film would have gone had Peckinpah been given the opportunity to direct his own script, which he in fact never did, contrary to what has been reported here at the Internet Movie Database (I for one would like to see corroborating evidence of that claim that he directed even a small part of it).Even in the finished film, there are themes Peckinpah had broached upon that are still there--the conflict between two men (Harve Presnell; Tom Tryon) and their commanding officer, a steely-eyed, almost dictatorial Cavalry commander (Andrew Duggan) out to put the Sioux in their place. As this kind of scenario had loosely played itself out in MAJOR DUNDEE, however, Laven, who directed the film, seemed to shift the film away from this critical look at personal and military obsession to the love triangle between Tryon, Presnell, and a pioneer woman (Senta Berger, returning from MAJOR DUNDEE) at their fort. It was a point that Peckinpah strongly (and unsurprisingly) found highly disagreeable, since his focus was on the near-fundamentalist behavior of Duggan's character. In the meantime, Laven does stage plenty of good action scenes, including the attack on the Sioux, but they don't have the kind of raw (let alone bloody) energy that Peckinpah would have bought to them, and the editing of these scenes, while more than competent, isn't quite up to what was even done in the action scenes of the unfairly butchered DUNDEE.Still, it's hard to say too many bad things about a film that is still as far removed from the old John Ford/John Wayne cavalry films as MAJOR DUNDEE had been; and Tryon and Presnell are extremely competent in their roles (though rumor has it that Lee Marvin and James Coburn were both considered first, before salary conflicts forced Laven to settle for the other two). There are also early roles for James Caan as an Irish-born cavalryman; and Wayne Rogers, later to star in the long-running TV series M*A*S*H, as another cavalry officer. Slim Pickens, who is never anything less than memorable, also does a good turn as one of the members of the cavalry. Perhaps the best thing about THE GLORY GUYS, besides those moments when the film lays Duggan's military megalomania bare, is the superb cinematography, most of it done on location near Durango, Mexico, of James Wong Howe, who had won an Oscar in 1963 for HUD.All in all, THE GLORY GUYS does hold up as an extremely competent film. But it still leaves one to wonder just how much further up the ladder of quality sagebrush film making it would have gone had Peckinpah been the one in the director's chair, as opposed to the more workmanlike direction of Laven. One can, unfortunately, only speculate.
kevcoady whilst it is always a pleasure to see senta berger on screen the film takes too much time developing the love interest. however when it gets to the point of the relationship between duggan and tryon it improves tremendously there are 2 scenes which are superb. the passing in review with the forming of the parade order is a classic and the charge by tryon and his troop chasing the decoy indians is one of the great spectacles of any western movie. historically it is very accurate especially the quest for water although factually the descent was down a 300 ft bluff.despite this being another take on custers last stand it compares very well to some of the other offerings
kidsrock101 I originally saw this movie back in 1965 when it first came out and I have always had fond memories of it . It is definitely not as substantial as Wild Bunch, Sam P's masterpiece western, but it is an intelligent movie that builds great characters who make up the film.Tom Tryon is good as the maverick Captain who worries more about the lives and survival of his men then the prime directive of the General, played in his great evil fashion by Andrew Duggan. Harve Presnell,as Sol the scout makes a good foil for Tryon as they compete for the love interest,the widow Woodward, played by Senta Berger The standout characters to me are Slim Pickens as the long-suffering sergeant who must mold the misfits into a fighting troop, and a very young, brash James Caan as Dugan, the Irish ne'er do well, who becomes a soldier after all.Because of the time period the Indians are pretty one dimensional and uniform, unlike later movie representations like Little Big Man, but they do pull off clever fighting tactics and the hand to hand combat is fierce for its day.Like later war movies, the enemy is often the high brass or the law, just as much as the opposing forces.I could only find this movie in VHS, so I recorded it on my DVD recorder so I could keep it for posterity.
dabumster I cringed when the opening credits started and some horrible song invaded my ear drums, but then things got better and I was pleasantly surprised while watching this film in its widescreen version. The acting was very good, the Calvary life on a dusty western post was well depicted, and the direction, albeit cheesy in some of chivalry scenes between the two leading men and typical bar fights of the genre, was pretty good considering the simple and predictable plot line.I think James Caan's part of Pvt. Anthony Dugan was well acted and gives us a hint to his impending stardom. Beautiful Senta Berger was just okay in her part of Lou Woddard but there wasn't much for her to do except officiate the battle between Tom Tryon and Harve Presnell for her hand. The other parts weren't that special either but what made the film play out well in my eyes was the appearance of authenticity of a western Calvary company. From the initial gathering of a bunch of green troops through their training and drilling, and complaining, to the final well oiled product that had at least a fighting chance of survival in a big campaign against the Indians.I would recommend this film for those who like westerns and give it 6.5 stars out of 10.